Sentences with phrase «art objects change»

Not exact matches

CHANGE UP YOUR ART When you look at the photos, paintings and objects hung on your wall, ask yourself: does this make me feel good or bad?

Once they're comfortable with the way that one thinking routine has worked in their classroom, they can branch out and focus on different kinds of inquiry, like Here Now / There Then, which could be used in a civics class to help students understand how past perspectives change over time; or Parts, Purpose, Complexities, which encourages observation and understanding of art objects or mechanical systems.

This bundle includes the following Task Cards: 12 Google Slides Task Cards: • Inserting slides • Changing slide background color • Adding a slide theme / design • Inserting images • Inserting Shapes • Inserting Word Art • Adding slide transition • Adding object animation • Creating Tables • Shading Tables • Downloading files to Microsoft PowerPoint from Google Slides • Uploading Microsoft PowerPoint documents into Google Slides 20 Google Sheets Task Cards: • Inserting columns • Deleting columns • Deleting rows • Inserting rows • Adding currency • Removing currency • Adding decimal places • Removing decimal places • Adding borders • Changing border color • Adding fill color • Sorting data • Merging cells • Unmerging cells • Creating charts • Customizing Pie Charts — A closer look • Moving charts to new sheets • Changing Chart types • Adding New Sheets • Deleting sheets 12 Google Drawings Task Cards: • Creating Tables • Shading tables • Insert Image • Insert Shape • Shape Fill • Line Thickness • Line Style • Line Color • Sending shapes to back • Bringing Shapes to Front • Rotating Shapes • Changing Shapes 12 Google Docs Task Cards: • Creating Tables • Inserting Page Numbers • Inserting images • Formatting Text (Bold, Italic, Underline) • Shading tables • Word count • Line Spacing • Text Alignment • Inserting Bullet Points • Inserting Numbered Lists • Downloading files to Microsoft Word • Uploading Microsoft Word documents into Google Docs

But pixel art is always gorgeous to behold (check out Kingdom if you don't believe me) and the ever - changing design piles on the apprehension as you scour the pixelated hallways for tiny details and useful objects.

The previously three came and went in a manner one can only describe as akin to the season change of nature itself, with the votes on art style, objects and clothing welcomed with open arms like the coming of Spring.

Kristian Kragelund is a Danish artist whose art explores notions of time and change created through reactions of different materials and objects.

With Shingles (2011), for example, Carl Andre's floor - based metal works meet their working - class counterpart, as copper plates are exchanged for patterns of overlapping asphalt roofing tiles; Siding (2011), meanwhile, replaces Donald Judd's shiny metal cubes with the work's namesake — and very plebeian — exterior vinyl wallcovering found on many a tract house; and by simply lifting a marble countertop off the bathroom sink and onto the wall, Counter (2012) proves that even the slightest of gestures, such as a change of orientation and context, can render foreign something familiar — the everyday as convincing art object.

For more than five decades, Richard forged a richly maverick path, confounding the genres and limits of art while forever changing how we view and understand space and the everyday objects that occupy it.

Marcel Duchamp's notorious «readymade» Fountain from 1917, which consisted of a standard urinal signed «R Mutt», went further by changing the way an everyday object was experienced and used, while testing the meanings, values and beliefs associated with art.

In her monumental sculpture, Flack has worked to change the representation of women in art, presenting them as strong, intelligent, purposeful individuals rather than «mere sex objects gazing up at a general on a horse,» according to a release from the WCA.

Its immersion of art and viewer in a shared space also undermines regularity, because the object enters an ever - changing theater.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

Through conceptual exercises that merge everyday maintenance with collection stewardship, the project invests in practices that change the status of the art object within collections.

For his exhibition for the Artist of the Year prize in 1998, at the National Museum of Modern and Contemporary Art, in Gwacheon, Kwon underscored this change in his practice, showing mostly works that combine objects and pure, white paper.

Artists are often highly attuned to infrastructural change, perhaps because the practice of art requires the continual circulation of data, images and objects, as well as the constant negotiation of changing media standards and forms.

In the tradition of land art as a reflection of the dreams and aspirations projected onto the American West, Mirage presents a continually changing encounter in which subject and object, inside and outside are in constant flux.

As much as Rauschenberg's work of the early 1950s had been championed for its elimination of painterly conventions — no subject, no image, no taste, no object, no beauty, no message — Untitled [glossy black painting] makes the case that Rauschenberg was equally radical for what he was willing to let in — chance, duration, changing context, accidents, a life in the present.18 Historians tell us about the Rauschenberg who pursued a mode of creativity that had «a life beyond its initial conception,» but it is not always possible to observe the process of accretion.19 In 1986, Untitled [glossy black painting] would appear on the cover of Arts Magazine, its identity photographically stilled.20 That was part of the history of this single canvas.

What she does change are intrinsic qualities of the room in which the art is displayed, such as the lighting and wall colors, using these elements to transform the mundane objects into works of art.

By touching any object, it was changed into the art piece.

Despite the massive changes that the field of contemporary art has undergone in the past several decades, that saw the dematerialization of the art object and onset of experiential events, most art institutions continue to be oriented around static, object - based exhibition formats.

Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collectiArt of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collectiart; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.

When sharing more about her process of making the works on view, Mendieta said, «Time passing and change are undeniable aspects of the world around us... Often artistic creation results in the production of art objects.

Rock Record features found materials presented both as art objects and as scientific evidence that plastic pollution has irrevocably changed Earth.

