Sentences with phrase «art out of clay»

Not exact matches

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.
What builds this proximal space is gesture:... of eating... laying the table, but also... the gestures which create the objects out of formless clay...» p. 71 4 Mark Strand, «Art of the Real,» p. 32 5 Bryson, p. 9 6 Strand, p. 37 7 Strand, p. 16 8 Sol Lewitt, «Paragraphs on Conceptual Art» (1967)
Every week she would lay out on the big table a different kind of art supply such as clay, paint, wood, etc, and let us play around and make whatever we wanted from it.
U.S National Deadline: May 18, 2018 — «Out of the Mold» Carbondale Clay National XIII is a national juried and invitational exhibition of ceramic art held annually at the Carbondale Clay Center Gallery.
U.S National Deadline: May 18, 2018 — «Out of the Mold» Carbondale Clay National XIII is a national juried and invitational exhibition of ceramic art held annually at the Carbondale Clay Center Gallery in Carbondale, CO..
«Out of the Mold» Carbondale Clay National XIII is a national juried and invitational exhibition of ceramic art held annually at the Carbondale Clay Center Gallery in Carbondale, CO..
This exhibition has been organised by the British Council and features Ostrich (2009) a new acquisition for the British Council Collection, and Beginning, Middle and End (2009) a «giant continuous sausage» crafted from clay that is rolled out and arranged in the gallery — this time with the help of art students in Guadalajara.
During his residency at Camden Arts Centre, Jonathan Baldock has been emptying out large bags of wet clay, which he rolls flat, and fixes together to form tubes that he works over before leaving to air dry.
Coming out of the tail end of a legacy of abstraction at the region's art schools and in the midst of the ascendency of new figurative painting and changing approaches to sculpture via clay, etc, (eg, Voulkos) in the Bay Area, the work they made in that period of transition shows the freedom with which they approached art - making.
The dried out clay pieces in the studio that never became art are also here, an exploration of failure and the remnants of making.
Carbondale Clay Center (CO), National Call for Ceramic Artists: «Out of the Mold» Carbondale Clay National XIII Deadline: May 18th, 2018, 5:00 pm MST «Out of the Mold» Carbondale Clay National XIII is a national juried and invitational exhibition of ceramic art... Continue reading →
2003 Branch Out, Braunstein / Quay Gallery, San Francisco, CA San Jose Institute of Contemporary Art, San Jose, CA Small Works, Kemper Museum of Art, Kansas City, MO The Character of Clay, 2 person show with Jun Kaneko, Gail Severn Gallery, Ketchum, ID
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