Sentences with phrase «art photographer robert»

Not exact matches

«I like doing these fairs,» explained Robert J. Kelly of Arlington Heights, a photographer who recently exhibited at the Naperville Women's Club annual fine arts fair on the grounds of Naper Settlement.

Special Features Audio commentary from 2002 featuring director Robert Altman and producer David Foster New making - of documentary, featuring members of the Cast and Crew New conversation about the film and Altman's career between film historians Cari Beauchamp and Rick Jewell Featurette from the film's 1970 production Art Directors Guild Film Society Q&A from 1999 with production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set by photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show featuring Altman and film critic Pauline Kael Trailer PLUS: An essay by novelist and critic Nathaniel Rich

Taking its name from an Oakland repair shop, «California Typewriter» opens with the reminiscence of musician Mason Williams, who, with his friend, painter Ed Ruscha, once threw a Royal typewriter out the window of a moving car, documenting the predictable results, with photographer Robert Blackwell, in the 1967 art book «Royal Road Test.»

INDEPENDENT & FOREIGN FILMS Black White + Gray (Unrated) Bifurcated bio-pic examines both the intimate and professional relationships of a couple of art icons from the Seventies, curator Sam Wagstaff and homoerotic photographer Robert Mapplethorpe.

Her work there included articles about the Corcoran Gallery of Art's hotly debated decision, in 1989, to cancel a retrospective of stark, often unsettling work by the gay photographer Robert Mapplethorpe.

And given UCLA's rank as the No. 2 graduate fine art program in the country, it's a compelling list, which includes Woman's Building pioneer Judy Chicago, conceptual artist Barbara Kruger, painters Lari Pittman and Toba Khedoori (the latter of whom recently had a one - woman show at LACMA), installationist Rodney McMillian, photographer James Welling and groundbreaking photo collagist Robert Heinecken (who established the photography program at UCLA in the 1960s and was the subject of a retrospective at the Hammer Museum in 2014).

Ranging from a focused exhibition of works by canonical photographer and documentarian Robert Frank, to the group exhibition Art and Resolution, 1900 to Today, exploring how visual artists represent and address conflict through the 20th century, to «Where Do I Go from Here?»

Painter, sculptor, printmaker and photographer Robert Rauschenberg (1925 - 2008) provided a crucial bridge between Abstract Expressionism and Pop art.

Quint Contemporary Art, in collaboration with photographer Philipp Scholz Rittermann, will be publishing a catalogue to highlight projects and exhibitions of Robert Irwin's that span from 2012 — 2013.

The X, Y, and Z Portfolios (published in 1978, 1978, and 1981, respectively) by American photographer Robert Mapplethorpe (1946 — 1989) summarize Mapplethorpe's ambitions as a fine - art photographer and contemporary artist, reflecting the tripartite division of his mature work: homosexual sadomasochistic imagery (X); floral still lifes (Y); and nude portraits of African - American men (Z).

To commemorate the anniversary of Hurricane Katrina, ARTINFO has brought back our AI Interview with photographer Robert Polidori, first published in Sept. 2006, on the eve of the opening of his exhibition «New Orleans after the Flood» at New York's Metropolitan Museum of Art.

Aside from the above - mentioned prominent art spaces, there will also be Fraenkel Gallery, hosting an exhibition entitled Edward Hopper & Company that will put on display watercolours by Hopper and works of photographers he influenced, including Diane Arbus, Robert Adams, William Eggleston, Walker Evans, Lee Friedlander and Stephen Shore.

This month, the J. Paul Getty Museum and the Los Angeles County Museum of Art, launch a major two - venue Mapplethorpe retrospective, Robert Mapplethorpe: The Perfect Medium, that digs deep into the photographer's massive archive and features more than 300 pieces of art and ephemera from every period of his prolific careArt, launch a major two - venue Mapplethorpe retrospective, Robert Mapplethorpe: The Perfect Medium, that digs deep into the photographer's massive archive and features more than 300 pieces of art and ephemera from every period of his prolific careart and ephemera from every period of his prolific career.

The impressive lineup includes glass artists such as Dale Chihuly, photographers such as Robert Mapplethorpe and Andres Serrano, and a who's - who of contemporary art, including works by Robert Motherwell, Red Grooms, Tim Rollins, Carrie Mae Weems, Whitfield Lovell, Benny Andrews and William Wegman.

