Sentences with phrase «art installation planning»

Chris Hoover has a diverse background in production ranging from film / video production to event production to art installation planning and production.

Not exact matches

At the core of the PX plan is the «World Stage,» a large, flexible venue space that will serve as an open platform for an ever - changing array of indoor and outdoor public programs, including art installations, concerts, performances, lectures, classes, workshops, conferences, and more.

Originally presented at Dia Center for the Arts in Chelsea from 1998 to 2000, this new iteration is Irwin's first installation for Dia: Beacon, for which he designed the master plan.

Past projects include: PLAN B, Rudolf Stingel, Summer 2004, Grand Central's Vanderbilt Hall and The Walker Art Center, Minneapolis; Prada Marfa, Michael Elmgreen and Ingar Dragset, permanent installation, Marfa, TX; Greeting Card, Aaron Young, The Drill Hall at the Park Avenue Armory, September 2007; Electric Fountain, Tim Noble & Sue Webster, Rockefeller Plaza, Spring 2008; Whitney Biennale, presented by APF and the Park Avenue Armory, March 2008; Prospect 1.

Before construction begins, Pace will host a public art installation by artist and musician David Byrne, who plans to fill the lot with a giant inflatable globe.

Australia's Mona announces major expansion plans The Museum of Old and New Art in Hobart (Mona), Australia, has announced a major expansion project which will, if approved, incorporate into the current site a five - star, 172 - room hotel containing a three - storey library and several outdoor art installatioArt in Hobart (Mona), Australia, has announced a major expansion project which will, if approved, incorporate into the current site a five - star, 172 - room hotel containing a three - storey library and several outdoor art installatioart installations.

She will help develop focus exhibitions and plan installations in the permanent collection galleries, including a project to reinstall the Modern Art Galleries this summer.

Installation view of Open Plan: Michael Heizer (Whitney Museum of American Art, New York, March 25 — April 10, 2016).

Lucy Dodd (b. 1981), installation view of Open Plan: Lucy Dodd at the Whitney Museum of American Art, New York, 2016.

Various research materials from René d'Harnoncourt Papers, REG 393, Museum of Modern Art Archives, New York, including installation view and floor plan of Timeless Aspects of Modern Art, 1948.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.

She is also beginning to plan for the new installations of PEM's American art collections and collaboratively developing two new co-curated exhibitions: an exhibition on Jacob Lawrence's Struggle Series of 1954 - 56 and

For the inaugural Open Plan commission on Sceaux Gardens estate, artist and designer Morag Myerscough designed a bespoke installation for the newly launched Art Block, a space for local children and families to make things, be creative and play during free weekly workshops.

She is also beginning to plan for the new installations of PEM's American art collections and collaboratively developing two new co-curated exhibitions: an exhibition on Jacob Lawrence's Struggle Series of 1954 - 56 and In American Waters, which will reevaluate the importance of the sea to American painters.

This important and unique work (though Flavin had planned it in an edition of 3, only one of the edition was ever produced) was shown most notably in «Dan Flavin: installations in fluorescent lights 1972 - 1975,» a one - person exhibition at the Fort Worth Art Museum (later renamed Modern Art Museum Fort Worth) in 1975 and has not been shown publicly since 1999, the date of a Judd / Flavin exhibition at the Menil Collection.

Installation floor plan from the exhibition, «The World Around Us: 100 Years of American Landscape,» Summer 1955, held at the Dallas Museum of Fine Arts.

Floor plan of the installation at the Dallas Museum of Fine Arts of the exhibition Collaboration: Artists and Architects, August 19 — September 27, 1981.

Installation floor plan from the exhibition, «Mexican Dance Masks,» August 4 — September 12, 1982, held at the Dallas Museum of Fine Arts.

Installation floor plan from the exhibition, «El Greco of Toledo,» December 12, 1982 — February 6, 1983, held at the Dallas Museum of Fine Arts.

