Sentences with phrase «art pieces in the show»

Francis Dawson will be exhibiting his living art pieces in the show.

Not exact matches

They could work as art pieces by themselves with nothing tacked up to them, especially to show off the kind of intricate, pretty or vintage fabrics that we all have in our collection but don't know what to do with... Thanks for the inspiration Vicky and Jennifer!

She treats everything as a piece of art that deserves to be displayed and shown off in a beautiful way.

«My love for art is part of my personality, and I show it in the care, love and attention to detail I put into every piece I create.»

It's an interesting historical piece, showing a side of civilian life not usually shown in wartime era films, with a theme that art can help the war effort with morale and some choice escapism from the harrowing events of the day.

Disney has released a new piece of concept art for Pirates of the Caribbean: Dead Men Tell No Tales, which shows off some new supernatural creatures that will plague Captain Jack Sparrow in the latest film: ghost sharks.

Disney / Pixar first announced The Good Dinosaur (which was untitled at that moment) at the D23 Expo in 2011, as director Bob Peterson briefly spoke about the premise, discussed what inspired him to develop the idea, and showed a single gorgeous piece of concept art.

Comicpalooza started in a theater during the movie premier of the Dark Knight and to commemorate our 10th anniversary, Discovery Green, across the Avenida from the George R. Brown Convention Center, will be showing the movie Friday night at 8:00 p.m. New this year for gamers is a watch party for the Houston Outlaws as the Overwatch team battles the San Francisco Shock Friday, May 25th at 10:00 p.m. Saturday night, you can party with us on the plaza for another public event at the After Party on the Avenida with special guests Ghostland Observatory, while inside guests can wander through a Live Art auction as artists create original pieces before our eyes.

Gallery 1988 has unveiled the entire line - up of pieces in the Nan Lawson Meet Cute 2 art show, featuring the couples of The Big Lebowski, Beetlejuice, Baby Driver, Mary Poppins, Fantastic Mr. Fox, Parks and Recreation, The Royal Tenenbaums, Bob's Burgers, Batman Returns, Stranger Things, The Shape of Water and more.

If you happen to be in Los Angeles tomorrow, Creature Features is hosting a huge group art show marking the 35th anniversary of The Thing and highlighting pieces that will be included in the book (find more info at the event's Facebook page).

Students are to construct a piece of art that will show the changes in the way people used materials and disposed of their waste over the past 400 years.

Communities take great pride in championship football teams and show - piece libraries, media centers, and performing - arts centers, and they are loathe to give them up, particularly when the hard evidence about the benefits of small schools is still years away.

In his original request for artists proposals for inclusion in the Artists» Balls show, curator Hugh Margerum said, «as we all know, whether you are male or female, it takes balls to make art...» The resulting show encompasses that sentiment and extends in the case of the nine participating artists to a broad interpretation of the ball theme in paintings, drawings, sculpture, and wall pieceIn his original request for artists proposals for inclusion in the Artists» Balls show, curator Hugh Margerum said, «as we all know, whether you are male or female, it takes balls to make art...» The resulting show encompasses that sentiment and extends in the case of the nine participating artists to a broad interpretation of the ball theme in paintings, drawings, sculpture, and wall piecein the Artists» Balls show, curator Hugh Margerum said, «as we all know, whether you are male or female, it takes balls to make art...» The resulting show encompasses that sentiment and extends in the case of the nine participating artists to a broad interpretation of the ball theme in paintings, drawings, sculpture, and wall piecein the case of the nine participating artists to a broad interpretation of the ball theme in paintings, drawings, sculpture, and wall piecein paintings, drawings, sculpture, and wall pieces.

Place your show stopping art piece in the formal entryway.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

While there, she approached the show's set decorator and asked whether the production might be interested in buying a piece of her art for use on the show.

While artists shouldn't expect to make a mint solely by renting out their artwork, any amount of money earned is no bad thing, and the benefits of having a piece of your art featured in a film or TV show go beyond just the financial.

As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.

Art fairs are often associated with abstract painting (much of it looking the same), stunt pieces (almost instantly forgettable), and neon sculptures (brightly and, in many cases, annoying), but, at this year's Armory Show in New York, some galleries had on offer works that explicitly addressed the political situation in the United States.

Her response to the American Abstract - Expressionist, Minimalist and Post-Minimalist art being shown at the time in Düsseldorf and nearby Cologne, these streamlined, attenuated works, up to 30 feet long in the case of the horizontal pieces, were designed on a computer with the help of a friendly physics student.