Robert Mapplethorpe's work is widely collected, and he is considered by many art scholars to be among the most important American photographers of the latter half of the twentieth century.

It's a condition that drew photographer Robert Mapplethorpe to him in the»70s in New York City, when Sherman was studying at the American Academy of Dramatic Arts.

Presenters included local photographer Robert Diamante, Ezekiel Callanan from Optcliff ESQ / Maine Volunteer Lawyers for the Arts and Edwige Charlot from Creative Portland.

New Orleans, LA — Featuring masterworks by photographers Edward Weston, William Henry Fox Talbot, André Kertész, Robert Mapplethorpe, and many more, the New Orleans Museum of Art's upcoming exhibition, Photography at NOMA, explores the museum's rich permanent photography collection through a selection of some of its finest works from the early 1840s to the 1980s.

The New World, Cartagena, 2012 A selection from celebrated photographer, Robert Herman's 2013 Solo Exhibition, «A Waking Dream» at The Museum of Modern Art in Cartagena, Colombia Archi...

A selection from celebrated photographer, Robert Herman's 2013 Solo Exhibition, «A Waking Dream» at The Museum of Modern Art in Cartagena, Colombia Archival Ink Jet Print on 325 gm F...

The Musée Rodin dedicates a major exhibition to the parallel universes of two art geniuses, photographer Robert Mapplethorpe (1946 - 1989) and sculptor Auguste Rodin (1840 - 1917).

Excerpted from Phaidon's Art in Time, this essay explores Robert Adams, Lewis Baltz, Stephen Shore, Bernd and Hilla Becher, and other legendary photographers who birthed a new movement.

Sarah Greenough, senior curator, department of photographs, National Gallery of Art, Washington, and photographer Robert Bergman.

To celebrate the release of his new monograph, Metamorphosis, photographer James Welling is joined by Quentin Bajac, The Joel and Anne Ehrenkranz Chief Curator of Photography at The Museum of Modern Art, and Robert Slifkin, Professor of Fine Arts at New York University, to examine highlights from four decades of work and discuss his first survey show.

Man Ray (1890 - 1976)- see above: «Top 20 Photographers» Robert Mapplethorpe (1946 - 89)- see above: «Top 20 Photographers» Herbert Matter (1907 - 84) Swiss photographer and pioneer of a new style in poster art and advertising.

They range from ceramic sculptor Robert Arneson to conceptualist Bruce Nauman, whose work was featured in an acclaimed retrospective Benezra co - organized in 1994; Iranian - born videomaker Shirin Neshat; American abstract painter Brice Marden; British sculptor Rachel Whiteread; photographer Cindy Sherman; and Spanish figurative sculptor Juan Munoz (the Munoz retrospective Benezra organized in Chicago comes to the Museum of Contemporary Art in Los Angeles this month).

Past Wind Challenge artists include photographer Robert Asman and sculptor Syd Carpenter, both of whom were later awarded a Pew Fellowship in the Arts; beloved Fleisher teaching artist Charlotte Yudis; and brothers Billy and Stephen Dufala, winners of the 2009 West Prize.

Founded in 1990, the National Gallery of Art's collection of photographs and its program for photography have become one of the most celebrated in the world, with large, in - depth holdings of work by such celebrated photographers as Eadweard Muybridge, Alfred Stieglitz, Walker Evans, Ilse Bing, Robert Frank, Harry Callahan, and Robert Adams, among others, and numerous award - winning exhibitions and publications.

Photographer Robert Frank and Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art.

Museum of Modern Art: «Robert Heinecken: Object Matter» (through Sept. 7) The conceptual photographer Robert Heinecken, who died in 2006 at age 74, was ahead of his time in some ways and hopelessly retrograde in others.

1985 Beautiful Photographs, One Penn Plaza, New York, USA Five Years with «The Face», Photographers» Gallery, London, England Imaye, Insight: Photographic Intuitions of the 1980's, Islip Art Museum, East Islip, New York, USA The New Figure, Birmingham Museum of Art, Birmingham, USA Messages from 1985, Light Gallery, New York, USA Picture Taking: Weegee, Walker Evans, Sherrie Levine, Robert Mapplethorpe, Mary and Leigh Block Gallery, Northwestern University, Evanston, USA (exh cat) Entertainment, Josh Baer Gallery, New York, USA Flowers: Varied Perspectives, Patricia Heesy Gallery, New York, USA Nucle, Naked, Stripped, Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, USA (exh cat) Beauty, Palladium, New York, USA Big Portraits, Jeffrey Hoffeld & Company, New York, USA Fraenkel Gallery, San Francisco, USA Self - Portrait: The Photographer's Persona 1840 - 1985, Museum of Modern Art, New York, USA Home Work, Holly Solomon Gallery, New York, USA