Installation floor plan from the exhibition, «Joel Shapiro,» March 12 — May 8, 1983, held at the Dallas Museum of Fine Arts.

Installation floor plan from the exhibition, «The Work of Atget: The Art of Old Paris,» February 23 — April 3, 1983, held at the Dallas Museum of Fine Arts.

Installation plan for the exhibition Wealth of the Ancient World: The Nelson Bunker Hunt and William Herbert Hunt Collections, April 25 — June 24, 1984 at the Dallas Museum of Art.

Jean Shin was recently interviewed by MetTeens volunteer Omega Nugent about a collaborative art installation Jean is planning with The Met and Materials for the Arts.

Founded in 1974 Dia Art Foundation presents temporary installations, performances, lectures, and readings on West 22nd Street in Chelsea, with plans underway to open a new project space.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans and critical texts from the time, as well as an expansive account of recent exhibition history by Bruce Altshuler.

The Kemper Art Museum's Director and Chief Curator and the University Architect cochair the committee to ensure that the University's short - and long - term plans for capital projects are incorporated into the planning for art installations and that artworks meet museum standards for aesthetic distinction and historical significanArt Museum's Director and Chief Curator and the University Architect cochair the committee to ensure that the University's short - and long - term plans for capital projects are incorporated into the planning for art installations and that artworks meet museum standards for aesthetic distinction and historical significanart installations and that artworks meet museum standards for aesthetic distinction and historical significance.

A year later, he was in New York, where he had work in the much noticed «Information» show at the Museum of Modern Art, and planned to build an installation in Central Park.

Mentored by the Art Museum team of staff to mount a graduating exhibition, MVS Curatorial Studies students gain valuable experience within all aspects of exhibition planning, including: curatorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming development.

Theaster Gates is a Chicago - based artist in performance and installation, urban planning and design, and the traditional fine arts.

Katy Siegel, the museum's senior curator for research and programming, revealed a few details about the planned installation and placed it in the context of American art history.

Thus starting from Konstanet as a white constantly open camping tent (of exactly the same plan and dimensions) and Kunsthalle Linz as a DIY cardboard white cube levitating inside Konstanet the online - installations continue to explore the questions of art - institution's self - image, artist's relation to it and resistance, possibilities of its re-imagining, hosts, guests and parasitism to which there is no outside but a proclivity to levitate...

With a Large Installation planned by Poesia and Intense color paintings made by Geso both seem poised to further their reach within the Graffiti / Urban art genre.

AS: We also wanted to create a multisensory experience within the arts and combine sensuality through, and with, the material.ls that the artists work with — we are even planning an edible installation for our finissage.

The last time I spoke with Houston artist and lighting designer Jeremy Choate, he was planning an installation for the exterior building of the Contemporary Arts Museum Houston, a project about which he was very excited.

Installation view of the exhibition Alighiero Boetti: Game Plan, The Museum of Modern Art, New York, July 1 — October 1, 2012.

This was a form of installation art consisting of photographs and plans of site locations (mostly derelict urban areas), which were displayed along with earth, rocks and other geological refuse collected from the sites.

This open - hearted and stimulating interchange was organized around three themes: the conceptual process that led up to the new installation plan and its outcomes regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made regarding possible clusters of works and themes, as well as the actual works to be displayed; and, finally, the position of the Stedelijk Museum in the contemporary debates surrounding the canon, curatorial strategies, the relationship between fine art and visual culture, and the influence of non-museological display formats on museum practice.

Responsibilities include: exhibition and interpretive planning, curatorial research, cataloging the University's permanent art collection, exhibition installation assistance, and, when appropriate, co-curating an exhibition with the Gallery Director.

