Hey Sigmund «Where the Science of Psychology Meets
the Art of Being Human» https://www.heysigmund.com/
I've had the pleasure to catch up with the amazing storyteller Celinne da Costa who've just published the bo «
The art of being human».
Not exact matches
Dave and Helen Edwards, co-founders
of artificial intelligence research firm Intelligenstia.
ai, don't go so far as to suggest a specific course
of study, but like Kalt they have publicly insisted that if you want your kids to thrive in an
AI - filled future, you better teach them how to handle
human beings, unpredictability, and complexity, all
of which a liberal
arts degree forces you to confront and grow comfortable with.
Art Markman, PhD
is a professor
of Psychology and Marketing at the University
of Texas at Austin and Founding Director
of the Program in the
Human Dimensions
of Organizations, which brings the humanities, social and behavioral sciences to people in business.
Big losers will include our cultural institutions, including the CBC and the Canada Council who will likely face further devastating cuts, as well as
human rights, international development and
arts organizations who
were funded historically by the Canadian government (some
of whom had already lost funding under the minority Conservative government).
CryptoPunks
are 24x24 pixel
art images which
are algorithmically generated and predominately male and female
humans with a smattering
of other characters such as zombies, apes, and aliens.
He
was an EVP
of Electronic
Arts (EA,) responsible for global
Human Resources and Talent Management.
Those who believe all combat sports
are immoral, even those who choose to see mixed martial
arts as «
human cockfighting,» a degradation
of Marquess
of Queensberry orthodoxy, would have seen nothing to change their minds at the dome.
With that musing in mind, I
was interested to read this reflection from Roger Kimball, in his TLS review
of Denis Dutton's The
Art Instinct: Beauty, Pleasure, and
Human Evolution:
It
was obvious to me at that time that where there
is art, there
is an Artist, and I realize this most
of all every time I look at another
human being.
In that context, the charitable reading
of the tweet
is that Father Spadaro
was reminding us
of the obvious — that pastoral care
is an
art, and that the priest dealing with complicated and messy
human situations
is not like a first - grade teacher drilling six - year olds in addition.
Poetry,
art, philosophy... there
are plenty
of other outlets for
humans to explore metaphysics and other deep thoughts.
By Trapani's account, Maritain
was able to show how
art and poetry bring together two infinities: the irreducible complexity
of human personality («the Self») with the superabundant mystery
of being («the Things»).
The dilemma
of art and propaganda
is essentially a tremor
of the seismic
human dilemma
of living in a divinely created but fallen world.
Every people has its culture, whether primitive or advanced, and this culture
is discerned in the folkways and moral standards, forms
of family life, economic enterprises, laws and modes
of dealing with lawbreakers, forms
of recreation, religion,
art, education, science, and philosophy that constitute the social aspects
of human existence as contrasted with the bare biological fact
of living.
Thus, language, law, science,
art, manners, customs, history, and tradition
are elaborations
of the
human spirit no less than
is religion.
The imitation theory
of the truth
of art has at least this on its side: in a sense a good story, a true story,
is «true to» the structure
of human experience.
Arnold's view
of culture
was filtered through poetry and literature, but it
was ultimately
human conduct, not
art, that concerned him.
But we can expect the best works
of art to illuminate and affirm essential
human and moral truths — and these will
be consistent with Scripture.
Yet so similar
are the sources in the
human spirit that through all ages, and not in Christianity alone, the worship
of God has found natural expression in music and song, poetry and the graphic
arts, the drama
of sacrificial rites, and where not inhibited by convention, the dance.
In the case
of aphasic speech, for example, the body remains that «instrument for the production
of art in the life
of the
human soul» (
AI 349), but the final artist merely lives off his previous acquisitions.
Both in the secular world and in the church, our characteristic approach to
human frailty
is not chastisement and dire threats, but understanding; not calling people to repent their sins, but teaching people the gentle
arts of self - acceptance; not an ethic
of cross-bearing, but an ethic based on the value
of self - actualization.
We rightly reject the sort
of spiritual shallowness which expresses itself in an affected superiority in the presence
of the extraordinary richness
of human life, that underplays the wonder and the joy
of married love, and at the same time (there
is a connection) depreciates the worlds
of natural beauty and
of the
arts.
A comparable humanization
of the sacred
was taking place throughout the Christian West during the Middle Ages, but Malraux insists that it
was not the
human but the sacred that «disappeared» in Gothic
art.
But it recognized Christ solely in terms
of communion and this
is why no other
art in any other civilization ever caused the sacred to embody so much
of the
human and so fully expressed the sacred through the
human.2
Art is one
of the great facilitators
of human dialogue, and it provides us as well with....