Philanthropist and collector Madeleine P. Plonsker, whose book on the Cuban art scene, The Light in Cuban Eyes, inspired a 2015 show at the Robert Mann Gallery, puts it best: «When I began collecting the work of Cuban photographers, I fell into a bottomless pit that I never wanted to get out of.»

Shot in the early 1960s when fine art photographer William John Kennedy and his wife, Marie, forged a friendship with Andy Warhol and Robert Indiana, this recently published collection of images capture the two artists and their most iconic works at the rise of the Pop Art Movemeart photographer William John Kennedy and his wife, Marie, forged a friendship with Andy Warhol and Robert Indiana, this recently published collection of images capture the two artists and their most iconic works at the rise of the Pop Art MovemeArt Movement.

Museum of Modern Art: «Robert Heinecken: Object Matter» (through Sept. 7) The conceptual photographer Robert Heinecken, who died in 2006 at 74, was ahead of his time in some ways — and hopelessly retrograde in others.

Baltz's minimalist and reduced image compositions explore the photographic style as a process, and refer not only to the art of photographers like Lee Friedlander or Robert Frank but also to painters and sculptors of his day such as Donald Judd, Frank Stella, Jasper Johns or Sol LeWitt.

David McGee: Black Comedies and Night Music Robert Rauschenberg: A Retrospective [catalogue unavailable] Field of Vision: Five Gulf Coast Photographers DeWitt Godfrey: A Sculpture and Two Drawings James Turrell: Spirit and Light Projected Allegories: A Video Series Face of the Gods: Art and Altars of Africa and the African Americas [catalogue unavailable] Liz Ward: The Present of Past Things Abstract Painting, Once Removed: A Fiftieth Anniversary Exhibition Andreas Gursky México Ahora: Punto de Partida / Mexico Now: Point of Departure [catalogue unavailable]

Curators: Sondra N. Arkin, Artist & Independent Curator Philip Barlow, Associate Commissioner, DC Department of Insurance, Securities & Banking; Board Member, District of Columbia Arts Center & Millenium Arts Salon Chuck Baxter, Artist Robert Devers, Professor of Fine Arts and Ceramics, Corcoran School of the Arts + Design, George Washington University Thomas Drymon, Curator, doris - mae Charlie Gaynor, Realtor and Photographer, member of the Mid City Artists Aneta Georgievska - Shine, Lecturer in Art History, University of Maryland and Smithsonian Institution George Hemphill, Gallery Director, Hemphill Francie Hester, Visual Artist Don Kimes, Professor, Director Studio Art Program, American University Department of Art; Artistic Director, Visual Arts at Chautauqua Institution Zofie Lang, Artist Mary Liniger, Executive Director, Art Enables Akemi Maegawa, Artist Jayme McLellan, Director & Founder, Civilian Art Projects Twig Murray, Gallery Director, Athenaeum Gallery Victoria Reis, Co-Founder, Executive & Artistic Director, Transformer Nancy Sausser, Curator and Exhibitions Director, McLean Project for the Arts Andy Shallal, Founder, Busboys and Poets Stan Squirewell, Artist