How art ages MARTa Herford Museum, Herford Royal Awards for Painting 2011 Royal Palace, Amsterdam ILLUMInations The 54th Venice Biennale, Venice (catalogue) Too late, too little, (and how) to fail gracefully Kunstfort Asperen, Langedijk (catalogue) Image to be projected until it vanishes Museion - Museum of modern and contemporary art, Bolzano (curated by Mihnea Mircan) Radical Autonomy Netwerk / centrum voor hedendaagse kunst, Aalst Inside Installations Collectietentoonstelling S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent (catalogue) Falten, Searching for White, Rise above Reason Martin van Zomeren, Amsterdam 2010 Taking Place Stedelijk Museum, Amsterdam Invisible Shadows, Images of Uncertainty MARTa Herford Museum, Herford (catalogue) Benefit Exhibition Kunst Halle Sankt Gallen, St. Gallen Starter Arter, Istanbul (curated by Rene Block)(catalogue) History of Art David Roberts Art Foundation, London Performative Attitudes Kunsthaus Glarus, Glarus Up to You Stroom, The Hague 2009 The Knight's Tour De Hallen Museum, Haarlem (catalogue) Sculptural - Collection S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent Broken English Seiler + Mosseri - Marlio Galerie, Zurich 2008 Modern Museum of Arnhem Portfolio 1 Plan B, Berlin (catalogue) Schilders DCR, The Hague Geoair residency in Georgia, Tbilisi Mariakapel, Hoorn 2007 Billy town Rijswijk INSIDEOUT Moira Gallery, Utrecht Voorstel voor DCR Project Space, The Hague Drawing the line somewhere duo, Nart ages MARTa Herford Museum, Herford Royal Awards for Painting 2011 Royal Palace, Amsterdam ILLUMInations The 54th Venice Biennale, Venice (catalogue) Too late, too little, (and how) to fail gracefully Kunstfort Asperen, Langedijk (catalogue) Image to be projected until it vanishes Museion - Museum of modern and contemporary art, Bolzano (curated by Mihnea Mircan) Radical Autonomy Netwerk / centrum voor hedendaagse kunst, Aalst Inside Installations Collectietentoonstelling S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent (catalogue) Falten, Searching for White, Rise above Reason Martin van Zomeren, Amsterdam 2010 Taking Place Stedelijk Museum, Amsterdam Invisible Shadows, Images of Uncertainty MARTa Herford Museum, Herford (catalogue) Benefit Exhibition Kunst Halle Sankt Gallen, St. Gallen Starter Arter, Istanbul (curated by Rene Block)(catalogue) History of Art David Roberts Art Foundation, London Performative Attitudes Kunsthaus Glarus, Glarus Up to You Stroom, The Hague 2009 The Knight's Tour De Hallen Museum, Haarlem (catalogue) Sculptural - Collection S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent Broken English Seiler + Mosseri - Marlio Galerie, Zurich 2008 Modern Museum of Arnhem Portfolio 1 Plan B, Berlin (catalogue) Schilders DCR, The Hague Geoair residency in Georgia, Tbilisi Mariakapel, Hoorn 2007 Billy town Rijswijk INSIDEOUT Moira Gallery, Utrecht Voorstel voor DCR Project Space, The Hague Drawing the line somewhere duo, Nart, Bolzano (curated by Mihnea Mircan) Radical Autonomy Netwerk / centrum voor hedendaagse kunst, Aalst Inside Installations Collectietentoonstelling S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent (catalogue) Falten, Searching for White, Rise above Reason Martin van Zomeren, Amsterdam 2010 Taking Place Stedelijk Museum, Amsterdam Invisible Shadows, Images of Uncertainty MARTa Herford Museum, Herford (catalogue) Benefit Exhibition Kunst Halle Sankt Gallen, St. Gallen Starter Arter, Istanbul (curated by Rene Block)(catalogue) History of Art David Roberts Art Foundation, London Performative Attitudes Kunsthaus Glarus, Glarus Up to You Stroom, The Hague 2009 The Knight's Tour De Hallen Museum, Haarlem (catalogue) Sculptural - Collection S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent Broken English Seiler + Mosseri - Marlio Galerie, Zurich 2008 Modern Museum of Arnhem Portfolio 1 Plan B, Berlin (catalogue) Schilders DCR, The Hague Geoair residency in Georgia, Tbilisi Mariakapel, Hoorn 2007 Billy town Rijswijk INSIDEOUT Moira Gallery, Utrecht Voorstel voor DCR Project Space, The Hague Drawing the line somewhere duo, NArt David Roberts Art Foundation, London Performative Attitudes Kunsthaus Glarus, Glarus Up to You Stroom, The Hague 2009 The Knight's Tour De Hallen Museum, Haarlem (catalogue) Sculptural - Collection S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent Broken English Seiler + Mosseri - Marlio Galerie, Zurich 2008 Modern Museum of Arnhem Portfolio 1 Plan B, Berlin (catalogue) Schilders DCR, The Hague Geoair residency in Georgia, Tbilisi Mariakapel, Hoorn 2007 Billy town Rijswijk INSIDEOUT Moira Gallery, Utrecht Voorstel voor DCR Project Space, The Hague Drawing the line somewhere duo, NArt Foundation, London Performative Attitudes Kunsthaus Glarus, Glarus Up to You Stroom, The Hague 2009 The Knight's Tour De Hallen Museum, Haarlem (catalogue) Sculptural - Collection S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent Broken English Seiler + Mosseri - Marlio Galerie, Zurich 2008 Modern Museum of Arnhem Portfolio 1 Plan B, Berlin (catalogue) Schilders DCR, The Hague Geoair residency in Georgia, Tbilisi Mariakapel, Hoorn 2007 Billy town Rijswijk INSIDEOUT Moira Gallery, Utrecht Voorstel voor DCR Project Space, The Hague Drawing the line somewhere duo, Ned.

