Sentences with phrase «art over acting»

She comments on her input to this film, her husband's work in general, and her preference for art over acting.

Not exact matches

The Perth Mint currently stores over $ 3 billion AUD in its state - of - the - art vaults and is backed by an explicit government guarantee outlined by the Gold Corporation Act 1987.

Miner's office started «Trump Tuesdays,» a weekly downtown gathering where locals voice concerns over presidential priorities like defunding arts agencies and barring refugees from the U.S.. She's also spoken at rallies protesting Trump's immigration orders and the GOP's initial attempt to repeal the Affordable Care Act.

The state of the art medical equipment bought and fixed inside the impressive edifice built by the Israelis, are rusting away as the government of Ghana, acting through the Ministry of Health, fights the authorities of UG, over the ownership and administration of the hospital.

Over his two - decade career, Davies has perfected the art of using the Freedom of Information Act request to probe government and publicly funded institutions for evidence of propaganda related to climate change.

Art Garfunkel joins the line (Jagger, Bowie) of singers who produced career best acting performances for this director - the scene of him smoking while staring over a bridge into the abyss of his life is worth buying the dvd alone - and Theresa Russell is simply incendiary.

«Over the years,» David Mamet writes in his slim volume On Directing Film, «I have observed that there are two subdivisions of the thespian's art: one is called Acting, and the other is called Great Acting.»

Especially as the action shifts from the Company of Dwarfs and Bilbo, over to Gandalf's own semi-solo adventure then to various battles between elves and orcs which act as a sort of martial arts zombie movie on the side.

Lautner's history of martial arts (the one thing that he actually had going for him as an action star in training) is never exploited to its full potential, while veteran actors like Jason Isaacs, Maria Bello and Sigourney Weaver are smart enough to jump ship before the first act is even over.

Between his myriad acting and directing gigs, self - referential art - world deconstructions, book and poetry projects, soap opera stunt - casting, and gauntlet of academic pursuits, his career had become a frenzied juggling act, one that seemed to value quantity over quality.

• too much school time is given over to test prep — and the pressure to lift scores leads to cheating and other unsavory practices; • subjects and accomplishments that aren't tested — art, creativity, leadership, independent thinking, etc. — are getting squeezed if not discarded; • teachers are losing their freedom to practice their craft, to make classes interesting and stimulating, and to act like professionals; • the curricular homogenizing that generally follows from standardized tests and state (or national) standards represents an undesirable usurpation of school autonomy, teacher freedom, and local control by distant authorities; and • judging teachers and schools by pupil test scores is inaccurate and unfair, given the kids» different starting points and home circumstances, the variation in class sizes and school resources, and the many other services that schools and teachers are now expected to provide their students.

Cultural and musical acts regularly tour venues such as the Gold Coast Convention Centre and the Gold Coast Arts Centre, while festivals including the Surfers Paradise Festival, the Gold Coast Film Festival, the Tambourine Mountain Scarecrow Festival, Big Day Out, and Kirra Surfstock take over precincts across the city.

There are three entertainment stages with over 60 acts, and 40 arts and crafts vendors participating.

After documenting a street artist for over a year and acting as his art manger, I've learned how galleries can often hold keys to power - housing artist around.

PDC reviews permanent works of art, architecture and landscape architecture proposed on or over City - owned property, and acts as caretaker and curator of the City's public art collection.

At a deeper level, FLOW and EBB is a metaphor for the fluctuating art - making process - the act of mark - making, adding and removing paint and other media over many layers, echoing the way the landscape has developed over time... a building up and a breaking down.

This exhibition is led by her writing, which will act as a prism through which to explore feminist perspectives on landscape, domesticity and identity in modern and contemporary art - with works by over 70 artists.

Over time and space, the works of art will in turn be removed from this densely packed exhibition space to take on different roles in the three acts that will be staged in the grand middle floor gallery of this Moscow aristocratic mansion.

The aim of the series is threefold: to highlight the main holdings of the MFA's permanent collections in handsome, affordable editions; to provide an informed, readable overview of various segments of art, for use by students, visitors and scholars; and, over time, to create a library that will act as a general tour of world art.

Located in the nation's largest arts district, the Museum welcomes over 650,000 visitors annually and acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary events, and dramatic and dance presentations.

The railway arches near Hackney Central Station look set to act as a useful art resource until more commercial developments take over, and the biennial Sluice fair will use four of them at the end of September.

Rehberger, who «considers art as a form of social interaction», has previously worked across vast site - specific installations, conceptual future designs, and a 450 - metre - long sculpture that acts as a bridge over the Rhein - Herne - Kanal in Oberhausen.

Asher writes: «DeFeo's metaphysical but concrete art functions in much the same way: the act of mirroring, or flipping images over and around, of changing black to white, of cutting through the surface of something, of changing liquid to solid, of waking and sleeping, of returning a different person to the place where you began your journey: such transformations are the very sensibilities of DeFeo's art, not one of mere sentences but one of propositions, abstract, as direct as they are elusive, subtle, alive to indispensable distinctions.»

In looking at self - organised exhibitions, off - site projects, commercial gallery and museum shows over this 20 - year period, Periodical Review 20/16 aims to share a spectrum of practices, creating dialogue and critical reflection to help develop and support Irish contemporary art as a whole; and to act as an accessible survey of contemporary art for a wider audience, showing an expanded experience of art practices from around the country.

