Sentences with phrase «art out of everyday»

Like him, Mr. Hammons makes art out of everyday life, though he has often gone for grungy, don't - touch stuff (hair, bones, liquor bottles).

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

The often controversial «artists» artist» (with concurrent shows at the Met and Pace Gallery this spring) still believes in the avant - garde dream of making art out of everyday life — here's how he hopes to realize it.

Not exact matches

The Art of Eating Well is a celebration of food that should be enjoyed everyday — whether at home, work, with family and friends, or eating out.

Manoosh pieces increase exposure for local artists by bringing art out of the galleries and into the everyday.

Developed out of the designer's appreciation for the art form, the posts were previously kept busy with more everyday embroidery.

Common everyday kinda guy, love meeting new people hanging out with friends and family, and am a big fan of anime, games, movies, hiking, poetry, and all forms of art

As a meditation on time, responsibility and the influence of art on everyday life, «Columbus» shows the introspective side of Hoosiers that is often left out in stereotypical portrayals.»

By donning their work, indigenous weavers bring art out of the gallery or museum and into everyday life.

As Artist Lab Resident at 18th Street Arts Center, artist Elena Bajo develops a site - specific body of work that examines botanical, topographical, and textual elements to reveal the layers of the everyday and the specific temporality of social encounters born out of her residency.

As Artist Lab Resident at 18th Street Arts Center, artist Elena Bajo will develop a site - specific body of work that examines botanical, topographical, and textual elements to reveal the layers of the everyday and the specific temporality of social encounters born out of her residency.

As curator and art historian Leo Mazow points out, «Arneson exploited the incisive and provocative potential of ubiquitous and seemingly innocuous articles from everyday life.»

Was Beuys's art — moulded out of everyday objects from VW vans to sausages — utopian drivel or full of remarkable foresight?

Selected 2013 exhibitions include If the World Changed, 4th Singapore Biennale, Singapore; Everyday Life, 4th Asian Art Biennial, Taiwan; Sights and Sounds: Global Film and Video, Jewish Museum, New York; Phnom Penh: Rescue Archaeology, ifa, Berlin and Stuttgart; Out of Nowhere: Photography in Cambodia, creativetimereports.org; Developments, Seventh Gallery, Melbourne.

Its seamless design is still churned out today by furniture maker Herman Miller, and embodies Noguchi's ideal of how art and the everyday should co-exist in the same things.

The difference between Rauschenberg and his immediate predecessors was that, whereas they were certain that the source of the painting's independent life was somehow within themselves, he was interested in making art out of the disparate and impersonal matter of everyday life, the castoffs of commodity culture.