Bat Project II (2002) was planned as a massive 20 x 15 x 6 m steel outdoor installation at the opening of China's First Guangzhou Triennial at the Guangdong Museum of Art.

The App provides instant access to the nearly 3,000 works of modern and contemporary art in the Phillips's permanent collection; exhibition and collection audio guides; concert and artist talk podcasts; behind - the - scenes installation videos; interactive floor plans; exhibition and event calendars; visitor information; and one - click text message donations.

Other public events planned as part of the On Our Mind program at CCA Wattis include a lecture by Professor Shannon Jackson (UC Berkeley), a talk by Lawrence Rinder (director of the Berkeley Art Museum and Pacific Film Archive), a performance by LA - based artist Susan Mogul, and an installation by New York - based artist Cameron Rowland.

Architecture being the main space of action, where planning, construction, appropriation and discourse take place, this art exhibition gathers four video installations and one wall piece, presenting different approaches to this space of action.

The Curators manage the visual arts exhibition program and develop exhibition project management plans including: exhibition design, installation, timelines and scheduling.

Gagosian Gallery: Camino Real [Gagosian Gallery] Gagosian Gallery Paris Gallery Press Release [Gagosian Gallery] Behind the scenes of Gagosian's new Paris gallery [The Art Newspaper] Go See — Paris: Cy Twombly's permanent installation «The Ceiling» at Musée du Louvre [Art Observed] Gagosian Sells $ 20 Million Art in Paris, Plans Global Growth [Bloomberg]

Installation floor plan from the exhibition, «Concentrations II: Ann Lee Stautberg,» April 26 — June 7, 1981, held at the Dallas Museum of Fine Arts.

Perhaps that is what broadens our smile as we think about the Rebar installation art / urban planning demonstration event.

Coordinate and execute all exhibition planning, design development, curatorial implementation and installation of two separate art galleries monthly, and curate over 18 - 20 exhibitions per season on - and off - site.

Includes: designing, planning, ordering, scheduling, and coordinating w / contractors the installations (painting, furniture assembly and placement, wall mounting art).