In contrast with this experience, which
is universal and important but not
of central or ultimate importance, the experiences described in the next part
of this book as defining religious experiences
are involved in and illustrated by every form
of human activity including the seeking for food and the appreciation
of art.
The expression
of art — the exploration
of figurative and abstract thought in tangible external forms —
is unique to
human beings.
The conviction that this something must
be both subject to empirical scientific examination, and workable in the sense
of allowing and demanding
human effort,
was stronger in the last period than in the earlier years, very certainly because
of the awesome advances in science, and especially in the
arts of war.
For as well as theoretical reflection on the moral significance
of a decision, there
are other ways and means by which a
human being can either become clear about the rightness and conformity to God's will
of a decision, or at least improve the conditions for its correct formation: the general cultivation
of courage, unselfishness, self - denial, the practice
of the
art of making vital particular decisions which can not
be deduced by purely theoretical consideration as this
art is taught by the masters
of the spiritual life.
In any case, these words about painting
are a fitting description
of Davies's own narrative
art, provocative in its «farcing out»
of Christian tradition and powerful in its evocation
of our
human depth and variety.
The eros
of our
human nature can
be expressed as equally in kissing as it can in great
art.
This
is primarily because it has proven to
be a powerful aid in the effort to avoid dealing with works
of art or literature as products
of the
human spirit: aesthetic objects that move us with their intricately wrought beauty, humor, and insight.
Furthermore,
art is artificial and finite, representing the juncture
of appearances in reality and
human creativity.
When these come together in
art, the result
is a heightened sense both
of the conscious appearance
of reality and
of human creativity.
But this track does something that so much great
art — even biblical poetry — does, that
is searching for God in the midst
of the world's chaos and messy lives
of human beings.
When we talk about the key shifts
of the twentieth century — those involving politics, trade, consumption,
art — we leave out what
is surely the most astonishing physical change in all
of human history, one that has happened mostly during the last century: the doubling
of the
human life span in much....
The hard thing would
be to manage these efforts without maiming
art, treading on
human rights, and repeating all the imbalances
of some past reformations
of manners.
Most imaginatively
of all, he claims that «the basic categories
of art appreciation, importance, interest, contrast, and novelty,
are also the basic categories
of mutual
human appreciation» (WPP 95).
This
is probably where
human art for the sake
of beauty has its origins — like all primates we
're pretty dull looking.
By the time I had graduated, the field had become «one that maintains its interest in literary texts but explores all forms
of aesthetic speech and that views performance as an
art and recognizes its communicative potential and function» There
were three challenges to those
of us graduating with doctoral degrees in this discipline: 1) to locate which performances within
art and / or culture we would focus our attention on as scholars and performers; 2) to interpret the core concepts generating from the cultural turn in our discipline to other studies
of culture and
human communication and 3) to develop «performance - centered» methods
of research and instruction in whatever parts
of the university we found ourselves.
At the other end
is a glorious, heavenly city full
of human creations,
art, and technology.
This could happen, Luther said, because
of the realized mystery
of sinners» participation in the cross
of Jesus Christ, which
was itself the participation
of the self - revealing God in the cross
of human brokenness, the «state
of the
art»
of human living.
Sidney Hook captures this sense
of the vulnerability
of the
human condition when he defines pragmatism as «the theory and practice
of enlarging
human freedom in a precarious and tragic world by the
arts of intelligent social control it may not
be [a] lost [cause] if we can summon the courage and intelligence to support our faith in freedom...» (CAP 193).
If Scully's mentor and former partner, Red Barber,
was the soft - spoken, southern - accented master
of the homely analogy — «This game
is tighter than a new pair
of shoes on a rainy day» — Scully brings to his work the perspective
of a philosopher at ease with the
human condition, perhaps first formed by the liberal
arts education he received at Fordham University shortly after World War II: «Andre Dawson has a bruised knee and
is listed as day - to - day.
The cynicism that pervades contemporary cultural life must
be replaced by a deep confidence in the
human purposes and importance
of art.
In one sense the discovery
of human individuality
was necessary for the development
of human rights, the economic individualism orientated to profit and free market produced the modern economy; the separation
of human being from nature coupled with the autonomy
of the world
of science helped the development
of technology; and the autonomy
of different areas
of life like the
arts and the government, each to follow purposes and laws inherent in it, did make for unfettered creativity in the various fields.
In literature and the
arts valuing affects the relation
of the
arts to
human life and the critical standards by which the intrinsic merit
of works
of art are judged.
Sometimes these imperfect
human beings find things like
arts and literature that explain the truth
of what
is to
be human better than science and history.
I would point out, however, that billions
of other
human beings, in every time and place, have had similar experiences â $ «but they had them while thinking about Krishna, or Allah, or the Buddha, while making
art or music, or while contemplating the sheer beauty
of nature.