Sentences with phrase «art on view into»

This misuse of the term not only de-politicizes the artistic discourse surrounding exhibitions, but also runs the risk of converting the contemporary art on view into a «tagged» commodity.

Not exact matches

I also wasn't trying to pass judgment on her either, I completely respect her decision not to have children, but I just didn't like how she turned her personal view into a generalization about women in the art world.

On Saturday evening, more than 200 people crowded into The Rye Arts Center to view the newly painted works and place their bids.

According to «Voices From the Field: Teachers» Views on the Relevance of Arts - Integration,» integrating the arts into education renews educators» commitment to the teaching profession, gives them resilience to face the growing demands of today's schools, rejuvenates teachers on the verge of burnout, and provides pathways for teachers to use culturally responsive pedagArts - Integration,» integrating the arts into education renews educators» commitment to the teaching profession, gives them resilience to face the growing demands of today's schools, rejuvenates teachers on the verge of burnout, and provides pathways for teachers to use culturally responsive pedagarts into education renews educators» commitment to the teaching profession, gives them resilience to face the growing demands of today's schools, rejuvenates teachers on the verge of burnout, and provides pathways for teachers to use culturally responsive pedagogy.

It's a kind of raindrop, viewed as nature's most efficient form, and you can see the way it has evolved from the very first VW scribed on a blueprint by body engineer Erwin Komenda, through the New Beetle's geometric gestures created by Art Center - trained designers J Mays and Freeman Thomas, and now into the newest Beetle done with the electronic tools of the VW design studio in Wolfsburg, Germany.

Visit the nearby Cultural Centre to delve deeper into the area's geological and spiritual histories and to view Aboriginal art on display.

Grand Cayman's first - ever lifestyle resort is a state - of - the - art wonder on world - famous Seven Mile Beach, bringing sea and sand into view the moment you arrive.

Opening: Susan Weil at Sundaram Tagore Gallery Currently on view in the Museum of Modern Art's Robert Rauschenberg retrospective are a series of blue monoprints featuring various ghostly objects that appear as if they were burned into paper.

Friends and colleagues were invited into a Düsseldorf department store to view the artists seated on living - room furniture from the store's inventory, placed on pedestals as works of art.

A number of G&L period and replica Hartley frames are CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (continuing next Summer into Autumn at Colby College Museum of Art, July 8 — November 1, 2017)

Portrait of Albert Pinkham Ryder, 1938, Oil on Masonite, 28» x 22»; c. 1930s American Modernist painting frame, House of Heydenryk, New York makers; silver - gilded beveled sight edge, wormy chestnut reverse profile, molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November on Masonite, 28» x 22»; c. 1930s American Modernist painting frame, House of Heydenryk, New York makers; silver - gilded beveled sight edge, wormy chestnut reverse profile, molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November 1)

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

Molding width: 4-7/8» Painting bequest of Adelaide Moise; Colby Museum accession number: 1986.021 CURRENTLY ON VIEW at The Met Breuer, New York City, in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next Summer into Autumn at Colby College Museum of Art, July 8 — November 1)

CURRENTLY ON VIEW at the Met Breuer, New York City, in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (Continuing next Summer into Autumn at Colby College Museum of Art, July 8 — November 1, 2017.)

The Museum of Fine Arts, Houston's terrific team - curated show The Artist's Palette: Primary Colors on Paper, on view through June 2, is a perfect example, weaving works by Houstonians Al Souza, Amy Blakemore and Richard Stout into a star - studded cast that includes Catherine Opie, William Christenberry and Ad Reinhardt.

She holds an MFA from the California Institute of the Arts, and her work has been included in solo and group exhibitions worldwide, including most recently a 2013 commission on view at the Blaffer Art Museum in Houston, Blind Spot: Window into Houston Clarissa Tossin.

The art critic Jerry Saltz lambasted the Museum of Modern Art in New York for its «stubborn unwillingness» to integrate more women into its galleries after a 2006 rehang (three to eight per cent of the work on view was by women, according to his calculationart critic Jerry Saltz lambasted the Museum of Modern Art in New York for its «stubborn unwillingness» to integrate more women into its galleries after a 2006 rehang (three to eight per cent of the work on view was by women, according to his calculationArt in New York for its «stubborn unwillingness» to integrate more women into its galleries after a 2006 rehang (three to eight per cent of the work on view was by women, according to his calculations).