2009 Moyniham, Miriam, St Louis artist's imagery is intense, The Post-Dispatch, 11 June Rosenberg, Karen, More Over, Humble Doily: Paper Does a Star Turn, The New York Times, 19 October 2008 Applin, Jo, Bric - a-Brac: The Everyday Work of Tom Friedman, Art Journal, Spring, pp.69 - 81 Artner, Alan G, Beautiful art books published on 2008, Chicago Tribune, 13 December Cullinan, Nicholas, Tom Friedman, London, The Burlington Magazine, September, pp. 627 - 629 Jenkins, Amy, The Independent (Review of show at Gagosian Gallery, London), 5 July Johnson, Ken, Hunting a Tribe of Minimalists on the Streets of the Upper East Side, The New York Times, 5 January Johnson, Ken, Unwrapping the Secrets of Ordinary Objects, The New York Times, 17 May Lack, Jessica and Clark, Robert, The Guardian (Review of show at Gagosian Gallery, London), 31 May - 6 June Degen, Natasha, Frieze, June Wilk, Deborah, The Complexity of the Simple, Time Out New York, 17 - 23 January Wallpaper.com, Tom Friedman exhibition, London, 4 June 2006 Otten, Liam, Tom Friedman at Kemper Art Museum, Washington University Record, 26 October Tom Friedman at Gagosian Gallery Beverly Hills, The Week, 24 November Vogel, Carol, Why Small is Big, The New York Times, 17 November Knight, Christopher, Art as a shared experience, Los Angeles Times, 3 November Kastner, Jeffrey, Tom Friedman Feature Inc., Artforum, January, p. 220 Tom Friedman at Gagosian Gallery, Artdaily.com, 26 OctoArt Journal, Spring, pp.69 - 81 Artner, Alan G, Beautiful art books published on 2008, Chicago Tribune, 13 December Cullinan, Nicholas, Tom Friedman, London, The Burlington Magazine, September, pp. 627 - 629 Jenkins, Amy, The Independent (Review of show at Gagosian Gallery, London), 5 July Johnson, Ken, Hunting a Tribe of Minimalists on the Streets of the Upper East Side, The New York Times, 5 January Johnson, Ken, Unwrapping the Secrets of Ordinary Objects, The New York Times, 17 May Lack, Jessica and Clark, Robert, The Guardian (Review of show at Gagosian Gallery, London), 31 May - 6 June Degen, Natasha, Frieze, June Wilk, Deborah, The Complexity of the Simple, Time Out New York, 17 - 23 January Wallpaper.com, Tom Friedman exhibition, London, 4 June 2006 Otten, Liam, Tom Friedman at Kemper Art Museum, Washington University Record, 26 October Tom Friedman at Gagosian Gallery Beverly Hills, The Week, 24 November Vogel, Carol, Why Small is Big, The New York Times, 17 November Knight, Christopher, Art as a shared experience, Los Angeles Times, 3 November Kastner, Jeffrey, Tom Friedman Feature Inc., Artforum, January, p. 220 Tom Friedman at Gagosian Gallery, Artdaily.com, 26 Octoart books published on 2008, Chicago Tribune, 13 December Cullinan, Nicholas, Tom Friedman, London, The Burlington Magazine, September, pp. 627 - 629 Jenkins, Amy, The Independent (Review of show at Gagosian Gallery, London), 5 July Johnson, Ken, Hunting a Tribe of Minimalists on the Streets of the Upper East Side, The New York Times, 5 January Johnson, Ken, Unwrapping the Secrets of Ordinary Objects, The New York Times, 17 May Lack, Jessica and Clark, Robert, The Guardian (Review of show at Gagosian Gallery, London), 31 May - 6 June Degen, Natasha, Frieze, June Wilk, Deborah, The Complexity of the Simple, Time Out New York, 17 - 23 January Wallpaper.com, Tom Friedman exhibition, London, 4 June 2006 Otten, Liam, Tom Friedman at Kemper Art Museum, Washington University Record, 26 October Tom Friedman at Gagosian Gallery Beverly Hills, The Week, 24 November Vogel, Carol, Why Small is Big, The New York Times, 17 November Knight, Christopher, Art as a shared experience, Los Angeles Times, 3 November Kastner, Jeffrey, Tom Friedman Feature Inc., Artforum, January, p. 220 Tom Friedman at Gagosian Gallery, Artdaily.com, 26 OctoArt Museum, Washington University Record, 26 October Tom Friedman at Gagosian Gallery Beverly Hills, The Week, 24 November Vogel, Carol, Why Small is Big, The New York Times, 17 November Knight, Christopher, Art as a shared experience, Los Angeles Times, 3 November Kastner, Jeffrey, Tom Friedman Feature Inc., Artforum, January, p. 220 Tom Friedman at Gagosian Gallery, Artdaily.com, 26 OctoArt as a shared experience, Los Angeles Times, 3 November Kastner, Jeffrey, Tom Friedman Feature Inc., Artforum, January, p. 220 Tom Friedman at Gagosian Gallery, Artdaily.com, 26 October

«Khanna has been tenaciously loyal to a particular discipline — making art out of childhood memories and everyday events, representing emotion in a way which curiously embraces abstraction and figuration in equal measure»

Earth (Land) Art Emerging out of Installation Art, Earth Art or Land Art celebrated the use of everyday natural materials and the idea of performance and expression being produced in any environment.

