The latest initiative of the Prudential Eye Programme, which supports artists and
art organisations across the Asia region, and whose previous projects include Korean Eye (2009 to 2012), Indonesian Eye (2011), Hong Kong Eye (2013) and Prudential Malaysian Eye (2014), the Prudential Eye Awards are a partnership between Parallel Contemporary Art, Saatchi Gallery and Prudential.
This collaborative programme led by Centre for Chinese Contemporary Art (CFCCA) brings together five distinct
art organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland China.
Taking place throughout February, the collaborative series of exhibitions, commissions and events will be based at five distinct
art organisations across the UK, including Centre for Chinese Contemporary Art in Manchester; Middlesbrough Institute of Modern Art; Nottingham Contemporary and Turner Contemporary in Margate.
Celebrating collaboration and intervention in moving image practices; Film Action also presented work created by audiences with
arts organisations across London including Chisenhale Gallery, Peckham Space, Studio Voltaire, BFI and South London Gallery
Kallat's solo exhibition is a part of the New North and South network that includes eleven
arts organisations across the North of England and South Asia, who have come together in a three - year programme of commissions, exhibitions and intellectual exchange to celebrate shared heritage across continents and develop artistic talent.
Not exact matches
The London show quickly outgrew its venue and now attracts 2,500 visitors as well as the leading music, drama and performing
arts organisations from
across the industry.
The new college will provide young people throughout Yorkshire with an exciting and diverse curriculum, and pupils can look forward to working with a range of
organisations across the
arts industry to help prepare them for their future careers.
We welcome applications from all types of businesses and
organisations across the creative industries,
arts and cultural education as well as associated sectors.
It was given to City
Art Centre through the Art Fund by the Barns - Graham Charitable Trust, an organisation established to further the understanding of Barns - Graham's art across the
Art Centre through the
Art Fund by the Barns - Graham Charitable Trust, an organisation established to further the understanding of Barns - Graham's art across the
Art Fund by the Barns - Graham Charitable Trust, an
organisation established to further the understanding of Barns - Graham's
art across the
art across the UK.
Plus: Study suggests pay increase
across US museum sector
Arts Council warns arts organisations to increase diversity or forego funding and recommended rea
Arts Council warns
arts organisations to increase diversity or forego funding and recommended rea
arts organisations to increase diversity or forego funding and recommended reading
About flora flora is an ambitious contemporary
arts project curated by Oriel Davies and developed in partnership with six key
organisations across the breadth of Wales from May 2015 and throughout 2016.
The new building will include spaces for hosting public events, seminars and displays of the works currently being gifted by the charity to museums
across the UK, as well as an archive of the thousands of works donated by the
organisation over the past 100 years, along with a study centre and research facility focused on collection development for curators, academics and
arts professionals.
Lisa Byrne has an impressive and varied career in the
arts sector as a director / curator in Victoria, New South Wales and the ACT
across local, state and national
arts organisations.
About Anxiety 2014 Anxiety 2014 presents a dynamic programme of visual
art, film, performance, music, dance, theatre and talks spanning venues
across London, including leading
arts organisations, universities, health care institutions and community centres.
The Contemporary
Art Society is the leading
organisation for identifying emerging talent in the UK and has donated many «firsts» to museums
across the country throughout its illustrious history, including the first works by Paul Gauguin, Pablo Picasso and Francis Bacon and, more recently, the first works by Damien Hirst, Elizabeth Price and 2013 Turner Prize nominee Laure Prouvost.
Stretching
across the
organisation's main premises on Golden Square and its smaller townhouse off Soho Square, the untitled show feels set up to be a triumphant return to the gallery world after a few years focused on large - scale installations for the British Library, St Pancras station and New York's Metropolitan Museum of
Art.
The individuals and
organisations who have developed Syllabus III, and who will be involved with the programme
across the ten months, are Ruth Claxton, Eastside Projects; Melanie Keen, Iniva; Louise Hutchinson, S1 Artspace; Laura Harford and Nicola Wright, Studio Voltaire; Helen Legg, Spike Island; Donna Lynas and Chelsea Pettitt, Wysing
Arts Centre and Kirsty Ogg, New Contemporaries.
