Sentences with phrase «art movies make»

Somehow, despite its focus on commercial cinema, a couple of outstanding art movies make it into FEFF every year.

Not exact matches

Pixar movies might make unusual sermon illustrations, but just like with any piece of art, at the core, they hit on deep truths that can inform and challenge our faith.

Any time we watch a movie or engage with a work of art, we are making a very personal choice.

There will be art created, movies watched, trips taken, iPad played, messes made, piano practiced, experiments conducted, imaginary worlds invented, new people met and errands run.

Richard Barnbrook, leader of the 11 BNP councillors in the borough of Barking and Dagenham, made a movie at art school which shows naked men frolicking by a river.

Speaking at the African University College of Communications on «The Lost Works of Quakes» moderated by a lecturer of the University Nana Achampong, he said that producers have to develop a perfect strategy to make their movies or art works attract higher demand and successful market.

«The National Commission on Culture has got theatres across the 10 regions of Ghana but most of them are in bad shapes — so we shall, through this private - public partnership, craft them into state of the arts conditions, so that our filmmakers can premier or screen their movies across the nation to make some good money even before they release the movies unto the market» he added.

Whether you've built a business around photography, or you're looking to make killer home movies, a drone can take your art to the next level.

«Art advancing science at the nanoscale: What happens when two scientists set out to make a movie to entertain the public?

«Other mammals can't make movies or art or other great things with their feelings the way we can.

I recently watched the movie as an adult and now I can appreciate the art and detail of what went into making the movie.

Crystal and I will be gifting one of you a brand new copy of Choose Joy by Sara Frankl and Mary Carver, a beautiful Hallmark greeting card autographed by Dancing With the Stars own Julianne Hough (yep — seriously), a set of Hallmark Crown Collection Christmas movies (MY FAVORITE), a year long subscription to Relevant Magazine, an art print by Hey Emily Thomas, a pair of Vi Bella earrings, and a few other goodies that might just make their way into the prize pack.

I love reading, making art, listening to music and watching movies.

I like to dance, do martial arts, draw, sing, go to movies, make movies, act.

I do enjoy making art, reading, watching movies, animals, both tabletop and video games, and other things I can not think of right now.

I like to snowboard, make art, listen to music, dance, sing, play video games, watch movies, watch anime, play magic, party, and have fun.

I'm 49, mom to twin 28yo boys, gmom to 4, I'm a caring, loving, smart, talented and humorous person who loves to cuddle, take in movies, cook, poetry, arts and spend a great deal of time getting to know the right person an making friends along the way

Besides reading, I spend my time journaling, watching movies and TV shows and making my way through the art of writing.

My interests include art, fine music, movies and making my dreams come alive.

This limply directed tale emerges as a case study of an all too familiar type of art crime: the making of bad movies.

One of the stranger ironies to be found in Hollywood these days is that some of its most resourceful directors use high - tech wizardry and state - of - the - art movie technology to make films that rail against the tyranny of science.

He's usually able to imbue any of these with some modicum of the charisma that's made him a movie star, and when that magnetism and chosen persona combine with the right filmmaker, the result can be wonderful: the grinning idiot of O Brother, Where Art Thou?

There are a few beguiling moments in Holy Motors, particularly a martial - arts sequence and an erotic dance while Mr. Oscar is dressed in a motion - capture body suit, but the road between those moments is so strewn with stalled ideas that audiences who care about character and plot are liable to take the exit to a movie that makes sense.

This is the most worst martial arts - treasure hunt movie that director - martial arts star Jalal Merhi made.

He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made - for - television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast).

Probably more than any other filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking black comedy, and an eccentric characterization or two in every one of the director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through art courses and advertising, and by the mid -»20s he was making his first films.

So many movies have been made about this appalling tragedy that it has become its own genre — the writer and artist Art Spiegelman dubbed it «holo - kitsch» — populated with noble victims and flinty, finally heroic enablers, and too easily reduced to sanctified, sodden cliché.

... Aja and his gorehound ilk are making movies that simply wallow in state - of - the - art displays of torture, sadism and sexual humiliation.