This year, students chose objects from the Museum's permanent collection on long - term view and Highlights from the Collection: Design Into Art exhibition to research and incorporate into a hypothetical Noguchi Museum Annex in the DUMBO neighborhood of BrookInto Art exhibition to research and incorporate into a hypothetical Noguchi Museum Annex in the DUMBO neighborhood of Brookinto a hypothetical Noguchi Museum Annex in the DUMBO neighborhood of Brooklyn.

For years, «Into Bondage» was on view at the Corcoran in a main floor gallery just beyond the cafe where examples from the museum's collection of early American art through the first half of the 20th century were on display.

CURRENTLY ON VIEW at the National Gallery of Art (NGA), «Into Bondage» by Aaron Douglas hangs in the rear of a three - room gallery dedicated to «masterworks» acquired from the Corcoran Gallery of Art.

Drop into either location and explore the art on view through a conversational tour with a knowledgeable docent.

In all the works on view in the show, the heritage of the swaggering male artistic genius is ingloriously handed back, in the process twisting the heroism of art making into a doubtful and wretched farce.

A group of artists and art professionals is suggesting Dana Schutz» Open Casket, on view right now at the Whitney Biennial, be «destroyed and not entered into any market or museum.»

On view through July 17, 2016, Rebecca Warren: The Main Feeling follows Warren's election in 2014 into the Royal Academy of Arts, one of Britain's most prestigious arts organizatiArts, one of Britain's most prestigious arts organizatiarts organizations.

On view at the San Francisco Museum of Modern Art (SFMOMA) from October 15, 2011, through January 16, 2012, in its only West Coast presentation, Richard Serra Drawing: A Retrospective is the first - ever critical overview of Serra's drawings, offering new insight into both the artist's practice and the possibilities of the medium.

Julio Le Parc Form into Action Pérez Art Museum Miami 1103 Biscayne Boulevard, Miami, FL 33132 November 18, 2016 — March 19, 2017 Now on view at the Pérez Art Museum Miami, Form into Action...

Art and Resolution, 1900 to Today examines the dual meaning of resolution — as both «coming into view» and «overcoming conflict» — through works that touch on the pressing social and political issues of the 20th and 21st centuries.

Playboy Makes Foray Into Art — Richard Phillips's Playboy Marfa, a sculptural installation made up of a white neon Playboy sign and a Dodge Charger titled at an 18 - degree angle, is now on view on the roadside of Highway 96 in Marfa, Texas.

An elder black man in the last 15 years of his life forced out into the wilderness, priced out of L.A. and viewed as an outsider by the art world, this man who fought in World War II for America, fled racism from Alabama in the South, and wound up in the High Desert, where he created his own universe on a desert mountaintop.

The initial success of Webster's solo exhibition eventually propelled him into the national spotlight when the Dallas Museum of Art exhibited his work in group show Black Art, Ancestral Legacy: The African Impulse in African - American Art on view December 3, 1989 through February 5, 1990.

In Color Riffs, on view at McLean Project for the Arts extended through November 10, 2015, Januszkiewicz is able to transform music into painting in her own stunning, signature way.

No question, much of Mr. Dial's paintings, sculpture, drawings and prints carry you into a darker place — «from reflections on race and class struggle in America to haunting meditations on events of contemporary global concern» was the rather sanitized view of the High Museum, when it mounted «Hard Truths,» the traveling Dial retrospective, organized by the Indianapolis Museum of Art in 2011.

BASIC FACTS: «Julio Le Parc: Form into Action» is on view November 18, 2016 through March 19, 2017, at Pérez Art Museum Miami, 1103 Biscayne Blvd, Miami FL 33132.

On view at New York University's Grey Art Gallery from September 8 to December 10, 2016, the show illuminates how Charlotte Moorman (1933 — 1991) metamorphosed from a classically trained cellist into a barrier - breaking figure in performance art and an impresario of the postwar avant - garArt Gallery from September 8 to December 10, 2016, the show illuminates how Charlotte Moorman (1933 — 1991) metamorphosed from a classically trained cellist into a barrier - breaking figure in performance art and an impresario of the postwar avant - garart and an impresario of the postwar avant - garde.

