Sentences with phrase «art inhabiting the space»

Not exact matches

From the seemingly small spaces she inhabited, she taught me that God was grand and beautiful and that art had a way of expanding our imaginations so that they could open up to the feeling of a limitless God.

This state - of - the - art feline focused adoption center will not only provide more fulfilling lives to all of the cats and kittens who inhabit it, but free up space in other areas of our campus so we can continue to save the lives of more companion animals from both near and far!

I love looking at art that makes the space feel real and inhabited (like the many posters littering Sevastapol station in Alien: Isolation) and taking my time to explore random areas (like running through the bayou in Mafia 3).

Inspired by Alois Riegl's theory, which suggests that civilizations and cultures oscillate between two spatial conceptions: the «haptic», in which objects are isolated, and the «optic» conception, where they are combined in a continuous space, «Inhabiting Time» juxtaposes close to thirty, apparently autonomous, fragments (art works) by: Francis Alÿs, Carlos Amorales, Jean - Michel Basquiat, Louise Bourgeois, Moyra Davey, Jenny Holzer, Donald Judd, On Kawara, Joachim Koester, Gonzalo Lebrija, Richard Long, Gordon Matta - Clark, Jean - Luc Moulène, Rivane Neuenschwander, Steven Parrino, Robert Rauschenberg, Dieter & Björn Roth, Robert Ryman, Robert Smithson, Rosemarie Trockel, Franz West y Hannah Wilke, among others.

In production since 1997, these inclusive and interactive works act simultaneously as off - the - cuff quips and radical reconsiderations of the major questions key to both sculpture and art viewing: how figures relate to their ground, how one inhabits space, and how simple acts of re-framing can alter perceptions.

With Meireles's larger installations in the show, viewers are confronted by entire rooms filled with art, engaging them to experience the work through direct participation, either by walking through it or inhabiting the space.

The piece brings an embodied physical female presence to what is still largely a male - dominated space, imaging a new way of inhabiting both the art gallery and the world beyond it.

Joachim Koester's exposition at the Camden Arts Centre, London, shows how the body and mind assimilate with the space and time that they inhabit.

Drawing on diverse cultural sources including literature, history, art, music and religion, Khan has developed a unique narrative involving densely layered imagery that inhabits the space between abstraction and figuration and speaks to the themes of history, cumulative experience and the metaphysical collapse of time into single moments.

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtart, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtArt, Robert Hull Fleming Museum, University of Vermont, Burlington.

«We've had organic growth, inhabiting the space bit by bit over time,» said Joseph Thompson, the founding director of the Massachusetts Museum of Contemporary Art, who has just completed the museum's third phase of expansion on the 16 - acre campus — after some three decades.

In other works, pieces of clothing become part of the art as they inhabit a space in between the flat world of painting and the 3D world of fashion.

Between 1927 and 1942, the space now inhabited by the Grey Art Gallery was occupied by A. E. Gallatin's Gallery (later Museum) of Living Art.

Citing the changing nature of the art market and the function of galleries, Pavel Zoubok Gallery and George Adams Gallery announced today that they will be joining forces and inhabiting a ground - floor space at 531 West 26th street in Chelsea.Despite the cohabitation, the two... Read More

These inclusive and interactive works act simultaneously as off - the - cuff quips and radical reconsiderations of the major questions key to both sculpture and art viewing: how figures relate to their ground, how one inhabits space, and how simple acts of re-framing can alter perceptions.

Working within the traditions of conceptual art, Tatham & O'Sullivan's work creates and temporarily inhabits specific narrative or thematic spaces.

Joachim Koester's exposition at the Camden Arts Centre, London, shows how the body and mind assimilate with the space and time they inhabit, often without intention or even realisation.

Whether examining the nature of inhabited space or the confrontation between facts and ideology, Shettar's intricate works collapse distinctions between art and craft, yet draw liberally from the histories of both.

In his drawings of the late 1960s and early 1970s, the imaginary spaces inhabited by these objects became more fully realized, as in Coffee Shop at the Chicago Art Institute (1971).

Zittel is perhaps best known for creating the High Desert Sites in Joshua Tree, an arts compound that is as much a gathering space as it is an ever - evolving work of art that she also inhabits.

Within my art practice, I draw from my experiences of how I inhabit public and private spaces and rely on research from other South Asian scholars interested in gender, urban space and the right to everyday life.