Today, fine art photographs can be seen in many museums around the world, including the Metropolitan Museum of Art, NYC, (Stieglitz, Steichen, Walker Evans, and Ford Motor Company collections); Museum of Modern Art (MOMA), NYC (collections assembled by Edward Steichen, John Szarkowski and Peter Galassi); Guggenheim Museum New York, (Robert Mapplethorpe Collection); Art Institute of Chicago (Alfred Stieglitz Collection); Detroit Institute of Arts (Albert / Peggy de Salle Gallery); Los Angeles County Museum of Art (Wallis Annenberg Photography Dept); Philadelphia Museum of Art (30,000 photos by photographers like Alfred Stieglitz, Paul Strand); and Victoria & Albert Museum, London (500,000 images from 1839 - presenart photographs can be seen in many museums around the world, including the Metropolitan Museum of Art, NYC, (Stieglitz, Steichen, Walker Evans, and Ford Motor Company collections); Museum of Modern Art (MOMA), NYC (collections assembled by Edward Steichen, John Szarkowski and Peter Galassi); Guggenheim Museum New York, (Robert Mapplethorpe Collection); Art Institute of Chicago (Alfred Stieglitz Collection); Detroit Institute of Arts (Albert / Peggy de Salle Gallery); Los Angeles County Museum of Art (Wallis Annenberg Photography Dept); Philadelphia Museum of Art (30,000 photos by photographers like Alfred Stieglitz, Paul Strand); and Victoria & Albert Museum, London (500,000 images from 1839 - presenArt, NYC, (Stieglitz, Steichen, Walker Evans, and Ford Motor Company collections); Museum of Modern Art (MOMA), NYC (collections assembled by Edward Steichen, John Szarkowski and Peter Galassi); Guggenheim Museum New York, (Robert Mapplethorpe Collection); Art Institute of Chicago (Alfred Stieglitz Collection); Detroit Institute of Arts (Albert / Peggy de Salle Gallery); Los Angeles County Museum of Art (Wallis Annenberg Photography Dept); Philadelphia Museum of Art (30,000 photos by photographers like Alfred Stieglitz, Paul Strand); and Victoria & Albert Museum, London (500,000 images from 1839 - presenArt (MOMA), NYC (collections assembled by Edward Steichen, John Szarkowski and Peter Galassi); Guggenheim Museum New York, (Robert Mapplethorpe Collection); Art Institute of Chicago (Alfred Stieglitz Collection); Detroit Institute of Arts (Albert / Peggy de Salle Gallery); Los Angeles County Museum of Art (Wallis Annenberg Photography Dept); Philadelphia Museum of Art (30,000 photos by photographers like Alfred Stieglitz, Paul Strand); and Victoria & Albert Museum, London (500,000 images from 1839 - presenArt Institute of Chicago (Alfred Stieglitz Collection); Detroit Institute of Arts (Albert / Peggy de Salle Gallery); Los Angeles County Museum of Art (Wallis Annenberg Photography Dept); Philadelphia Museum of Art (30,000 photos by photographers like Alfred Stieglitz, Paul Strand); and Victoria & Albert Museum, London (500,000 images from 1839 - presenArt (Wallis Annenberg Photography Dept); Philadelphia Museum of Art (30,000 photos by photographers like Alfred Stieglitz, Paul Strand); and Victoria & Albert Museum, London (500,000 images from 1839 - presenArt (30,000 photos by photographers like Alfred Stieglitz, Paul Strand); and Victoria & Albert Museum, London (500,000 images from 1839 - present).

Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trArt Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trart collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.

A recent New York exhibition organized by two curatorial colleagues from my days as Senior Curator of Painting and Sculpture at the Museum of Modern Art, Peter Galassi, former Chief Curator of Photography, and John Elderfield, erstwhile Chief Curator of Drawings and subsequently Chief Curator of Painting and Sculpture, surveyed the paintings and photographs devoted to such imagery by artists ranging from Thomas Eakins, Jean - Léon Gérôme, Pablo Picasso, Henri Matisse, Alberto Giacometti, Jasper Johns and Philip Guston, to Constantin Brancusi (as photographer) and André Kertész (documenting Piet Mondrian's studio) to Robert Rauschenberg and Lucas Samaras (as photographers.)

Featured in this issue is: Mark Mothersbaugh «s new museum retrospective at the Akron Museum of Art, the elaborate skull carvings of Jason Borders, a studio visit with Japanese artist collective three, the wonderful drawings of Nicomi Nix Turner, photographer Robert Bartholot «s mysteriously artificial images, Nicole Gordon «s bright and tragic landscapes, and Vincent Castiglia «s amazing blood paintings.

+ After The Moment: Reflections on Robert Mapplethorpe at the Contemporary Arts Center in Cincinnati opened on Friday and exhibits work from several contemporary artists inspired by the controversial photographer.

Fine Art Photography Series Robert Mapplethorpe Biography of Controversial Contemporary Art Photographer.

Amy Stein (MFA 2006 Photography, Video and Related Media) Photographer; teacher; represented by ClampArt, NYC, and the Robert Koch Gallery, San Francisco; monographs Tall Poppy Syndrome published by Decode Books (2012) and Domesticated published by Photolucida (2008); included in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the Museum of Contemporary Photography, Chicago; the Nevada Museum of Art, Reno, NV; the Nerman Museum of Contemporary Art, Overland Park, KS: and the George Eastman House Photography Collection, Rochester, NY; among others.

