Sentences with phrase «art photography department»

Visiting Artist Lecture Yale School of Art Photography Department April 25, 2018 «Aspirational Architectures» curated by Justine Ludwig Fridman Gallery, New York opening May 4, 2018 Peckham 24 Photography Festival curator Iona Fergusson May 18 - 20, 2018

Ambitious and innovative, many early California photographers were responsible for cultivating groundbreaking educational programs — a legacy that began with the founding of the nation's first fine art photography department, led by Ansel Adams at the California School of Fine Arts (now San Francisco Art Institute), and continues today with a number of nationally recognized photography programs at local art schools.

Under Minor White, this became the first fine art photography department in the US.

Not exact matches

Before Stieglitz's death that year, he was able to introduce Webb to Beaumont Newhall, head of the photography department at The Museum of Modern Art in New York.

Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis

This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.

Taken together, these segments run 59 minutes, 12 seconds and feature Mann, former Chicago police officer Chuck Adamson, author / Chicago historian Richard Lindberg, actor / former Chicago police officer Dennis Farina, LAPD technical advisor Tom Elfmont, first assistant director Michael Waxman, author Eddie Bunker, LA Sheriff's Department technical advisor Rey Verdugo, producer Art Linson, second unit director Ami Canaan Mann, casting director Bonnie Timmerman, director of photography Dante Spinotti, executive producer Pieter Jan Brugge, technical weapons trainers Mick Gould and Andy McNab, sound mixer Chris Jenkins, production designer Neil Spisak, musician Moby, composer Elliot Goldenthal, and actors Al Pacino, Jon Voight, Robert De Niro (circa 1995), Val Kilmer, Dennis Haysbert, Tom Sizemore, Amy Brenneman, Mykelti Williamson, Tom Noonan, Ashley Judd, Danny Trejo and Diane Venora.

Lecture by Sylvia Wolf, Adjunct Curator, Whitney Museum of American Art, and Adjunct Instructor, Department of Photography and Imaging.

Thousands more works dating since 1955 are held in the Museum's other departments including Prints and Drawings, Photography, Art of the Americas, Art of Asia, Art of Africa and Oceania, and Textiles and Fashion Arts.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Previously, Marley was Research Associate for the Agnes Martin Catalogue Raisonné of Paintings, a Collection Manager for a private estate and has held positions in the Department of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's inDepartment of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's indepartment at Christie's in New York.

While his initial investigation with the materiality of photography associates him with the Pictures Generation, his move to Los Angeles in 1995 to head UCLA's photography department significantly shifted his relationship to the art form.

Janine Polak received a BA in Studio Art (with concentrations in Sculpture and Photography) and Economics from the University of Virginia and an MFA from the Yale University School of Art, Department of Sculpture.

Before joining the Joan Mitchell Foundation, Heather worked as the Registrar of Richard Gray Gallery, the Collection Manager for the Department of Photography at the Art Institute of Chicago, and Associate Registrar for Collections at the Solomon R. Guggenheim Museum.

Karolina Ziebinska - Lewandowska is the curator at the Photography Department at Centre Pompidou National Museum of Modern Art.

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

This richly illustrated catalogue includes essays by Glenn Adamson, author of The Craft Reader and Deputy Head of Research and Head of Graduate Studies, Victoria Albert Museum; Britt Salvesen, Department Head and Curator, Wallis Annenberg Department of Photography, Los Angeles County Museum of Art; science fiction author William Gibson; and Julie Joyce, AICA - USA member and Santa Barbara Museum of Art Curator of Contemporary Art.

The exhibition is curated by Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art, and Sarah Kennel, The Byrne Family Curator of Photography, Peabody Essex Museum.

Following her RISD Graduate Studies» Artslink Residency and her internship in the Photography Department at the Museum of Modern Art, New York, curator and photographer Viera Levitt moved to Rhode Island in 2006 from Slovakia where she had been the director of the Jan Koniarek Gallery.

APPOINTMENT Isolde Brielmaier, executive director of arts, culture & community at Westfield World Trade Center, professor of critical studies in Tisch's Department of Photography, Imaging and Emerging Media at New York University, and curator - at - large at the Tang Museum, joins the New Museum Board of Trustees.

The four semester, 60 - credit curriculum is both rigorous and flexible allowing wide latitude for interdisciplinary exploration among the department's five areas: painting and drawing; photography; sculpture; printmaking; and integrated practices (installation, public art, performance).

As Group Publisher, she is responsible for expanding Phaidon's Art, Photography, Fashion, and Children's publishing programs, as well as overseeing the design and production departments.

Performance 7: Mirage by Joan Jonas is organized by Barbara London, Associate Curator, Department of Media and Performance Art; Pictures by Women: A History of Modern Photography is organized by Roxana Marcoci, Curator; Sarah Meister, Curator; and Eva Respini, Associate Curator, Department of Photography.