In positioning himself between worlds — the art world, his family and community, peripheral spaces he seeks to inhabit — Murillo has made room for a new visual language, one that draws as easily and subversively on his personal narratives and the narratives around the places he has visited, as it does on traditional vocabularies of painting, installation, and sculpture.

In his drawings of the late 1960s and early 1970s, the imaginary spaces inhabited by these objects become more fully realized, as in Coffee Shop at the Chicago Art Institute (1971).

Strategies for Visibility and Action, Graduate Center CUNY, New York, NY Disillusions: Gendered Visions of the Caribbean and its Diasporas, Curated by Tatiana Flores, Middlesex Art Gallery, Middlesex, NJ Elastic Identity, at IMC Lab + Gallery, New York, NY Paperwork, curated by Nina Chanel Abney, New York, NY Edouard Glissant: Inhabit his Name, Be Black Baby at Recess Space, New York, NY

The project sets out to examine how sound inhabits an exhibition space, particularly the way in which it spills or bleeds into and between art works.

Exhibited and commissioned for specific contexts and sites, the sculptures, sofas and chairs, draw on the potential of their surroundings by transforming the gallery or the spaces they inhabit into lounge - like environments for socializing and viewing art.

SELECTED SOLO EXHIBITIONS 2016 «Sidereal Rift,» Craig Krull Gallery, Santa Monica 2013 «Some Dry Space,» James Danziger Gallery, New York 2012 «Private Frontiers,» Hosfelt Gallery, San Francisco, CA 2012 «Two Sublimes, Idaho» Craig Krull Gallery, Santa Monica 2011 «Some Dry Space: An Inhabited West,» Blue Sky Gallery, Portland, OR 2010 «Architecture of Subtraction,» Bolinas Museum, Bolinas, CA 2010 «InterMountain,» Craig Krull Gallery, Santa Monica 2009 «100 Suns,» Yours Gallery Foundation, Warsaw, Poland 2009 «New Work,» Hosfelt Gallery, San Francisco 2008 «Some Dry Space: An Inhabited West,» Nevada Museum of Art, Reno 2008 «Bookworks and Photographs,» Galerie Michael Wiesehoefer, Cologne 2008 «100 Suns,» Fleming Museum, University of Vermont, Burlington 2008 «100 Suns,» Knoxville Museum of Art, Tennessee 2007 «Edge Of The West,» Galerie Luc Bellier, Paris 2007 «Los Angeles 07.27.05,» Craig Krull Gallery, Santa Monica 2007 «Bookworks,» Hosfelt Gallery, New York 2007 «Near Planet,» Hosfelt Gallery, San Francisco 2006 «100 Suns,» Hosfelt Gallery, New York 2006 «Full Moon,» Hasselblad Center, Goteborg, Sweden 2005 «Hover,» Hosfelt Gallery, San Francisco 2005 «Arid Flows: Los Angeles and Its Deserts,» Natural History Museum of LA County, CA 2005 «100 Suns: For Robert, Ernest & Edward's Berkeley, 1945 - 1962», University of California, Berkeley 2004 «100 Suns,» Casino Luxembourg, Luxembourg 2004 «Silence and the Big Blast,» Wood Street Galleries, Pittsburgh 2004 «100 Suns,» Auditorium Arte, Rome 2004 «100 Suns,» Frehrking + Wiesehofer Gallery, Cologne 2004 «Some Dry Space,» Craig Krull Gallery, Santa Monica 2003 «100 Suns,» Hosfelt Gallery, San Francisco 2001 Metropolitan Transit Authority / Arts For Transit, Grand Central Station, New York 2000 «Full Moon,» Museum of Contemporary Art, Sydney 2000 «Full Moon» American Museum of Natural History, New York 1999 «Full Moon,» Hayward Gallery, London 1999 «Full Moon,» Huis Marseille / Foundation for Photography, Amsterdam 1999 «Full Moon,» San Francisco Museum of Modern Art 1995 «Blue Fall,» Chrysler Museum, Norfolk, VA 1995 «Ranch & Oblivion,» Robert Koch Gallery, San Francisco

Rather than abstracting reality, the Minimalists manifested the shapes, colors, forms and lines often explored in abstract art, inhabiting them in physical space in a representational way.

This media art + group exhibition curated by Cree / Metis artist Cheryl L'Hirondelle is meant to be a dialogue between selected work by seven Indigenous and non-native artists to illustrate how we inhabit, make actions, document time - space, and in doing so, how we are all staking claim to territories whether physical, aesthetic, conceptual and / or virtual.