Sentences with phrase «art organisation working»

So far Liberate Tate's case has been propagated through a series of attention - grabbing, guerrilla - style actions, but in collaboration with Platform — a London - based arts organisation working towards social and ecological justice — Tate à Tête, 2012, an alternative Tate gallery audio guide, has moved both groups» activism into a kind of immaterial territory.

Open Spaces Open Places is a professional arts organisation working in Northamptonand the county.

Not exact matches

The aim of Cultural destinations is to enable arts and culture organisations working in partnership with destination organisations to increase their reach, engagement and resilience through working with the tourism sector.

As part of the programme Lakes Culture, working alongside some of the region's key arts organisations, has commissioned a number of unique art pieces: Harmonica Botanica, Point To Point, Take Me Back to Manchester film, as well as PaperBridge.

After a career working for a wide variety of arts organisations, Lola Young became head of culture at the Greater London Authority between 2001 — 04.

Seeking a creative fusion between computer science, management and design, it aims to produce a new breed of innovative people who understand and are able to advance the state of the art in technical, design and business innovation: innovative people prepared to work in challenging roles in organisations and ready to drive radical change in the digital economy.

Annabel, who works for an arts and disability organisation, married her architect husband Euan on 2nd July this year at the «The Secret Herb Garden «just outside Edinburgh.

Jack Chambers» pioneering involvement with CAR, a national arts service organisation founded on Chambers belief in «fair exchange: payment for services,» assured that filmmakers would eventually be compensated for the exhibition and reproduction of their work.

The government has announced more than # 300 million to continue to fund a network of 121 music education hubs which work with schools, local authorities and community organisations to get more young people taking part in music and arts.

Over the next four years the government will provide # 300 million to a network of 121 music education hubs to work with schools, local authorities and community organisations to get more young people taking part in music and arts.

As an accredited Tim Henman Foundation BECSLink Community, the school works alongside national and local businesses, education charities, and sports and arts organisations to provide resources and learning opportunities for young people.

Providing these opportunities should be the responsibility of society supported by the education system, arts organisations, media and funding bodies working together.

«By funding schools to partner with cultural organisations, the fund will enable teachers to gain access to high - quality CPD from artist - practitioners, and allow schools and arts organisations to work collaboratively in order to embed arts - based learning in the primary curriculum,» she said.

The new college will provide young people throughout Yorkshire with an exciting and diverse curriculum, and pupils can look forward to working with a range of organisations across the arts industry to help prepare them for their future careers.

With multiple years experience in Australia as a Marketing Consultant, Travel Blogger & Photographer, Alexis has worked in various organisations from media to arts, culture and events.

He has worked extensively with the local arts - based organisations, Fabric Arts Forum, Bradford and The Art House, Wakefiarts - based organisations, Fabric Arts Forum, Bradford and The Art House, WakefiArts Forum, Bradford and The Art House, Wakefield.

The artist's work with Experiments in Art and Technology (E.A.T), an organisation of which he was a founder and which developed collaborations between artists and engineers in the 1960s, is also explored, showing how he helped to initiate new conversations between the visual arts, performance and science.

This collaborative programme led by Centre for Chinese Contemporary Art (CFCCA) brings together five distinct art organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland ChiArt (CFCCA) brings together five distinct art organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland Chiart organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland Chiart works and new commissions from some of the most exciting female artists working in mainland China.

Screening footage of over 20 selected commissions that debuted as part of the Performa biennial, this display exhibits significant performance works from the past decade and examines the impact that the organisation has had on the development of live art over the past twelve years.

Artists» Film International celebrates moving image work selected by a global partnership of arts organisations.

Chinese Arts Centre continued to extend its work to a national level, acting as an agency for Chinese arts in Britain and inviting collaborations with other organisatiArts Centre continued to extend its work to a national level, acting as an agency for Chinese arts in Britain and inviting collaborations with other organisatiarts in Britain and inviting collaborations with other organisations.

We have a wealth of experience of commissioning and working with Chinese contemporary artists and we are the only not - for - profit organisation working exclusively in the field of Chinese contemporary art.

He has also worked as freelance curator, organising projects for the Camden Arts Centre, the Freud Museum and the Wellcome Trust, amongst other organisations.

Her practice centres on the valuing and placement of craft practice within a wider visual arts context; and building audiences for this through work with a wide range of venues and organisations, not all of which are art - specific.

She is a regular contributor to online art journals and co-directs SPUR, a commissioning organisation which produces new works by contemporary artists nationally and internationally including digital, video and writing.

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

We are considered to be a pioneering arts organisation having worked with notable and now influential academics, artists, curators and writers including Professor Stuart Hall (Iniva's founding Chair), Professor Kobena Mercer, Okwui Enwezor, Professor Sonia Boyce, Judith Butler, Keith Piper, Sarat Maharaj, Chris Dercon, Isaac Julien and Baroness Lola Young to name but a few.

Curto was also invited to show his work at the elite arts organisation the House of the Nobleman in London during Frieze Art Fair, exhibiting alongside contemporary artists such as Damien Hirst, Banksy and Gerhard Richter.

So, in order to make it happen, he teamed up with Artangel, the non-profit arts organisation, which specialises in realising extraordinary one - off projects with contemporary artists, and set to work.

She has worked widely with international organisations including the Asian Art Museum, San Francisco and the Hirshhorn Museum and Sculpture Garden, where she contributed to the successful «Ai Weiwei: According to What?»

Portfolio Review Sessions were a chance for attendees to get face to face feedback on their work, stimulating further dialogues about contemporary art and its wider impact, as well as producing valuable networking opportunities, connecting organisations from all over the UK.

Himid attributes the recent interest in black art in the UK — including Tate Modern's «Soul of a Nation» exhibition — to the fact that current influential figures in arts organisations are «young enough not to be afraid of the work made by black artists».

