Sentences with phrase «art of a different eras»

Not exact matches

The 11 passenger cars of this train resonate with the particular time and era of different Deccan dynasties and complies with the state of the art amenities provided in these cabins.

Cell - shading graphics has always been able to give a feeling of classic 2D art, but everything about how Cuphead animates looks like it's been ripped from a different era.

The video ushers the game's five different visual aesthetics seen through each era's art period while showing off its tower offense style of gameplay that is truly «a Basalt on the senses.»

The major abstract movements of the 1950s — 1970s era are characterized by a return to the basics of concrete, constructive and minimalist art, although this took different forms in Europe and America.

She notes that the effect is to convey a collapsing of three different eras; the time of the sculpture, the time of the art text and the time of Weathersby's inclusion in his paintings.

Art from a different era can appear new if shown at the right moment, and that has been the case with Hershman Leeson's 50 years of drawings, sculptures, performances, installation, videos, internet - based works, and feature films, some made with studio backing and released to theaters nationwide.

This exposure has encouraged me to make connections among art works and artists of ostensibly disparate media and historical eras with different social, cultural and political concerns.»

The ambitious checklist included works by Carrie Mae Weems, Lorna Simpson, Lorraine O'Grady, Ana Mendieta, Senga Nengudi, and many more; the intergenerational conversation between artists from different eras demonstrated the cruciality and timelessness of politically - charged art.

This exhibition, by contrast, will place key sculptures from different eras in conversation with each other in order to examine the age - old problem of realism and the different strategies deployed by artists to blur the distinctions between original and copy, and life and art.

2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Aart world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African AArt, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Aart and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African AArt, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African AArt of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African ArtArt?

Together, they show how a new generation of practitioners were positioning themselves in relation to different discourses and politics — amongst them, Civil Rights - era «Black art» in the US; Pan-Africanism; Margaret Thatcher's anti-immigration policies and the resulting uprisings across the country; apartheid; black feminism; and the burgeoning field of cultural studies.

His art is perpetually constructed around the juxtaposition of two different eras, marked by the year 1989 and the ambivalence connected to the feelings related to the comparison of the times «before» and «after».

This presentation of historical work — a first at the CAG — is intended to challenge the viewer's understanding of what a contemporary art space should show, building a bridge between image making techniques and endeavors of different eras.

Like Life, by contrast, will place key sculptures from different eras in conversation with each other, in order to examine the age - old problem of realism and the different strategies deployed by artists to blur the distinctions between original and copy, and life and art.

«The Time is Now» at John Berggruen Gallery takes a wide view on the theme with an exhibit of work crossing mediums and eras, some loosely relevant by use of the standard time indicators (clocks and watches), while others, doing as art is supposed to, reframe the paradigm you walked in with and show you something different.

These artists both conceptually and materially distill segments from the surrounding environment: styles and theories of former art movements, social rules, wars around the world, the effects of the global economy, ideologies of different eras, art materials, everyday objects and personal memories.

A part of the fabled Vollard Suite — a group of 100 prints the artist created for the Paris art dealer in Ambroise Vollard in the 1930s that mingle the artist's erotic preoccupations and newfound obsession with classical forms — this piece functions as one of Picasso's many self - portraits - by - proxy, in which he imagines himself in the guise of a (usually priapic) artist from a different era, such as Degas or Raphael, often dallying with a model.

The interior of Peles Castle is characterized by a mash - up of décors, each room dedicated to a different historical era such as Gothic, Baroque, Renaissance and Art Deco.

A centrepiece of the exhibition, this immersive room combines images from movie - posters, magazines and art history, and will be shown alongside a print of the era - defining Just what is it that makes today's homes so different, so appealing?.