Not exact matches
Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into
art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats
of colored dyes; the young woman with a bird's nest
of purple hair sitting at a potter's wheel, slamming down hunks
of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas
of people on a beach staring
out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front
of him, a stack
of paper to the side.
What builds this proximal space is gesture:...
of eating... laying the table, but also... the gestures which create the objects
out of formless
clay...» p. 71 4 Mark Strand, «
Art of the Real,» p. 32 5 Bryson, p. 9 6 Strand, p. 37 7 Strand, p. 16 8 Sol Lewitt, «Paragraphs on Conceptual
Art» (1967)
Every week she would lay
out on the big table a different kind
of art supply such as
clay, paint, wood, etc, and let us play around and make whatever we wanted from it.
U.S National Deadline: May 18, 2018 — «
Out of the Mold» Carbondale
Clay National XIII is a national juried and invitational exhibition
of ceramic
art held annually at the Carbondale
Clay Center Gallery.
U.S National Deadline: May 18, 2018 — «
Out of the Mold» Carbondale
Clay National XIII is a national juried and invitational exhibition
of ceramic
art held annually at the Carbondale
Clay Center Gallery in Carbondale, CO..
«
Out of the Mold» Carbondale
Clay National XIII is a national juried and invitational exhibition
of ceramic
art held annually at the Carbondale
Clay Center Gallery in Carbondale, CO..
This exhibition has been organised by the British Council and features Ostrich (2009) a new acquisition for the British Council Collection, and Beginning, Middle and End (2009) a «giant continuous sausage» crafted from
clay that is rolled
out and arranged in the gallery — this time with the help
of art students in Guadalajara.
During his residency at Camden
Arts Centre, Jonathan Baldock has been emptying
out large bags
of wet
clay, which he rolls flat, and fixes together to form tubes that he works over before leaving to air dry.
Coming
out of the tail end
of a legacy
of abstraction at the region's
art schools and in the midst
of the ascendency
of new figurative painting and changing approaches to sculpture via
clay, etc, (eg, Voulkos) in the Bay Area, the work they made in that period
of transition shows the freedom with which they approached
art - making.
The dried
out clay pieces in the studio that never became
art are also here, an exploration
of failure and the remnants
of making.
Carbondale
Clay Center (CO), National Call for Ceramic Artists: «
Out of the Mold» Carbondale
Clay National XIII Deadline: May 18th, 2018, 5:00 pm MST «
Out of the Mold» Carbondale
Clay National XIII is a national juried and invitational exhibition
of ceramic
art... Continue reading →
2003 Branch
Out, Braunstein / Quay Gallery, San Francisco, CA San Jose Institute
of Contemporary
Art, San Jose, CA Small Works, Kemper Museum
of Art, Kansas City, MO The Character
of Clay, 2 person show with Jun Kaneko, Gail Severn Gallery, Ketchum, ID