They've mastered
the art of slow travel and are experts at scoring house sitting gigs all over the world.
Jan 15 — Jan 22 —
The Art of Slow Travel — «Blue»
Practice
the art of slow travel on your staycation.
Not exact matches
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The combination
of art house pacing and
slow Oregon
traveling makes for a good marriage with Meek's Cutoff.
Slow travel lends itself perfectly to refining the
art of doing nothing.
Whether your city is San Francisco or anywhere else, taking a night out to relax, explore another piece
of your city, eat an amazing meal and witness a live piece
of art, it's a great way to experience
slow travel.
Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College
of Charleston; The Meddin Building; and the Gibbes Museum
of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni
of the School
of the
Art Institute
of Chicago / One Hundred Twenty - fifth Anniversary Celebration,
Art Institute
of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13)
Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary
Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School
of the
Art Institute
of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University
of New York (March 20 — April 17) American
Art 1930 — 1970 (organized by FIAT with the assistance
of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection:
Art From the 19th Century to the Present, Castellani
Art Museum, Niagara University, New York
During the 1970s, Polke
slowed his
art production in favor
of travel to Afghanistan, Brazil, France, Pakistan, and the U.S., where he shot photographs (using a handheld 35 mm Leica camera)[7] and film footage that he would incorporate in his subsequent works during the 1980s.
The latter two groups will
travel to FLAG from his 2011 exhibition, «Fast &
Slow Time» at The Middlesbrough Institute
of Modern
Art, UK and the pastoral nudes, collectively titled «American Pastoral», will be on view for the first time at FLAG.
By the 1930s, European and American Modernism was making
slow but steady inroads into Texas through a few well
traveled and educated early converts to radical
art forms
of abstraction.
Notable group exhibitions include «The Importance
of Being», Museo de Arte Contemporáneo, Buenos Aires, Brazil (2015); «Contemporary
Art in Dokolo Collection Sindika - You Love Me, You Love Me Not», Almeida Garrett Municipal Library, Porto, Portugal (2015); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Frankfurt, Germany; touring to SCAD Museum
of Art, Georgia, USA; Smithsonian National Museum
of African
Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2015 - 2014); «
Slow Future», Centrum Sztuki Współczesnej Zamek, Poland (2014); «INSERT 2014: a cultural exploration
of Delhi as a landscape for creativity and transformation», Indira Gandhi National Centre for the
Arts, India (2014); «Ruffneck Constructivists», ICA, Philadelphia, Pennsylvania, USA (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», curated by Simon Njami, Frankfurt MMK, Frankfurt, Germany;
travels to Smithsonian National Museum
of African
Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «My Joburg», La Maison Rouge, Paris, France (2013); «Artificial Amsterdam», de Appel
Arts Centre, Amsterdam, The Netherlands (2013); «Sex, Money and Power», Maison Particulière, Brussels, Belgium (2013); «The Progress
of Love», The Menil Collection, Texas, USA (2013 - 2012); «Mexico: Expected / Unexpected», Katzen
Arts Centre, Washington D.C., USA (2012); «No Government No Cry», a project by Kendell Geers, CIAP Actuele Kunst, Hasselt, Belgium (2011); «Contemplating the Void», Guggenheim Museum, New York, USA (2010) and «Wall Rockets: Contemporary Artists and Ed Ruscha», The FLAG
Art Foundation, New York, USA (2008).
«A New American Flag,» Max Protetch Gallery, New York, NY, 1992 «Malcolm X: Man, Ideal, Icon,» Walker
Art Center, Minneapolis, MN, 1992;
traveled to the Institute
of Contemporary
Art, Boston, MA; The Valentine, The Museum
of Life and History
of Richmond, VA; Anacostia Museum, Washington DC; Nexus Contemporary
Art Center, Atlanta, GA; Center for the
Arts, Yerba Buena Gardens, San Francisco, CA «Mistaken Identities,» University
Art Museum, University
of California at Santa Barbara, Santa Barbara, CA, 1992;
traveled to the Museum Folkwang, Essen, Germany; Forum Stadtpark, Graz, Austria; Neues Museum Weserburg Bremenim Forum Langenstrasse, Bremen, Germany; Louisiana Museum
of Modern
Art, Humlebaek, Denmark; catalogue «Update «92,» White Columns, New York, NY, 1992 «
Slow Art: Painting in New York, PS1 Museum,» Long Island City, NY, 1992 «Dream Singers,» Story Tellers: An African American Presence, coorganized by Fukui City Japan, and New Jersey State Museum, Trenton, NJ, 1992;
traveled to the Tokushima Modern
Art Museum, Tokushima City, and Otani Memorial
Art Museum, Nishinomiya City, Japan; catalogue «All Words Suck,» Anders Tornberg Gallery, Lund, Sweden, 1992 «Allegories
of Modernism: Contemporary Drawings,» Museum
of Modern
Art, New York, NY, 1992; catalogue «Doubletake: Collective Memory and Current
Art,» Hayward Gallery, The South Bank Centre, London, UK, 1992;
traveled to the Santa Monica Museum
of Art, Santa Monica, CA; North Carolina Museum
of Art, Raleigh, NC; catalogue «Knowledge: Aspects
of Conceptual
Art,» University
Art Museum, University
of California at Santa Barbara, Santa Barbara, CA;
traveled to the Santa Monica Museum
of Art, Santa Monica, CA; North Carolina Museum
of Art, Raleigh, NC; catalogue
Reclaiming the ancient, once - vital
art of navigation excites historical and cultural curiosities, while proving that it's possible to circumnavigate the globe without the aid
of fossil fuels (a.k.a.
slow travel) is inspiring to environmentalists and scientists alike.