1977 Tokyo Gallery Exhibition, Tokyo Gallery, Tokyo, Japan Five Contemporary Artists Drawing and Watercolor, Kaneko Art Gallery, Tokyo, Japan Painting and Photography from 1980 to Today, Kunsthaus Zurich, Zurich, Switzerland Documenta 6, Kassel, Germany Drawings by Five Artists, Minami Gallery, Tokyo, Japan Forms Today Architecture and Sculpture, Tokyo Central Annex, Tokyo, Japan Contemporary Art in Japan Domestic Art and International Art, 5th Anniversary of Tochigi Prefectural Museum of Fine Arts, Tochigi Prefectural Museum of Fine Arts, Japan Artists Today»77 The Richness of Painting, Yokohama Civic Art Gallery, Kanagawa, Japan The 10th Japan Art Festival, Nihonbashi Takashimaya Department Store, Tokyo, Japan

Stephen Frailey is the Chair of the Photography Department and also the co-chair of the MPS Fashion Photography Program at the School of Visual Arts in New York.

This exhibition is curated by Eva Respini, Barbara Lee Chief Curator, The Institute of Contemporary Art / Boston, with Katerina Stathopoulou, Curatorial Assistant, Department of Photography, The Museum of Modern Art, New York.

Pratt Shows 2015 comprises a wide range of final exhibitions with works from departments including Fine Arts, Architecture, Digital Arts, Film / Video, Photography, Fashion, Communications Design, Jewelry, Industrial Design, Interior Design, and more.

Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of CulturPhotography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affaiart and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Culturphotography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural AffaiArt, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural AffaiArt Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural AffaiArt Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.

He graduated from the Photography Department at the Luxun Academy of Fine Arts, China in 1995.

The program also celebrates the achievements and outstanding caliber of SCAD's fine art departments including photography, painting, printmaking and sculpture.»

As a freelance photographer and a staff photographer for newspapers for the past 30 years, Ms. Dooley also taught photography in Arizona, California and New York, having recently retired as a Full Professor and Chair of the Art Department at Nassau Community College on Long Island.

Eve Schillo, curatorial assistant, Wallis Annenberg Photography Department, Los Angeles County Museum of Art (LACMA);

Guez is a lecturer in the History & Theory Department at Bezalel Academy of Arts and Design in Jerusalem, and a researcher of archives affiliated Tel Aviv University, where he received his PhD in photography.

Nothing Stable under Heaven is a collaboration between the Architecture + Design, Education + Public Practice, Media Arts, Painting + Sculpture, and Photography Departments.

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

Autograph ABP Urban Video Project Syracuse University Transmedia Department Everson Museum of Art AIPAD (The Photography Show)

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

As Charlotte Cotton, critic and former curator of photographs at the Victoria and Albert Museum (London) as well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.»

At The Art Institute of Chicago, the exhibition was organized by Matthew S. Witkovsky, Richard and Ellen Sandor Chair and Curator, Department of Photography, AIC.

● Circulated equipment for the Film Video New Media, Sound, Art and Technology and Photography departments.

After the two institutions were combined to form the Fine Arts Museums in 1972, the photography holdings were united at the Legion within the Museums» department of works on paper, the Achenbach Foundation for Graphic Arts.

11:45 — 12:10 Pictures and Progress: Frederick Douglass on Photography Shawn Michelle Smith, professor and chair, department of visual and critical studies, School of the Art Institute of Chicago

The first exhibition organized by graduate students in the Departments of Media Studies and Art who were inspired by the fall exhibition Contemporary African - American Photography.

Social Media is on view at The Pace Gallery (510 West 25th Street, NYC) through October 15 and is organized by Pace / MacGill in conjunction with The Pace Gallery and the MFA Photography, Video and Related Media Department at the School of Visual Arts.

Kiraly is an Associate Professor at the National University of Arts Bucharest where he has taught since 1992 and co-founded in 1995 the Department of Photography and Time - based Media Art at the National University of Arts, Bucharest.

In 1940, the Museum of Modern Art (MoMA) became the first museum in the country to establish a department devoted to photography, effectively cementing the importance of this art form in the eyes of the worArt (MoMA) became the first museum in the country to establish a department devoted to photography, effectively cementing the importance of this art form in the eyes of the worart form in the eyes of the world.

Perfect Likeness: Photography and Composition is organized by Russell Ferguson, professor in the Department of Art, University of California, Los Angeles and adjunct curator at the Hammer Museum.

Brielmaier is currently Assistant Professor of Critical Studies in the Department of Photography, Imaging, and Emerging Media at Tisch School of the Arts at New York University, and oversees the arts and cultural programming at Westfield World Trade CenArts at New York University, and oversees the arts and cultural programming at Westfield World Trade Cenarts and cultural programming at Westfield World Trade Center.

Pratt Institute's School of Art and Design will present lectures by renowned individuals through its Graduate Communications Design, Digital Arts, Film / Video, Fine Arts, Interior Design, and Photography Departments.

DAM — Digital Asset Management, museum software for tracking digital images D.A.P. - Distributed Art Publishers, publish many museum and institutional catalogues and books on art, design, photography, and architecture DCA — Department of Cultural Affairs (New York City) DOF - Depth of field (from photography) DPI - Dots per inch (image - quality indicator) DSLR - Digital single - lens reflex camArt Publishers, publish many museum and institutional catalogues and books on art, design, photography, and architecture DCA — Department of Cultural Affairs (New York City) DOF - Depth of field (from photography) DPI - Dots per inch (image - quality indicator) DSLR - Digital single - lens reflex camart, design, photography, and architecture DCA — Department of Cultural Affairs (New York City) DOF - Depth of field (from photography) DPI - Dots per inch (image - quality indicator) DSLR - Digital single - lens reflex camera