The museum has pushed it's acquisition in contemporary art in recent years, and now owns important abstract paintings by Sean Scully (b. 1945), Walton Ford (b. 1960), photographer Barbara Bosworth (b. 1953), conceptual artist Jenny Holzer (b. 1950), sculptor of cast - off objects Jean Shin (b. 1971) and Robert Longo (b. 1953).

A native of Brooklyn, George Joseph Thek (his art - name, Paul, came from the photographer Peter Hujar, who was Thek's lover from 1956 until Hujar's death from AIDS in 1987, and whose obsessive documentation helped rescue Thek from anonymity) studied at the Art Students League and Pratt Institute in the early 1950s, and at Cooper Union during a period of revival in American art, absorbing the influential work of Jasper Johns, Allan Kaprow, Claes Oldenburg, Robert Rauschenberg, and Lucas Samaras, among otheart - name, Paul, came from the photographer Peter Hujar, who was Thek's lover from 1956 until Hujar's death from AIDS in 1987, and whose obsessive documentation helped rescue Thek from anonymity) studied at the Art Students League and Pratt Institute in the early 1950s, and at Cooper Union during a period of revival in American art, absorbing the influential work of Jasper Johns, Allan Kaprow, Claes Oldenburg, Robert Rauschenberg, and Lucas Samaras, among otheArt Students League and Pratt Institute in the early 1950s, and at Cooper Union during a period of revival in American art, absorbing the influential work of Jasper Johns, Allan Kaprow, Claes Oldenburg, Robert Rauschenberg, and Lucas Samaras, among otheart, absorbing the influential work of Jasper Johns, Allan Kaprow, Claes Oldenburg, Robert Rauschenberg, and Lucas Samaras, among others.

1931 New York (John Becker Gallery) 1932 New York (Julien Levy Gallery - 1935) group exhibition 1933 New York (Museum of Modern Art - 1938, 1962, 1966, 1971, 1976) 1948 Chicago (Art Institute of Chicago - 1964) 1966 New York (Robert Schoelkopf Gallery - 1971, 1973, 1974, 1977) 1981 San Francisco (Fraenkel Gallery) 1990 Munich (Stadtische Galerie im Lenbachhaus) 2000 New York Metropolitan Museum of Art) 2002 Cologne (Die Photographische Sammlung / SK Stiftung Kultur) 2003 London (The Photographers» Gallery) 2004 Cologne (Galerie Thomas Zander) 2004 Paris (Foundation Henri Cartier - Bresson - 2008) 2005 Ann Arbor (Michigan, USA) University of Michigan Museum of Art) 2006 Cagliari (Italy)(Convento di San Michele) 2007 Florence (Museo Nazionale Alinari della Fotografia) 2008 Paris (Musee du Quai Branly) 2009 Winterthur (Fotomuseum)

• Raoul Hausmann (1886 - 1971) Dadaist Photomontages • Paul Strand (1890 - 1976) Exponent of straight photography • John Heartfield (Helmut Herzfeld)(1891 - 1968) Dada photomontages • Walker Evans (1903 - 75) Documentary pictures • Henri Cartier - Bresson (1908 - 2004) Street photography, surrealism • Robert Capa (1913 - 54) War photographer • Irving Penn (1917 - 2009) Fashion, ethnographical images • Richard Avedon (1923 - 2004) Fashion photography • Bernd and Hilla Becher (1931 - 2007)(b. 1934) Photos of Industrial buildings • Jeff Wall (b. 1946) Staged photography • Nan Goldin (b. 1953) Feminist camera art • Andreas Gursky (b. 1955) Architecture, landscapes

Sherrie Levine is an American photographer and conceptual artist associated with the appropriation art of the early 1980s and the artists of «The Pictures Generation» such as Robert Longo, Richard Prince, Cindy Sherman and David Salle.

Opened in 1931, the Gallery has one of the most important collections of American art in the country that includes more than 16,000 works by prominent American artists such as George Bellows, John Singleton Copley, Thomas Eakins, Winslow Homer, Georgia O'Keeffe and Jackson Pollock, as well as photographers Eadweard Muybridge, Walker Evans, Robert Frank and many more.