Sentences with phrase «art practices around the world»

Not exact matches

The company built a new, state - of - the - art roasting facility a few years ago, and Kirkpatrick says he spent months visiting various facilities around the world to learn the latest and most effective practices.

Around the world, mothers wear their babies in slings, sashes, wraps, and other handmade carriers because they are practicing an art based on the wisdom of their mothers and grandmothers.

Those who practice the ancient Chinese art have enriched lives, enhanced health and well - being, and created better living and working conditions for thousands of people around the world, from Donald Trump to Tony Blair.

Spending more than 10 years studying and practicing the ancient art of Hijama wet cupping under various teachers around the world, Dr. Tawwab first learned about cupping therapy during medical school in Ajman, UAE, after suffering a sports injury.

Through strong arts, arts integration and democratic practice, graduates will be able to adapt to an ever - changing world by becoming confident, critical thinkers, socially responsible citizens and lifelong learners who apply their knowledge to improve themselves and the world around them.

Artists» journeys have been documented throughout art history: Those whose main practice has been «walking» include British artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - driven.

The artist's practice, which encompasses painting, collage, photography, video, sculpture, and performance art, often centers around a mythical cast of human, animal, and hybrid characters, who live in a world that exists somewhere between fantasy and reality.

As the idea for Iniva developed, it grew to encompass internationalism and the study of global artistic practice; the remit being that Iniva should seek out and champion artists from around the world whose work and ideas would provide new perspectives for Britain's then predominantly western - centric view of the visual arts.

His role at the Lunder Institute for American Art will be a three - year appointment, where Gates will convene artists and thinkers from around the world for retreats, provide opportunities for students and faculty to engage in his practice, and identify opportunities for additional artist residencies, projects, and exhibitions at the Institute, founded in 2017 at the Colby College Museum of Art.

Julian Schnabel (b. 1951) emerged as a painter around 1980 and ushered in, almost single handedly, a return from the minimal and conceptual art practices of the 1970s to image - based art that defined the 1980s art world and continues to this day.

Conceived in the tradition of the great international biennials, such as the Venice Biennale and the Bienal de Sao Paulo, Prospect New Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts community.

The focus on alternative ideas and art practices from around the world.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Her process - based artistic practice could be described as being on the edge of art and design and focuses on exploring the materiality of her concept and the chosen medium, aiming to observe and articulate aspects of the human condition, identity, and the complexity of patterns that occur naturally in the world around us.

His art practice addresses both the contemporary world around him and his cultural heritage, with Italian peasant traditions having provided a life - long source of inspiration for his practice.

In addition to connecting residents to the diverse range of resources, archives, libraries, artists and other practitioners in Chicago, the program builds relationships with like - minded arts organizations and resident programs around the world to expand our understanding of contemporary practice and create transformative opportunities for artists.

The game of chess thus becomes a metaphor for a studio - based art practice that revolves around the ego of the artist and gives structure to the unsurpassable chaos of the «outside» world, which consists of an abundance of images.

Visitors will consider the consequences of globalization on creative practice Bloomfield Hills, Mich., Jan. 20, 2017 — Cranbrook Academy of Art announces its [SPRING] Lecture Series, bringing speakers from around the world to campus to share insights and engage in conversations with Academy students and the general public.

Either as a pop cultural reference point or the conceptual link between the speculative practices of contemporary art and science fiction, this trend has seen dozens, if not hundreds, of international and Australian artists creating sci - fi - inflected pieces, with exhibitions around the world surveying their work.

Gypsum is interested in relocating the progressive and investigative art practices that have been associated with the non-profit art sector of Cairo and the Middle East to a commercial gallery context, to redefine society's understanding of contemporary art, collecting and their relationship to the world around us.

Extending the Addison Gallery of American Art's exploration of what it means to be an American today, Convergence unites the work of four contemporary artists from around the world whose practice has been shaped by their heritage and migration to the United States.

The chosen practices emphasise the recent developments in contemporary art in Ireland, a period of new engagement with international practices, an increase in visiting artists, curators and speakers, with Irish curators and educators taking up major positions overseas, and Irish artists being showcased around the world.

The first is that the Modern art historical construction of abstraction (via Clement Greenberg et al) ignored a centuries - long history of abstract and formalist practices from around the world.

We exhibit artists from around the world, showing artists at all stages of their careers; however, Franklin Street Works puts special emphasis on supporting emerging artists whose innovative practices push our understanding of what forms art can take materially and what art can communicate or accomplish conceptually.

Yerba Buena Center for the Arts presents contemporary art from the Bay Area and around the world that reflects the profound issues and ideas of our time, expands the boundaries of artistic practice, and celebrates the diversity of human experience and expression.

Conceived in the tradition of the great international biennials, such as the Venice Biennale and the Bienal de São Paulo, Prospect New Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts community.

Representatives of experimental art practices from around the world gathered at Los Angeles» REDCAT on July 23 and 24 for meet - and - greets, panel talks and discussions.

The Center is a place where artists work, conduct research and where exhibitions introduce a broad public to a variety of contemporary art practices by artists from around the world.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Conceived in the tradition of international biennials, Prospect New Orleans showcases new artistic practices from around the world and contributes to the realization of New Orleans by spurring tourism and bringing international attention to the city's vibrant visual arts community.

Free and open to the public, the exhibition surveys groundbreaking works from around the world that together register one of the most important developments in recent art history: the rise in the last twenty - five years of a renewed sphere of artistic practices that blur the lines between art and everyday life in projects emphasizing political concerns, participation, and forms of dialogue.

The Library collection allows one to gain a better understanding of traditional and contemporary art - making practices from around the world.

«A fascinating group of interviews with major women artists from around the world, Hugo Huerta Marin's thoughtful Portrait of an Artist explores in an intimate and compelling way each artist's practice and beliefs about power, celebrity, gender, and art.

Enwezor has used the opportunity of curating this stalwart of the international art world, to invite artists whose practice examines the world around us, and provide a global platform for some of the most talented contemporary African artists.

Taking place just days after the United States presidential elections, FIELD MEETING: Thinking Practice seeks to explore how art practitioners can maintain sovereignty over their own voice as world citizens and commentators amidst the pervasively hostile political climates and marginalising forces of conservatism around the globe, in addition to contending with art world prescriptions, cultural impositions and shifting market demands.

His goal of creating art for everyone has inspired the contemporary practice of street art and his influence may be seen in the work of artists such as Banksy, Barry McGee, Shepard Fairey, and SWOON, as well as in fashion, product design, and in the numerous remaining public murals that he created around the world.