Sentences with phrase «art into society»

Bringing art into society and connecting it to everyday life lie at the centre of his work.

So states Joseph Beuys in the catalog for «Art into Society» (ICA, London, 1974).

In 1974 I was one of the people instrumental in organising an exhibition at the Institute of Contemporary Arts, «Art into Society — Society into Art: Seven German Artists.»

A much smaller show but of great interest is the archival display contextualising the seminal exhibition «Art into Society — Society into Art» at the ICA (19 January — 6 March 2016).

Not exact matches

Kraft has also been inducted into the American Academy of Arts and Sciences, the Broadcasting and Cable Hall of Fame and the Congressional Medal of Honor Society's Patriot Award..

Music or dancing is often incorporated into the ceremonies of many societies.3 I like the illusions to community and the arts here better.

Fuchs, 76, who has been commissioned to paint portraits of five U.S. presidents, was inducted into the Society of Illustrators Hall of Fame in 1975, and last week the Telluride Gallery of Fine Art opened a retrospective of his career.

These beautiful pieces of art influenced Italian society centuries later and they have ultimately imprinted a vision into the world of Italian football.

The Dundee Township Historical Society wants to turn the building into an educational center offering art and nature programs as well as historical re-enactments.

I'm all about gift - giving, gift exchanges, and enjoying the art of giving, but I'm not about buying into the yoke and pressure that society puts on us to buy just the right gift, the perfect gift.

Bronx Calendar Upcoming Events Paulo Bruscky: Art Is Our Last Hope Wed Nov 06 @ 11:00 AM HISTORY WOVEN INTO CLOTH Selections from the Textile Collection of The Bronx County Historical Society Wed Nov 06 @ 4:30 PM FIRST WEDNESDAYS BRONX CULTURE TROLLEY -LSB-...]

However, fast and cheap rarely succeeds, especially in introducing research results into society, says Boy, who advocates for STEAM education — science, technology, engineering, and math — with art and creativity.

In June 2009, she was inducted into the Académie des Beaux Arts de l'Institut de France, Fance's prestigious society that generates awareness of the arts through education and helps develop artistic relationships on an international leArts de l'Institut de France, Fance's prestigious society that generates awareness of the arts through education and helps develop artistic relationships on an international learts through education and helps develop artistic relationships on an international level.

More important in that department is the debut of a CinemaScope visual style, which cinematographer Leon Shamroy anchors through often hauntingly precise coloration and lighting, in addition to a tight scope which is intimate and grand enough to immerse you into George Davis» and Lyle R. Wheeler's Oscar - winning art direction, which is immersive enough by its own right, utilizing Paul S. Fox's and Walter M. Scott's impeccable set decoration and Charles LeMaire's and Emile Santiago's costume designs to restore the look of Ancient Rome - from its high society to simple villages - lavishly.

Despite being cautioned by Sergeant Ferrat (Hugo Weaving), Tilly ingratiates herself back into the small - minded society that kicked her out years prior, transforming the town gossips — including Gertrude «Trudy» Pratt (Sarah Snook)-- into works of art with her heavenly creations.

Farrell stars in this art - house hit about a just - dumped man in a society where he has 45 days to find his true love or be turned into an animal of his choice.

Thirty seven pieces of art from the Samuel H. Kress and European Art Collections at the Allentown Art Museum are used to take students into the past to explore the art, thought, and society of the Renaissance period in Euroart from the Samuel H. Kress and European Art Collections at the Allentown Art Museum are used to take students into the past to explore the art, thought, and society of the Renaissance period in EuroArt Collections at the Allentown Art Museum are used to take students into the past to explore the art, thought, and society of the Renaissance period in EuroArt Museum are used to take students into the past to explore the art, thought, and society of the Renaissance period in Euroart, thought, and society of the Renaissance period in Europe.

Learning Objective To give students a background into art as being a statement to reform society, to see an artists who works as an activist to make statements about the corruption in the Chinese Government.

«For example, the Washington Performing Arts Society, the Washington Institute for Dance, and Lifepieces to Masterpieces all work directly with [public schools in D.C.] to bring their own successful curriculums, which weave some level of art — dance, choir, painting, or musical instrument instruction — into the arts integration schools» curriculum.&raArts Society, the Washington Institute for Dance, and Lifepieces to Masterpieces all work directly with [public schools in D.C.] to bring their own successful curriculums, which weave some level of art — dance, choir, painting, or musical instrument instruction — into the arts integration schools» curriculum.&raarts integration schools» curriculum.»

Susan Coles, of the National Society for Education in Art and Design, demanded once again that the EBacc be scrapped, pointing to a report by the Education Policy Institute that showed a continuing decline in the number of children enrolling into arts GCSEs last month.

, about which Kirkus says, his «densely illustrated, painterly scenes give readers a strong sense of the culture and beauty of South Africa,» was also accepted into the Society of Illustrators» 2017 Original Art Show, an honor that is greatly celebrated in the children's book community.

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Recently, an artist who frequents the site was accepted into the Ocean Artists Society, which aims to use art to inspire positive environmental change.

She has been juried into the «Best and Brightest» competition in Scottsdale for 4 years, has won awards competing in the Pastel Society of the West Coast, and recently won first place for Small Works at the Academy of Art University, San Francisco.

Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator at Whitechapel Gallery says: «We are very excited take our first journey into online commissioning with Jonas Lund, who has created a pertinent work asking important questions about the value of art in a globalised, technologised society.»

But the legendary school might not be teaching students today — indeed might not have made it into the 20th century — were it not for the vision of the men and women who worked together to develop the American Fine Arts Society (AFAS) building, the League's home on 57th Street since 1892.