Since the rise of conceptual art practices within the ever - changing terrain of contemporary art, one often encounters the silly assertion that art making has become a market of ideas as opposed to objects.

Kristian Kragelund is a Danish painter and video artist, whose art explores notions of time and change created through reactions of different materials and objects.

Purifoy dedicated himself to the found object and to using art as a tool for social change in the 20 years that followed the rebellion, after which he relocated to California's Mojave Desert, where he spent his final 15 years creating large - scale installations.

«The art world is going through a big transition at the moment due to the changed status of the object, the dominance of the market, art's relationship to the digital world, the unclear role museums are playing,» Hoffmann wrote in an e-mail.

With incisiveness, ingenuity, and humor, Rauschenberg changed the course of art history by establishing new genres of sculpture — found object, environmental, theatrical, photographic, and filmic — by including a wide range of contemporary subjects, and by using non-fine art materials along with conventional ones.

This radical approach to art making set them apart from artists who commanded the greatest market interest at the time, and by rethinking the connection between objects and concepts in the 1980s, they changed the landscape of the art world forever.

These objects merge visual expression with political activism, suggesting that art should confront viewers and inspire change.

Conversely, although his essay on the application of cybernetics to art and art pedagogy, «The Construction of Change» (1964), was quoted on the dedication page (to Sol Lewitt) of Lucy R. Lippard's seminal Six Years: The Dematerialization of the Art Object from 1966 to 1972, Ascott's anticipation of and contribution to the formation of conceptual art in Britain has received scant recognition, perhaps (and ironically) because his work was too closely allied with art - and - technoloart and art pedagogy, «The Construction of Change» (1964), was quoted on the dedication page (to Sol Lewitt) of Lucy R. Lippard's seminal Six Years: The Dematerialization of the Art Object from 1966 to 1972, Ascott's anticipation of and contribution to the formation of conceptual art in Britain has received scant recognition, perhaps (and ironically) because his work was too closely allied with art - and - technoloart pedagogy, «The Construction of Change» (1964), was quoted on the dedication page (to Sol Lewitt) of Lucy R. Lippard's seminal Six Years: The Dematerialization of the Art Object from 1966 to 1972, Ascott's anticipation of and contribution to the formation of conceptual art in Britain has received scant recognition, perhaps (and ironically) because his work was too closely allied with art - and - technoloArt Object from 1966 to 1972, Ascott's anticipation of and contribution to the formation of conceptual art in Britain has received scant recognition, perhaps (and ironically) because his work was too closely allied with art - and - technoloart in Britain has received scant recognition, perhaps (and ironically) because his work was too closely allied with art - and - technoloart - and - technology.

The house he returns to has in the meantime changed into a hybrid between warehouse and shrine, full of the objects, antiques and works of art that Martin Wong had regularly sent back to his mother, as well as a large number of his own works that he dedicated to his parents.

Most of the objects selected for display have not been on view in decades, and through them visitors can compare Japanese artists from the seventeenth century with later artists, and see the changing tastes not only in Japanese art, but also among American collectors.»

An everyday object or a face is changed by Elsner's art, so that the people shown become schematic, appearing to be alienated from themselves.

The American artist assembles on stands kitsch consumer items, in the process changing everyday things to works of art and examining ideas about how we collect, classify and display objects.

His name is Death, Nymans House and Garden, Sussex Space for Mind / Space for Art Ancient treasure of Tibetan Buddhism and contemporary responses The Spring Project, 100 Vauxhall Walk, London (British Council) The Changing Room, The Museum of Objects, Midland Arts Centre

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

As evidenced in The Execution Changes, Endless Chair, and His and Hers, Hoeber sets aside distinctions between high and low, conceptual and formal, and art and craft by placing emphasis on the tactile and psychological implication of the object.

The participatory elements of these works also reflect my changing relationship to art, objects, and audience — this interest in access and contact signifies my desire to re-examine attitudes and assumptions of art - proper, as well as my motivations for viewing and making art.

Her work unequivocally changes perceptions of art in its reformulation of concepts of self and object.

His tambourine sculptures humorously play on contemporary art's reverence for minimal geometric forms, while also exploring the possibilities for engaging with readymade objects though subtle changes that are themselves minimal in effort.

In an art context, appropriation refers to the use of pre-existing or previously defined images or objects, without significant changes in the concept or physical form.

It is about the objects that have played a part in social change, and continue to do so — from a Suffragette teacup to the masked Trini dolls made by the Zapatista movement in Chiapas, Mexico, to anti-apartheid badges to the gorilla masks worn by the art - activist group Guerrilla Girls as part of their protests against the shockingly low number of female artists represented in major galleries in the US.

When an everyday situation, object or action becomes art, it changes the relationship and feelings we have towards it.

Our passion leads us to regularly buy and sell the finest quality of Pop Art lithographs, sculptures, paintings and unique objects available, so our inventory changes frequently.

With themes of environmentalism and climate change becoming increasingly popular in the art world, one artist in particular is putting eco-friendly philosophies to practice with portraits made entirely of unwanted objects.

I recall at the 2009 O'Reilly Tools of Change conference, a couple of leading publishers spoke of the future of print books as beauty or art objects.

Patricia, I used to use a lot of color, but love using neutrals because I can change the entire look of the room with a few accessories - pillows, throws, art and even objects on the shelves.

«There are several career - changing objects, like the S - Chair that I did for Cappellini, which got into New York's Museum of Modern Art.

Perhaps because it's so easy to transform the feeling of a space just by changing art, pillows and objects — and the wall colour!