While the movie isn't a consistently riveting four hours, Hoogendijk does keep finding images and moments that demystify the museum business while making the art seem all the more magical.

The contrast between it's art - house narrative and it's trashy Miami theme is what makes the movie special, and James Franco's performance here is astonishing.

The movie does benefit from some incredibly overblown art direction, made possible by a large amount of CGI.

The movie aims to shake us up, the way only the best art can, and it reminds us that wherever and whoever we are (or were, or will be), we're all making the same turbulent journey.

Some people says videogames are as much art as movies, those people are idiots, videogames are better than movies, Videogames can express art in another dimension, and monster hunter tri expands that dimension to the point of let you even wonder what a hunter is, what a monster is, it makes you forget you are playing, it instead makes you feel you are really chasing monsters and risking your life, you can cry with this game like with no other, heavy rain?

Probably because you're not supposed to make old - fashioned movies at all, but rather try to forward the art of filmmaking.

Review after review has pointed out the faults of Twister director Jan De Bonts» latest film — not that it doesn't have some — but you can actually enjoy this movie if you make peace with yourself about the fact that it ain't trying to be art.

A masterpiece, is one of those games that make you think that video games can be considered an art, like painting, music or movies.

well, I would like to make a comment, with of course no harsh bashing or one sided opinionated blather, However, I find it quite simply funny how one could watch a movie and with a couple of sentences and elegant word - ology, thing they can grasp what it takes to compose a work of art and creativity into a 250 page manuscript and then production material for viewers such as myself and yours truly.

Insight Edition's The Art of Ghost in the Shell, written by David S. Cohen with a foreword from WETA Workshop's Richard Taylor, goes behind - the - scenes of the how the movie was made.

While Lords of Dogtown represents and interesting look into a time where youths of the streets created a new art form out of nothing but a toy, the tale still lacks the weightiness in theme and worthiness in importance to make for a truly compelling two hours of movie to go out of one's way for.

He makes good movies and he makes popular movies, and sometimes he makes both at the same time, but the Academy of Motion Picture Arts and Sciences has never awarded its best director award to the most successful director in history.

«A Lost Art: Brian De Palma» (19:25) sits down the director with Noah Baumbach to discuss the movie, its influences, and the other films he made in this era.

If there's anything worse than seeing a bad movie, it's seeing a good movie made badly and sadly Eye of the Beholder could have been much better in the hands of someone more qualified in making smart thrillers than quirky art comedies.

The wonder of the film is that it manages to render the one analogous to the other, and to posit that the art of making movies is more than the sum of its intimidating potential: it can also be looking - glass prophecy in all its sanguine and savage implacability.

More importantly, it makes an opportunity for a black / Asian male actor to occupy a multitude of non-stereotypical roles that may seem corny and over the top, but how many Asian actors get to open movies throughout the year that don't involve martial arts?

I remember that it made me passionate about film in a summer that was full of forgettable movies, and it continues to further my love for the art form as I watch it again and again.

Suddenly it makes more sense to campaign to Academy niches — women, old people, populists, Europeans, directors, actors, art - film lovers, traditionalists, whatever — instead of just selling the idea that your movie is «an Academy movie,» whatever that means.

Making a movie with nothing more than smart dialogue and fine performances is a dying art, but Linklater, Hawke and Delpy remind us that it's a skill worth saving.

Pornographers and young - adult novelists alike would slap their foreheads in exasperation over Jack & Diane, the dreamy, abstract art movie writer - director Bradley Rust Gray made from the ripely commercial premise of a teenage lesbian werewolf romance.

It's a sort of lost art in this day and age of filmmaking, but it's really a large part of what makes Stung such a charming movie.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening April 10, 2009 BIG BUDGET FILMS Dragonball Evolution (PG for intense action and brief adult language) Sci - fi martial arts adventure, based on the Akira Toriyama novel about a young warrior (Justin Chatwin) who, with a handful of friends, sets out on a quest to save the planet from an evil king (James Marsters) bent on world domination.