During 2017, MK Gallery will bring together artists and
arts organisations from
across Milton Keynes to celebrate the city's 50th anniversary.
Irene Revell is the Director of Electra, an
organisation which curates, commissions and produces projects by artists working
across sound, moving image, performance and the visual
arts.
With strong foundations in classical music, we provide strategic career management and consultancy to world - class artists and
organisations across the performing
arts sector and contemporary visual practice.
The individuals and
organisations who will collaborate with the Syllabus IV artists, and who will be involved
across the ten months, are Ruth Claxton, Eastside Projects; Melanie Keen, Stephanie Moran and Simina Neagu, Iniva; Laura Clarke, S1 Artspace; Nicola Wright and Jenny Cooper, Studio Voltaire; Vanessa Boni, Spike Island; John Eng Kiet Bloomfield and Chelsea Pettitt, Wysing
Arts Centre.
The Contemporary
Art Society is the leading
organisation for identifying emerging talent in the UK and has donated many «firsts» to museums
across the country throughout its illustrious history, including the first works by Paul Gauguin, Pablo Picasso and Francis Bacon and, more recently, the first works by Damien Hirst, Elizabeth Price and 2013 Turner Prize winner Laure Prouvost.
Sky
Arts Ignition: Doug Aitken — The Source is the first project to be selected as part of the Sky Arts Ignition Series, a new funding initiative which will see Sky Arts partner with six leading arts organisations, to invest directly in the creation of new innovative art works, events and performances, and look to support them across Sky's platf
Arts Ignition: Doug Aitken — The Source is the first project to be selected as part of the Sky
Arts Ignition Series, a new funding initiative which will see Sky Arts partner with six leading arts organisations, to invest directly in the creation of new innovative art works, events and performances, and look to support them across Sky's platf
Arts Ignition Series, a new funding initiative which will see Sky
Arts partner with six leading arts organisations, to invest directly in the creation of new innovative art works, events and performances, and look to support them across Sky's platf
Arts partner with six leading
arts organisations, to invest directly in the creation of new innovative art works, events and performances, and look to support them across Sky's platf
arts organisations, to invest directly in the creation of new innovative
art works, events and performances, and look to support them
across Sky's platforms
The Senior Curator will be responsible for enhancing productive relationships with key stakeholders, artists,
arts organisations and colleagues
across New Zealand and internationally.
As a charity, the money earned by Contemporary
Art Society from curating Aspen's collection is thus invested in the
organisation's mission, namely to purchase contemporary artworks for museums and galleries
across the United Kingdom.
«Its vital support of
art galleries and museums
across the UK, and the role it plays in galvanising support for the visual
arts in Britain, make it a truly exceptional
organisation.
The
organisation is a natural extension of Parkview's commitment to improving environmental sustainability
across its commercial ventures and its support and patronage of
arts.
Electra is a London based contemporary
art organisation which curates, commissions and produces projects by artists working
across sound, moving image, performance and the visual
arts.
Based in St Helens, Merseyside, it is the first
organisation in England dedicated to the development and support of this practice
across all
art forms and leads on this with St Helens Council to support the Borough in its development as an international centre for collaborative and social
arts practice.
The event brought over seventy independent
art spaces, non-profit
organisations and artists» collectives from
across the world to the Turbine Hall, indicating which institutions the Tate considers leading in the global
art scene.
Committed to communicating and testing ideas, she has curated exhibitions in museums and galleries
across Europe, published her writings in international publications and journals, spoken in museums and universities
across the world and played a pivotal role in shaping academic and
arts organisations.
Between 2018 and 2020, the contemporary
arts non-profit will jointly produce a series of exhibitions and performances
across a network of international
organisations.
Delving into the personal and political activities of these forgotten figures
across different contexts, Geyer has until now undertaken significant performance and exhibition commissions for institutions including the Whitney Museum of American
Art in New York, where she focused on the
organisation's visionary founders Gertrude Vanderbilt Whitney and Juliana Force (resulting in Geyer's performance Time Tenderness, the footage of which is featured in the exhibition at Hales London), and San Francisco Museum of Modern
Art, where she explored the legacy of the museum's founding director Grace McCann Morley.