At Art Basel Miami Beach this week, Jack Shainman Gallery presents Odutola's most ambitious work to date, a five - foot tall portrait from her latest series, while earlier pieces are currently on view in group shows at Brooklyn's Museum of Contemporary African Diasporan Arts (MoCADA) and the Jenkins Johnson Gallery in San Francisco.

The long - term plan is to eventually get The Marfa Project displayed as a single show, as a single, monumental art piece, in a major museum or art institution.

Martha Araújo in her piece «Hábito / Habitante (Habit / Inhabitant),» 1985, part of the show «Radical Women: Latin American Art, 1960 - 1985,» at the Hammer Museum.

Andrew Ohanesian's «Scaffold» piece, included in PIEROGI XX, was listed as # 1 in Hyperallergic's Top 10 Brooklyn Art Shows in 2014.

They have been warmly received at the American Craft Council Baltimore Show and the Philadelphia Museum of Art Craft Show, among other venues, and one of her cocoon - like pieces — «my new thing» --- earned a merit award in the prestigious San Angelo National Ceramic Competition last year, judged by ceramics connoisseurs Garth Clark and Mark Del Vecchio.

2015 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA SAIC 150th Anniversary Show, Sullivan Galleries, School of the Art Institute of Chicago, IL Piece by Piece, Kemper Museum of Contemporary Art, Kansas City, MO Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de La Habana, The Bronx Museum, Bronx, NY Bring in the Reality, Nathan Cummings Foundation, New York, NY Pilgrimage Dun Huang — First International City Sculpture Exhibition, Architectural Society of China, Dun Huang, China POP Stars!

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

Showing in a commercial London gallery for the first time, Pasquali has created a large - scale, colourful, plastic cloud in Peckham's MOCA London, and filled Mayfair's Tornabuoni Art with a cross-section of her works, from her best - known pieces made with drinking straws, to a carpet of broom bristles, on which we sit to talk, during a break from installation.

Touting big name artists, many of whom produced handbag - themed pieces especially for the show, Chanel snagged a spot in Central Park for its October show in the name of public art.

Jerry Saltz Recalls His Armory Week Favorites — The ever - engaging critic's list of highlights included a few wonderful pieces we overlooked in our own roundup, but also includes a number of ones we loved too, like the Martin Wongs and Louise Lawlers at the Art Show, and Meleko Mokgosi's piece at the Armory.

Many art viewers will be familiar with several key pieces in the show like Nan Goldin's photographs from Ballad of Sexual Dependency or Schneemann's Interior Scroll.

December 2006 Beware the Holiday Punchbowl: An Evening of Cautionary Songs and Stories SI Museum, Staten Island, NY February 2006 MY NEW YORK SLIP: A Post-Valentine's Day Post-Mortem w / Minnie Van Driver SI Museum, Staten Island, NY February 2005 FREE LOVE w / Minnie Van Driver The Muddy Cup, Staten Island, NY April 2003 Ask Minnie Day de Dada Part Deux, The Muddy Cup, Staten Island, NY April 2002 Love Songs & Posh Tunes Day de Dada, The Muddy Cup, Staten Island, NY Feb. 1996 Original Soundtrack Dixon Place, NYC, NY Feb. 1991 The Odile Variations Theater 22, NYC, NY May 1987 Looking Good: Reuben Sandwich at The Saint The Saint, NYC, NY Apr. 1986 The Wakitty WAC's, A USO show for the New Militarism Darinka, NYC, NY Aug. 1985 Prime Parts 8 BC, NYC, NY May 1985 Trite»N' True: an unexplained series of events Darinka, NYC Mar. 1985 HEARTBREAKLAND: a performance Darinka, NYC Dec. 1984 Nocturnes Darinka, NYC Nov. 1983 Bars of Night a performance BACA, Brooklyn, NY July 1983 Man Machine / Men Magazine: a performance Inroads Multimedia Art Center, NYC, NY 10012 July 1981 Europarail: Images of Other Places Inroads, NYC Dec. 1980 I Hear America Eating: a massive media piece Rutgers University, NJ July 1980 Love is Like a Poached Egg: a performance 15th Annual Avant - Garde Festival, NYC Apr. 1980 Meteors Crossing: an exercise in 25 acts Franklin Furnace, NYC, NY Grants 2011 Visual AIDS Artists» Material Grant 1985 185 Nassau Street Corporation

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The embroidered pieces were made by Mr. Linklater's grandmother Ethel Linklater (1932 - 2004) and appeared in a traveling museum show of Native American art called «From Our Hands.»