This allows viewers to gain fuller insights into the works on view and on the state of wood art in general.

From the Robinsons point of view, the success of the «new» movement can be attributed to the art flippers among others who are betting on the safe sales and qualities such as elegance, simplicity and other convenient features that can be well incorporated into high - end interior design.

On view through February 24, 2013, at the Museum of Arts and Design, the exhibition examines major stylistic developments in the evolution and design of fragrance, and provides unprecedented insight into the creative visions and intricate processes of the artists responsible for crafting the featured works.

The exhibition is based on a series of inversions and infiltrations: from transposing how the work of art is viewed in a collector's private home into a public space to physically shifting and personalizing the sometimes passive viewing experience of a museum; from recreating aspects of the domestic interior to choosing artworks that speak about the psychic interior to new works that intentionally blur the relationship between abstraction and décor.

Points of View: Our writers on what's happening in the artworld and beyond: J.J. Charlesworth on whether artworld boycotts are turning biennials into a political battleground; Maria Lind on the case for quality rather than quantity; Sam Jacob on the cult of normality; Jonathan T.D. Neil on art's greater good; Andrew Berardini on how LA is witnessing an evolution in collective thinking; Mike Watson on an aesthetics of emergency in Naples and Rome; Mark Sladen on the «alphabet soup» of Jean - Michel Wicker; Jonathan Grossmalerman on the premiere of The Grossmalerman Show; Louise Darblay on off - space La Salle de Bains, Lyons, France.

Building on his ongoing research into art and politics in Israel - Palestine, Simblist has curated «False Flags,» on view through May 29, 2016, at Pelican Bomb Gallery X (1612 Oretha Castle Haley Boulevard).

The result is an increasingly rich experience on the Museum's ground floor, where visitors can peek into the racks of painting storage to see a growing number of framed works of art, large and small, to complement the works on view in the galleries upstairs.

Dedicated to providing readers with an informed and expert view of New York's contemporary arts, our lively conversations and reporting highlight current perspectives on contemporary art and provide an insight into what artists, curators and galleries are creating and thinking about.

In the exhibition, world - renowned masterpieces are on view, including Boy Bitten by a Lizard (1597, Longhi Foundation, Florence), St. John the Baptist in the wilderness (c. 1604, The Nelson - Atkins Museum of Art, Kansas City, MO), Rest on the Flight into Egypt (c. 1586, Doria Pamphilj Gallery, Rome), Good Luck (1595, Capitoline Museums, Rome), Saint Francis of Assisi in Ecstasy (1598 - 1599, Wadsworth Atheneum Museum of Art, Hartford, CT), and Portrait of a Knight of Malta (1607 - 1608, Pitti Palace, Florence), to name but a few.

The multiples in the show offered many entry points into Kippenberger's work and add different viewing possibilities, both on Kippenberger's own work but also regarding his relationships to other artists and the art world in general.

The focus on the dissolution of the white cube is a MacGuffin; while the smaller galleries are forced to close, the space for viewing art is concentrating into the larger galleries and foundations, spaces that now seem to be posing as public museum spaces.

On view through April 14, 2013 at the Pennsylvania Academy of the Fine Arts (PAFA), the Morse installation sets the artist's work into an environment echoing what is shown in the picture.

Twofold, London - based artist Peter Liversidge's current solo exhibition on view at Sean Kelly, delves into dynamics and methods of contemporary art.

The felt creations have been assembled into an original and outsize work of «art» that unites the fantasy of innumerable budding «artists,» that is to be placed on view to visitors in Peggy's world renowned museum with its collection of modern masterpieces.

A Louisiana Parlor: Antebellum Taste & Context will be on view June 26 — October 11, 2015 in the Ella West Freeman Gallery and will be integrated into NOMA's permanent collection of decorative arts shortly thereafter.

While, intentionally, the core exhibition doesn't present a single theme, Macel sorted the works on view into nine chapters, which she calls Trans - Pavilions, each featuring a trans - national selection of different artists based on similarities and consonances in approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed curatorial subject.