They included Geetha Mehra, Director of Sakshi Gallery, and curator of Finding India, an exhibition of Indian art that was concurrently on view at the Museum of Contemporary Art in Taipei, Taiwan; Pooja Sood, a New Delhi - based independent curator and the Director of KHOJ International Artists» Association, an organization with programming all over India, which has acted as a unique nationwide support structure for artistic practiart that was concurrently on view at the Museum of Contemporary Art in Taipei, Taiwan; Pooja Sood, a New Delhi - based independent curator and the Director of KHOJ International Artists» Association, an organization with programming all over India, which has acted as a unique nationwide support structure for artistic practiArt in Taipei, Taiwan; Pooja Sood, a New Delhi - based independent curator and the Director of KHOJ International Artists» Association, an organization with programming all over India, which has acted as a unique nationwide support structure for artistic practice.

Organization with an operating budget under $ 2 million Awardee PAMELA S. WALL, Curator of Exhibitions, Gibbes Museum of Art for The Things We Carry: Contemporary Art in the South at the Gibbes Museum of Art Organization with an operating budget of $ 2 - $ 6 million Awardee STACY C. HOLLANDER, Deputy Director for Curatorial Affairs, Chief Curator, Director of Exhibitions, American Folk Art Museum for Securing the Shadow: Posthumous Portraiture in America at the American Folk Art Museum Organization with an operating budget of $ 6 - $ 15 million Awardees NANCY KATHRYN BURNS, Assistant Curator of Prints, Drawings & Photographs, Worcester Art Museum KRISTINA WILSON, Associate Professor of Art History, & Chair, Department of Visual & Performing Arts, Clark University Both for Cyanotypes: Photography's Blue Period at the Worcester Art Museum Organization with an operating budget of $ 15 - $ 30 million Awardees (tie) ANNE - MARIE EZE, Director of Scholarly & Public Programs, Houghton Library, Harvard University NATHANIEL SILVER, Associate Curator, Isabella Stewart Gardner Museum both for Beyond Words: Italian Renaissance Books at the Isabella Stewart Gardner Museum MASSUMEH FARHAD, Chief Curator & Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution SIMON RETTIG, Assistant Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution both for The Art of the Qur» an: Treasures from the Museum of Turkish & Islamic Arts at the Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution Honorable Mention JENS HOFFMANN, Deputy Director, Exhibitions & Public Programs, The Jewish Museum CLAUDIA J. NAHSON, Morris & Eva Feld Curator, The Jewish Museum both for Roberto Burle Marx: Brazilian Modernist at The Jewish Museum Organization with an operating budget over $ 30 million Awardees AL MINER, Assistant Curator of Contemporary Art, Museum of Fine Arts, Boston LAURA WEINSTEIN, Ananda Coomaraswamy Curator of South Asian & Islamic Art & Acting Matsutaro Shoriki Chair, Art of Asia, Museum of Fine Arts, Boston both for Megacities Asia at the Museum of Fine Arts, Boston

In addition to radically subverting the distinctions between painting and sculpture, these freely suspended, monumentally - scaled works reinvented the way in which painting is encountered, making the act of viewing an environmental, «all - over» experience that paved the way for immersive installation art of the following decades.

``... Fragione's art pours over with the physical material of paint and mark - making as an act of exploration.

Robertson, who will take over as Acting Director in July, is a professor of history of art and architecture at UCSB.

Over the ten years that I've been at Harbourfront Centre I've been trying to expand the way the building acts as a venue for art.

Sharjah Art Foundation (SAF) is pleased to announce the list of over 60 artists participating in Act I of the forthcoming Sharjah Biennial 13, Tamawuj (SB13).

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TeAct 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TeACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TOVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tover previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TeArt Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TeArt Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TeArt Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Teart to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

The lineup is completed by the Swiss Ugo Rondinone, whose aluminium - and - steel Moon Mask, seemingly inspired by ancient folk art, but of no one specific culture, would act as «an abstract sentinel facing out over the square».

Their works act as visual metonyms for art, playfully accentuating absurdities over the presumptuousness of artistic conventions.

The notion of carte blanche appears at odds with the commercial art world; giving an artist — albeit another gallery — free reign over one's space and the works displayed within is a strikingly open act.

The 2014 Whitney Biennial list is out, revealing the artists whose work will be included in America's most closely pored - over show, which both acts as a state - of - the - union declaration about the direction of contemporary art and mints no few overnight stars.

The architectural profession, specifically over the past century, has generated the belief that the art and act of building, is merely the means by which Architecture presents itself to the world.

The architectural profession, specifically over the past century, has generated the belief that the art and act of building, while certainly essential to Architecture, is in fact merely but significantly the means by which Architecture presents itself to the world.

Seen over at Inhabitat and The Gothamist, the Boggsville Boatel is commissioned as part of art collective Flux Factory's Sea Worthy exhibition, and acts as a «boat - in theater» for film events shown on the water.

This article examines these approaches towards resolving disputes over surplus embryos and considers whether they support the express objectives of the AHRA and Quebec's Act Respecting Clinical and Research Activities Relating to Assisted Procreation (Act Respecting Assisted Procreation) to protect the health and well - being of women, to promote the principle of free and informed consent and to recognize that women are more directly affected than men by the use of assisted reproductive technologies (ARTs).

Over all I wanted the bead board treatment to shine, and really act as the art in the space.