These shows will be a snapshot of his process as a resident at 18th Street Arts Center for three months, showcasing newly completed pieces, re-imagined older works, works in progress, new collaborators, and old accomplices.

I saw a show of his, probably in 1975, at the Whitney Museum of American Art and in that show I saw a piece that was probably 8 feet long and 5 feet tall and, basically, it was a line across the middle of the painting and the top half was sort of a dark green and the bottom was kind of a pearly grey.

Xi had earlier hit the headlines with his graduation piece from Goldsmiths College, when he scattered # 1,200 in a room and let the audience scramble for it in order to show «the greed at the centre of art and the mafia who run it like a market».

And yes, we've all strolled along the Warhol's in this love for the art, but seeing Ileana's portrait in a collection that belonged to her, in a Lisbon exhibition that portuguese António Homem conceived from such rich and historic pieces is more than any other show.

The shows in Building 4 range from the rough - and - tumble «In the Abstract,» where 11 artists explore abstract art's potential for political expression, to the refinement of Elizabeth King's obsessively made, sometimes animatronic half - size figures and limbs; from Steffani Jemison's often arcane explorations of the connections among writing, autonomy and race (including an excellent sound piece), to the accessible Conceptualism of Tanja Hollander's «Are You Really My Frienin Building 4 range from the rough - and - tumble «In the Abstract,» where 11 artists explore abstract art's potential for political expression, to the refinement of Elizabeth King's obsessively made, sometimes animatronic half - size figures and limbs; from Steffani Jemison's often arcane explorations of the connections among writing, autonomy and race (including an excellent sound piece), to the accessible Conceptualism of Tanja Hollander's «Are You Really My FrienIn the Abstract,» where 11 artists explore abstract art's potential for political expression, to the refinement of Elizabeth King's obsessively made, sometimes animatronic half - size figures and limbs; from Steffani Jemison's often arcane explorations of the connections among writing, autonomy and race (including an excellent sound piece), to the accessible Conceptualism of Tanja Hollander's «Are You Really My Friend?

It is part of a show at the Garage Museum of Contemporary Art in Moscow, which will feature nearly 100 new pieces by Mr. Fischer, along with recent paintings and sculptures.

PIECES DE RESISTANCE is Shonibare's first major exhibition in Canada and it will be on show at Montreal's DHC / ART Foundation for Contemporary Art from April 28th until 20th SeptembART Foundation for Contemporary Art from April 28th until 20th SeptembArt from April 28th until 20th September.

She is also represented in the Hammer Museum, the Museum of Contemporary Art, and the most visible of private collections: those of Cindy and Howard Rachofsky of Dallas, Don and Mera Rubell of Miami, and Maurice and Paul Marciano in Los Angeles, whose inaugural show features three of her pieces.

The New Mexico - based artist, who hadn't shown a major new work since 2009 when he represented the United States in the Venice Biennale, debuted a brand new multipart video and sound piece at Sperone Westwater and the Philadelphia Museum of Art on September 18.

All 12 pieces in this buoyant show have the same basic structure: two narrow, horizontal lengths of fabric, one above and slightly overlapping the other, are fitted... read more... «NY Times Art in Review: Richard Tuttle, Richard Phillips»

The Virginia Museum of Fine Arts will showcase a century of art patronage — including some of the most important and recognized pieces in its collections — in a special exhibition at the Winter Antiques Show, the leading art and antiques fair in the United States.

The piece shown here, dated 1951 and made on Douglas Howell paper, is currently on view at Rutgers University's Zimmerli Art Museum in Innovation and Abstraction: Women Artists and Atelier 17, through May 31.

After the show, Dutch art collector Han Nefkens acquired one of the pieces to donate to the Museum Boijmans Van Beuningen in Rotterdam.

Then there is the German artist Martin Kippenberger, who made his assistant complete a series of giant paintings, only to crumple them and shove them in a dumpster — which was then the piece shown at the San Francisco Museum of Modern Art.

For a 2011 project commissioned by the British public art association Artangel, Gander created «Locked Room Scenario,» a group show of inaccessible, partly visible artworks by fictional artists that forced viewers to adopt what the artist describes as a «detective's mentality» in attempting to piece together the fragmentary information they encountered.

The piece was selected for inclusion in the show from DeWoody's four decades of collecting contemporary art by Brutvan.