Wesselmann never liked his inclusion in American Pop Art, pointing out how he made an aesthetic use of everyday objects and not a reference to them as consumer objects: «I dislike labels in general and «Pop» in particular, especially because it overemphasizes the material used.

New work continuing Hong Hao's interest in art works made out of the collected ephemera of everyday life, including receipts and letters.

, Gypsum Gallery, Cairo, 2015; EVA International — Ireland's Biennial, Limerick, 2014; The 11th Havana Biennial, Cuba, 2012; «Second World» Steirischer Herbst, Graz, Austria and Galerija Nova, Zagreb, Croatia, 2011; 1st Festival of Contemporary Art in Algiers, Algiers, 2009; 7th Gwangju Biennial, South Korea, 2008; 1st Canary Islands Biennial, Spain, 2006; «Trial Balloons» MUSAC, León, Spain, 2006; «An Image Bank for Everyday Revolutionary Life», REDCAT Gallery Los Angeles, USA, 2006; «Out of Space» Gallery Sfeir - Semler, Beirut, Lebanon 2006; Progr, Zentrum fur Kulturproduktion, Bern, Switzerland, 2005; «Il periplo creativo», Museo dell «Accademia Ligustica di Belle Arti, Genova, Italy, 2004; «Transferts», Palais des Beaux - Arts de Bruxelles, Brussels, Belgium, 2003; «Mediterranean», Culturgest, Lisbon, Portugal, 2001.

Labyrinths, Devin Borden Hiram Butler Gallery, Houston, Texas Burning Desires: Acquisitions 1997 - 2001, El Paso Museum of Art, El Paso, Texas Escape from the Vault: The Contemporary Museum's Collection Breaks Out, The Contemporary Museum, Honolulu, Hawaii New Directions in Contemporary Art, Eisentrager - Howard Gallery, Department of Art and Art History, University of Nebraska - Lincoln, Lincoln, Nebraska Made in U.S.A., Devin Borden Hiram Butler Gallery, Houston, Texas Monochrome, Mostly, Arlington Museum of Art, Arlington, Texas Line, Devin Borden Hiram Butler Gallery, Houston, Texas Domestic: Artists Transforming the Everyday, Arlington Museum of Art, Arlington, Texas Systems Order Nature, Devin Borden Hiram Butler Gallery, Houston, Texas 110 Years: The Permanent Collection at the Modern Museum of Fort Worth, The Modern Art Museum of Fort Worth, Fort Worth, Texas

«Keith Edmier, Ricky Swallow, Erick Swenson,» reviewny.com (Review Magazine), September 15, 2000 Daniel, Mike, «Natural Deceits,» Dallas Morning News Guide, May 12, 2000 Herbert, Lynn, «Erick Swenson,» Out of the Ordinary: New Art from Texas, catalogue, Contemporary Arts Museum, Houston, 2000, pp. 84 - 91, reproductions Klaasmeyer, Kelly, «Everyday Art: Mundane Objects make for Out of the Ordinary works,» Houston Post, Aug 24, 2000 Krider, Dylan Otto, «Two Baboons and a Body Bag,» Houston Press, August 10, 2000 Kutner, Janet, «Art Outlet,» The Dallas Morning News, Saturday, July 8, 2000, pp. 5C - 7C Kutner, Janet, «Imposter art disguises meaning,» Dallas Morning News, May 14, 2000 Rees, Christina, «Cheers and Tallyho,» Dallas Observer, February 17 — 23, 2000 Rees, Christina, «Biting Back,» Dallas Observer, February 10 - 16, 2000, pp. 14 —Art from Texas, catalogue, Contemporary Arts Museum, Houston, 2000, pp. 84 - 91, reproductions Klaasmeyer, Kelly, «Everyday Art: Mundane Objects make for Out of the Ordinary works,» Houston Post, Aug 24, 2000 Krider, Dylan Otto, «Two Baboons and a Body Bag,» Houston Press, August 10, 2000 Kutner, Janet, «Art Outlet,» The Dallas Morning News, Saturday, July 8, 2000, pp. 5C - 7C Kutner, Janet, «Imposter art disguises meaning,» Dallas Morning News, May 14, 2000 Rees, Christina, «Cheers and Tallyho,» Dallas Observer, February 17 — 23, 2000 Rees, Christina, «Biting Back,» Dallas Observer, February 10 - 16, 2000, pp. 14 —Art: Mundane Objects make for Out of the Ordinary works,» Houston Post, Aug 24, 2000 Krider, Dylan Otto, «Two Baboons and a Body Bag,» Houston Press, August 10, 2000 Kutner, Janet, «Art Outlet,» The Dallas Morning News, Saturday, July 8, 2000, pp. 5C - 7C Kutner, Janet, «Imposter art disguises meaning,» Dallas Morning News, May 14, 2000 Rees, Christina, «Cheers and Tallyho,» Dallas Observer, February 17 — 23, 2000 Rees, Christina, «Biting Back,» Dallas Observer, February 10 - 16, 2000, pp. 14 —Art Outlet,» The Dallas Morning News, Saturday, July 8, 2000, pp. 5C - 7C Kutner, Janet, «Imposter art disguises meaning,» Dallas Morning News, May 14, 2000 Rees, Christina, «Cheers and Tallyho,» Dallas Observer, February 17 — 23, 2000 Rees, Christina, «Biting Back,» Dallas Observer, February 10 - 16, 2000, pp. 14 —art disguises meaning,» Dallas Morning News, May 14, 2000 Rees, Christina, «Cheers and Tallyho,» Dallas Observer, February 17 — 23, 2000 Rees, Christina, «Biting Back,» Dallas Observer, February 10 - 16, 2000, pp. 14 — 23

