Sentences with phrase «art of past eras»

If the art lover can find value in Christian art of past eras apart from the God it celebrates, then the believer can give thanks to God for the beauty that the artist (believer or not) discovers and creates.

Not exact matches

JAY - Z represents a past era of hip - hop dominated by bravado, machismo and braggadocio, and his latest offering establishes him as someone who will outlive that era of the art form.

Having graduated in Fashion and Design, she is inspired by the past eras such as the French Bohemianism of the early 1900s, Art Deco and 1920s Hollywood.

With a collection of classic arcade heroes that include Pac - Man to an anthology of Metal Gear Solid games from the amazing mind of Hideo Kojima, this exhibition touches on a variety of gaming genres from all eras that not only provides a blast from the past but will make new gamers appreciate the diverse history of this modern art.

Simultaneously classical and contemporary in scope, it contains roughly 300 images, how - to diagrams, and information about figurative art movements of the past as well as profiles of some of the greatest practitioners working today... featuring examples of Zeller's own work and also some of his best contemporary peers, who collectively bring the figurative tradition forward into a new era.»

Over the past decade the Frieze Art Fair has established itself as one of the world's greatest contemporary art fairs, but this year it's joined by Frieze Masters, a sister - show featuring art from the ancient era to the 20th centuArt Fair has established itself as one of the world's greatest contemporary art fairs, but this year it's joined by Frieze Masters, a sister - show featuring art from the ancient era to the 20th centuart fairs, but this year it's joined by Frieze Masters, a sister - show featuring art from the ancient era to the 20th centuart from the ancient era to the 20th century.

Noticeably inspired by western art history and the great painters of the modern era, Orchard's works take cues from the past while also steadfastly looking to contemporary painting.

On view September 21 to December 9, 2018, the Frances Lehman Loeb Art Center at Vassar College will present Past Time: Geology in European and American Art, an intersectional exhibition that addresses the wide impact of geology and its field - study customs on artists during the Enlightenment and Romantic eras.

Lüpertz was spurred on by a desire to forge a new path for German art in the post — World War Two era, like many of his contemporaries tackling the country's Nazi past.

«Past Futures provides an exciting opportunity to engage our Museum, College, and broad visiting audiences with art works that spark both the scientific and artistic imagination, and transport us to an era rich with inventive and creative possibilities,» said Anne Collins Goodyear, Co-Director of the Bowdoin College Museum of Aart works that spark both the scientific and artistic imagination, and transport us to an era rich with inventive and creative possibilities,» said Anne Collins Goodyear, Co-Director of the Bowdoin College Museum of ArtArt.

Curated by Sarah J. Montross, Andrew W. Mellon Post-Doctoral Curatorial Fellow at the BCMA, and on view at Bowdoin from March 5 — June 7, 2015, Past Futures broadens the conversation beyond avant - garde art of postwar Europe, the Soviet Union, and the United States by shining new light on artworks created by Latin American artists at this time, and examining the complex relationships between the American continents during this transformative era.

In this shifted context, the Cubist subject, be it a portrait or still life, no longer feels like an obsessive examination of form in space, but the trajectory of an image flashing past the eye too quickly to be recorded in conventional terms,» suggesting that «the real subject of art in the modern era is the anxious blur of time.»

His art, like theirs, is marked by an attempt to create a vital new iconography for the contemporary era while simultaneously reflecting on the horrors of the past.

The Dallas Museum of Art today announced a major gift from DMA trustee and past chairman Marguerite Steed Hoffman that was conceived to expand and enhance the Museum's collection of European art, primarily of the Renaissance and Baroque eras, through the establishment of a $ 17 million endowmeArt today announced a major gift from DMA trustee and past chairman Marguerite Steed Hoffman that was conceived to expand and enhance the Museum's collection of European art, primarily of the Renaissance and Baroque eras, through the establishment of a $ 17 million endowmeart, primarily of the Renaissance and Baroque eras, through the establishment of a $ 17 million endowment.