Gallery, «Flash Records», New York NY Kling & Bang Gallery, «Hrafnhildur Arnadottir & New York Artists», Reykjavik, Iceland Photography Museum, «The Kate Moss Show», Amsterdam, Netherlands Momenta Art, «The Inhumane Society», Brooklyn NY Sculpture Center, «Denial is a River», New York NY Barbara Gladstone Gallery, «Dereconstruction», New York NY Schirn Kunsthalle, «Jugend von Heite / Youth of Today», Frankfurt, Germany Haifa Museum of Art, «Mixed Emotions», Haifa, Israel Museum Boijmans Van Beuningen, «Dark», Rotterdam, Netherlands Migros Museum für Gegenwartskunst, «While Interwoven Echoes Drip into a Hybrid Body», Zurich, Switzerland

2006 Renegades: 25 Years of Performance Art at EXIT ART - A Selection From The Archives, Exit Art, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt at EXIT ART - A Selection From The Archives, Exit Art, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOART - A Selection From The Archives, Exit Art, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOArt Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOVE!

Kehinde has an MFA from Yale, but instead of using his art to assimilate into mainstream society, he goes minorstream, creating major works that outpace that of the majority of his contemporaries.

Walead Beshty: The LA - based artist who turns both his process and society's rules and restrictions into his art, by Helen Sumpter

Cura - tors for this year, Fabian Schöneich (Portikus, Frankfurt) and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago), ensured that the section remained the definitive destination to discover emerging talent; whilst Live continued to develop into a section recognised and admired as an important platform for international performance art.

Art, for Axell, evolved into a weapon of provocative self - empowerment, which she yielded against the objectification of women in post-war society.

This exhibition entitled Murakami by Murakami dives into the multi-layered world of a figure whose notion of art embraces not just creating but also collecting, curating and merchandising, and who is concerned with society, the environment, his fellow artists and the art market.

The show, curated by Lawrie Shabibi Gallery in collaboration with Nafisa Rizvi of the Karachi - based online magazine Art Now, gives insight into the daily reality of life in Pakistan, while making subtle, yet relevant critiques of contemporary Pakistani society and politics.

Offering insights into culture, society, and architecture, the project is a record of Nuriev's developing approach and his unique position at the intersection of art and design.

That show introduced American audiences to Cubism and other avant - garde forms of European art and, in the process, «exploded New York and the nation into the modern world,» as the Historical Society's President Louise Mirrer explained at a recent symposium.

using simple materials, mundane objects, wit and written instructions, wurm invites people to interact with his art, transforming spectators into active participants, encouraging them to poke fun at the paradoxes of contemporary society.

To include the work of some artists who have not generally been associated with institutional critique per se through its lens is to insist that their work be evaluated not only for its profound commitment to criticality and to bringing largely suppressed (or repressed) aspects of our society into public view but also for the ways in which it then insists that the institutions of art contend with these matters.

He took realistic art and turned it into pungent critique of the ills of modern society.

It has been described as Baroque in its literary, historical and art historical references and he draws the viewer into looking at society, providing both honest as well as artificial reflections.

This ventriloquism manifests itself in the artist's ability to take the basic, intrinsic and intended use of a material by its manufacturer, as defined by the requirements of a society and transform these into art - works that function on several levels simultaneously, without relinquishing its original, newly found or potential, future identity.

Nancy has had many awards in her career and has been juried into international competitions such as the annual Salon International, the American Impressionist Society Annual Exhibit, and Oil Painters of America.In 2008, she was honored to be selected as one of two painters from the Eastern Shore to be part of a show titled «Making Art: Explorations in Process» at the Academy Art Museum in Easton, Maryland which included notable American artists from the 19th and 20th centuries and works borrowed from major museums including the National Gallery of Art and the Brandywine River Museum.

The British Computer Arts Society in collaboration with Ravensbourne and the Electronic Literature Organization are happy to announce the Beyond GRAMMATRON: 20 Years into the Future symposium and exhibition.

So much pious pontificating rubbish is spouted about the function and value of the arts in society that I was delighted last week to catch the great sculptor Anthony Caro putting the subject into wise perspective during an interview with my colleague Alastair Sooke on the latter's BBC Four series Romancing the Stone.

He has always understood the fabric of society in an uncanny way, and he has been able to channel his perception of the world into an art that is consistently surprising, challenging but lyrical.

Bauhaus: Art as Life explores the diverse artistic production that made up its turbulent fourteen - year history and delves into the subjects at the heart of the school: art, culture, life, politics and society, and the changing technology of the aArt as Life explores the diverse artistic production that made up its turbulent fourteen - year history and delves into the subjects at the heart of the school: art, culture, life, politics and society, and the changing technology of the aart, culture, life, politics and society, and the changing technology of the age.

Only occasionally does Byzantine Things fall into what artist Daniel Buren (who's not in the show) has called the «exhibiting exhibitions» trap, in which, as he wrote in Frieze in April, «exhibitions are increasingly becoming opportunities for an organizer or curator or whoever to write an essay which usually has nothing to do with the artists invited, but concerns only his or her philosophy about art and society, politics or aesthetics.»

While the first part of the exhibition focuses on local involvement and the story of modern art in Europe up to the Second World War, the later part deals with the huge shifts in society after 1950 and wider global influences that came into play.

With the 100 - year anniversary approaching, NSA has established The Norfolk Society of Arts Second Century Fund to commemorate its proud past and to promote its mission into the second century.

For his upcoming exhibition at Susan Calloway Fine Arts, Naylor delves into modern day «café society».