2011 Penelope's Labour: Weaving Words and Images, Fondazione Giorgio Cini, Venice Measuring the World — Heterotopias and Knowledge Spaces in Art, Kunsthaus Graz, Austria Let the Healing Begin, Institute of Modern Art, Brisbane 2010 - 11 Aware: Art Fashion Identity — GSK Contemporary The Unconscious in Everyday Life, Science Museum, London 2010 Royal Academy of Arts, London 2009 British Subjects: Identity and Self - Fashioning 1967 - Neuberger Museum of Art, Purchase, New York Fascination with the Foreign: China — Japan — Europe, Hetjens - Museum Landeshaupstadt Düsseldorf, Germany Conflicting Tales: Subjectivity (Quad1), The Burger Collection, Berlin Prints Charming, Liberty, London Medals of Dishonour, British Museum, London sh [OUT]: Contemporary art and human rights, Gallery of Modern Art, GlasArt, Kunsthaus Graz, Austria Let the Healing Begin, Institute of Modern Art, Brisbane 2010 - 11 Aware: Art Fashion Identity — GSK Contemporary The Unconscious in Everyday Life, Science Museum, London 2010 Royal Academy of Arts, London 2009 British Subjects: Identity and Self - Fashioning 1967 - Neuberger Museum of Art, Purchase, New York Fascination with the Foreign: China — Japan — Europe, Hetjens - Museum Landeshaupstadt Düsseldorf, Germany Conflicting Tales: Subjectivity (Quad1), The Burger Collection, Berlin Prints Charming, Liberty, London Medals of Dishonour, British Museum, London sh [OUT]: Contemporary art and human rights, Gallery of Modern Art, GlasArt, Brisbane 2010 - 11 Aware: Art Fashion Identity — GSK Contemporary The Unconscious in Everyday Life, Science Museum, London 2010 Royal Academy of Arts, London 2009 British Subjects: Identity and Self - Fashioning 1967 - Neuberger Museum of Art, Purchase, New York Fascination with the Foreign: China — Japan — Europe, Hetjens - Museum Landeshaupstadt Düsseldorf, Germany Conflicting Tales: Subjectivity (Quad1), The Burger Collection, Berlin Prints Charming, Liberty, London Medals of Dishonour, British Museum, London sh [OUT]: Contemporary art and human rights, Gallery of Modern Art, GlasArt Fashion Identity — GSK Contemporary The Unconscious in Everyday Life, Science Museum, London 2010 Royal Academy of Arts, London 2009 British Subjects: Identity and Self - Fashioning 1967 - Neuberger Museum of Art, Purchase, New York Fascination with the Foreign: China — Japan — Europe, Hetjens - Museum Landeshaupstadt Düsseldorf, Germany Conflicting Tales: Subjectivity (Quad1), The Burger Collection, Berlin Prints Charming, Liberty, London Medals of Dishonour, British Museum, London sh [OUT]: Contemporary art and human rights, Gallery of Modern Art, GlasArt, Purchase, New York Fascination with the Foreign: China — Japan — Europe, Hetjens - Museum Landeshaupstadt Düsseldorf, Germany Conflicting Tales: Subjectivity (Quad1), The Burger Collection, Berlin Prints Charming, Liberty, London Medals of Dishonour, British Museum, London sh [OUT]: Contemporary art and human rights, Gallery of Modern Art, Glasart and human rights, Gallery of Modern Art, GlasArt, Glasgow