Harding's stark warning comes in a book, Artists in the City: SPACE in ’68 and Beyond, which celebrates the 50th anniversary of the organisation set up by Bridget Riley and Peter Sedgley, leading proponents of Op art, who were frustrated that London's artists had to work in cramped garden studios.

This year's edition has a notably political edge, while the Art Basel organisation is working on wider cultural partnerships

Hosted by Rebekka Kill (York St John University) Jon Wakeman (East Street Arts) it will highlight how organisations are addressing issues of marginalisation and what is being done to ensure that audiences are having the best opportunity to experience the breadth of work being produced, ensuring there is a level playing field in the sector.

Currently working in his native Austria on recordings for a major new LP release, Riegler is also part of the concept and organisation team of an biennial art and architecture festival in the Austrian Alps.

Plus: New report suggests Garden Bridge funding plan «optimistic at best» New non-profit organisation to carry out technical analysis of Modigliani works and Artangel launches Oscar Wilde - inspired art project at Reading Prison

We'll continue to do this in 2011 by working in partnership with different artists and organisations to show different approaches to contemporary arts practice in the gallery.

Working closely with partner organisations, artists living in the city, the universities and the art school, the Biennial operates as a platform for generating thinking, experience and production.»

The prize, which was established to help regional arts organisations to present the work of mid-career female artists, is worth # 100,000, a quarter of which goes directly to the chosen artist.

Over the past 10 years National Museum Wales has worked with Artes Mundi to significantly develop their collection of international contemporary art — this commission would generate an exciting new dimension to the partnership and be an opportunity for skill sharing between the two organisations.

Celebrating collaboration and intervention in moving image practices; Film Action also presented work created by audiences with arts organisations across London including Chisenhale Gallery, Peckham Space, Studio Voltaire, BFI and South London Gallery

Previously he worked in various arts organisations on a freelance basis including the Royal Society of Arts, Whitechapel Gallery and Art Office (all Londarts organisations on a freelance basis including the Royal Society of Arts, Whitechapel Gallery and Art Office (all LondArts, Whitechapel Gallery and Art Office (all London).

This marks a significant new development for the charity, which marked its centenary in 2010, providing a social and working environment for the organisation's diverse networks and stakeholders, and a platform for greater visibility and engagement in the organisation's mission to develop public collections of contemporary art in the UK.

The new building will include spaces for hosting public events, seminars and displays of the works currently being gifted by the charity to museums across the UK, as well as an archive of the thousands of works donated by the organisation over the past 100 years, along with a study centre and research facility focused on collection development for curators, academics and arts professionals.

The selection of artists is undertaken by the programme team, led by the Artistic Director.The Tetley often works in partnership with other organisations in Britain and abroad, with current collaborations with Karachi Biennale, Pakistan, Colombo Art Biennale, Sri Lanka and Liverpool Biennial through the New North and South partnership.As exhibitions arise from direct invitations and through partnerships, we do not accept unsolicited proposals for exhibitions and do not hire out spaces for exhibitions.

Her work has been commissioned by numerous organisations including ArtsAdmin; Tate Modern, Maison de la Culture, Amiens; The National Gallery and The British Ceramics Biennial, and she has exhibited / performed with institutions including David Roberts Art Foundation (London) Oriel Sycharth (Wales), Palazzo Grassi (Italy) and Inhotim (Brazil).

The Save the Arts campaign is organised by the London branch of the Turning Point Network, a national consortium of over 2,000 arts organisations and artists dedicated to working together and finding new ways to support the arts in theArts campaign is organised by the London branch of the Turning Point Network, a national consortium of over 2,000 arts organisations and artists dedicated to working together and finding new ways to support the arts in thearts organisations and artists dedicated to working together and finding new ways to support the arts in thearts in the UK.

Laura was previously Programme Coordinator at Iniva (Institute of International Visual Arts) in London and worked in a range of arts organisations including n.paradoxa: international feminist art journal, frieze magazine, Margaret Lawrence Gallery (Victorian College of the Arts, University of Melbourne) and Anna Pappas Gallery, and as an intern at the Elizabeth A. Sackler Feminist Art Centre (Brooklyn Museum), MOMA PS1 and the National Gallery of VictoArts) in London and worked in a range of arts organisations including n.paradoxa: international feminist art journal, frieze magazine, Margaret Lawrence Gallery (Victorian College of the Arts, University of Melbourne) and Anna Pappas Gallery, and as an intern at the Elizabeth A. Sackler Feminist Art Centre (Brooklyn Museum), MOMA PS1 and the National Gallery of Victoarts organisations including n.paradoxa: international feminist art journal, frieze magazine, Margaret Lawrence Gallery (Victorian College of the Arts, University of Melbourne) and Anna Pappas Gallery, and as an intern at the Elizabeth A. Sackler Feminist Art Centre (Brooklyn Museum), MOMA PS1 and the National Gallery of Victorart journal, frieze magazine, Margaret Lawrence Gallery (Victorian College of the Arts, University of Melbourne) and Anna Pappas Gallery, and as an intern at the Elizabeth A. Sackler Feminist Art Centre (Brooklyn Museum), MOMA PS1 and the National Gallery of VictoArts, University of Melbourne) and Anna Pappas Gallery, and as an intern at the Elizabeth A. Sackler Feminist Art Centre (Brooklyn Museum), MOMA PS1 and the National Gallery of VictorArt Centre (Brooklyn Museum), MOMA PS1 and the National Gallery of Victoria.

This March, Milton Keynes based carnival arts organisation Festive Road presents an exhibition at MK Gallery Project Space, showcasing work they have been delivering to children and young people from schools in the region over the past few years.