Atlanta, Georgia - based graphic designer and creative soul with a love for design, art, couture and the desire to experience more out of life than what we see in the everyday.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Part of Brown's aesthetic is derived from the complex, layered, out of the box nature found in street art and everyday life.

After narrowly missing out on the 2014 Vincent Award at the Gemeentemuseum, in The Hague, the 52 - year - old French artist, known for creating «living art» installations, was awarded The Kurt Schwitter's Prize for his «contemporary reinterpretation of the artist's principles of collage and the poetry of everyday life, the jury has announced.

However, the flip side, as Relyea points out in Your Everyday Art World, is the dismantling of institutional support that's grown out of the co-option of DIY strategies by labor management gurus, as exemplified by the proliferation of perma - lance and adjunct positions.

When Roy DeCarava set out in mid-twentieth century Harlem to undertake what would become the landmark photobook The Sweet Flypaper of Life (1955), he employed photography as «a creative expression to meditate on everyday life and family,» says Drew Sawyer, head of exhibitions and curator of photography at the Columbus Museum of Art.

This collection of more than 100 works spanning from Baselitz's earliest years to the present day offers an unparalleled overview of his oeuvre, as well as insight into the subtle changes that have come to his work as he has matured: In recent years the distinctive visual universe that grew out of the artist's study of art, myth and literature has expanded to make room for the personal, for memories of an upbringing in the German and Slavic cultural borderland, for everyday life and his family and for revisiting works by himself and others.

He has also participated in group exhibitions that include Cynical Love: Life in the Everyday, Kiran Nadar Museum of Art, Noida (2012); Manifesta 9, Genk (curated by Cuauhtémoc Medina)(2012); Out of Here, Van Abbemuseum, Eindhoven (curated by Christiane Berndes and Charles Esche)(2011); Generation in Transition.

According to Celant (Flash Art, 1967), Arte Povera aimed to break down the barrier between art and life, mainly through the creation of performance and assemblage art made out of everyday materiaArt, 1967), Arte Povera aimed to break down the barrier between art and life, mainly through the creation of performance and assemblage art made out of everyday materiaart and life, mainly through the creation of performance and assemblage art made out of everyday materiaart made out of everyday materials.

While discussing her collaboration with the Menil Collection in Houston, TX and Pérez Art Museum Miami, Solange shared, «I wanted to build on the conversation that existing as Black women and men, going out in the world everyday is an act of protest in itself.

New York and North Adams, Massachusetts, Drift of Summer, RM Gallery, Auckland, New Zealand Observe / Recognize, Berlin Gallery at Legends Santa Fe, Santa Fe, New Mexico 2010 Collision, Rhode Island School of Design Museum, Providence, Rhode Island Lush Life, Invisible Exports Gallery, New York, New York Everyday Mystics, Patricia Sweetow Gallery, San Francisco, California Vantage Point, Recent Acquisitions, Smithsonian National Museum of the American Indian, Washington DC Raw State, Shelby Street Gallery, Santa Fe, New Mexico New Paintings, Staley Wise Gallery, New York, New York Alluring Subversions, Timken Art Center, California College of The Arts, San Diego, California Currents, University of Northern Colorado, Greeley, Colorado organized by Cicely Cullen 2009 On Stellar Rays, Lover, New York, New York, organized by Kate Gilmore and Candice Madey Signs Taken For Wonders, Jack Shainman Gallery, New York, New York, organized by Isolde Brielmaier, Surveillance, Affirmation Arts, New York, New York, organized by Rachel Vancellete Solution, DiverseWorks, Houston, Texas, organized by Janet Phelps Eiteljorg Museum, Recent Acquisitions, Eiteljorg 2008 - 09 Fellows, Indianapolis, Indiana The Banality of Good, Claremont Graduate University, Claremont, California, organized by Chris Christion Currents, Metro Visual Arts Center, Denver, Colorado, organized by Cicely Cullen Relevant, Nathan Cummings Foundation, New York, New York, organized by Amerinda 2008 Blueballs, Production Fund LAB, New York, New York, organized by Jackie Saccoccio Visions, Flushing Town Hall Projects, Flushing, New York, organized by Omar Lopez - Chahoud Voices of the Mound, Institute of American Indian Arts, Santa Fe, curated by Linda Lomahaftewa - Singer Kentler International Drawing Space and Long Island University, Native Voices, New York, New York 516 Arts, Cautionary Tales, Albuquerque, New Mexico, curated by Holly Roberts Jersey City Museum, 1 × 1 Project, Shameless, Jersey City, New Jersey, curated by Rocio Aranda Alvarez Circa Art Fair, Puerto Rico, with Samson Projects Volta 4, Basel, Switzerland, with Samson Projects 2007 SONOTUBE, Santa Barbara Contemporary Arts Forum, Santa Barbara, California, curated by Miki Garcia Off The Map, The National Museum of the American Indian, Smithsonian Institution, New York, New York, curated by Kathleen Ash - Milby New England School of Art and Design, Boston, Massachusetts, organized by Charles Giuliano Postmillennial Black Madonna (in two parts): Paradise @ MoCADA, and Inferno @ Skylight Gallery, Brooklyn, New York Newark Open 2007, Newark, New Jersey, organized by Omar Lopez - Chahoud 2006 The Aldrich Museum of Contemporary Art, No Reservations, Ridgefield, Connecticut, curated by Richard Klein Paul Kopeikin Gallery, Paperworks, Los Angeles, California, curated by Daria Brit Shapiro Westport Arts Center, BROOKLYN, Westport, Connecticut, curated by Amy Simon State University of New York, Paumanoka, Stony Brook, New York, curated by Stephanie Dinkins The Jersey City Museum, Tropicalisms, Jersey City, New Jersey, curated by Rocio Aranda - Alvarado ARCO, Madrid, Spain, with Samson Projects MACO Art Fair, Mexico City, Mexico with Samson Projects 2005 Le Désert de Retz, Massimo Audiello, New York, New York, curated by David Hunt Alona Kagan Gallery, From the Root to the Fruit, New York, New York, curated by David Hunt Out of Bounds, Wave Hill, Glyndor Gallery, Bronx, New York, curated by Jennifer McGregor Evolving Pattern, New Jersey State University, Jersey City, New Jersey, organized by Midori Yoshimoto Play, Iandor Fine Arts, Newark, New Jersey, curated by Jomo Jelani Heywood Artists Alliance AIR Exhibition, Cuchifritos Gallery, New York, New York 2004 The Urge That Binds, Samson Projects, Boston, Massachusetts Jersey City Museum, Jersey (New), Jersey City, New Jersey, curated by Dr. Rocio Aranda New American Talent, The Jones Art Center for Contemporary Art, Austin, Texas, selection by Jerry Saltz The Space Between Words, Kean University, Union, New Jersey, curated by Judith Page Timeless / Timeliness, Aljira Center for Contemporary Art, Newark, New Jersey, curated by Dominique Nahas Super Salon, Samson Projects, Boston, Massachusetts, curated by Camilo Alvarez

While many of Page's interventions happen within the formal art viewing context, his disruptions sometime spill out into his everyday.