Sentences with phrase «art research project making»

With Prof Lubaina Himid she co-directed the interdisciplinary visual art research project Making Histories Visible based at UCLan and contributed the show reel Images and Conversations from the 1980s to the exhibition Thin Black Line (s) at Tate Britain in 2011.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.

Not exact matches

Echoing arguments made last month in the pages of the Hill by Schott Foundation President John Jackson, Judith Browne Dianis of the Advancement Project and wishy - washy education professor Pedro Noguera, Journey for Justice declares with no evidence that testing and accountability has somehow harmed poor and minority kids as well as supposedly «narrowed curriculum» (an argument that has been proven false by research from the likes of the U.S. Department of Education and Quadrant Arts Education Research's Robert Moresearch from the likes of the U.S. Department of Education and Quadrant Arts Education Research's Robert MoResearch's Robert Morrison).

In self - contained programs, I would recommend rolling from subject to subject: after a big reading project, you start a big science project, or a big inter-subject project, like planning a house or a trip, including making budget (math,) finding a flight (research) and writing an imaginary journal (language arts.)

St. Paul's Foundation raises funds for enhanced patient care, capital projects, equipment needs, research and teaching at St. Paul's in Vancouver, B.C. Looking ahead to the new, state - of - the art St. Paul's in 2022 — and looking back, to our founding in 1894 — the generosity of those in our community has made St. Paul's the world - leading hospital it is today.

Glynn's work has been included in group exhibitions, including Pacific Standard Time organized by the Getty Research Institute, Los Angeles (2012); migrating public art project Station to Station (2013); Made in LA at the Hammer Museum, Los Angeles (2012); Performa 11, New York (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).

Edwards works within the Walker's visual arts department developing and implementing artist projects and exhibitions, and expanding interdisciplinary scholarship and research while making key contributions to the Walker's acquisitions planning.

Christine Eyene is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Lubaina Himid MBE artist and Professor of Contemporary Art aResearch Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Lubaina Himid MBE artist and Professor of Contemporary Art aresearch project led by Lubaina Himid MBE artist and Professor of Contemporary Art at UCLan.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

Making Histories Visible, interdisciplinary visual arts research project based at the Centre for Contemporary Art (School of Art, Design and Fashion), University of Central Lancashire (UCLan), is pleased to announce the launch of the MHV Lecture Series.

Making Histories Visible is an interdisciplinary visual arts research project based at the Centre for Contemporary Art (School of Art, Design and Fashion), University of Central Lancashire.

As well as some knockout paintings (with some, like Hans Eworth's splendid portrait of Mary I, on rare loan from other institutions), the exhibition presents, in its interpretation material, the fruits of the gallery's five - year research project Making Art in Tudor Britain.

ISSUE Project Room's Artist - in - Residence program is made possible, in part, with support from the National Endowment for the Arts, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and with the support of the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and through the support of the Center for Performance Research and Chez Bushwick.

Making Histories Visible is an interdisciplinary visual art research project led by Lubaina Himid.

A Professor of Contemporary Art at the University of Central Lancashire in Preston where she leads the Making Histories Visible research project, Himid is featured in Frieze Magazine Jan - Feb 2017 issue.

Christine Eyene is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Turner Prize 2017 nominee Lubaina Himid, Professor of Contemporary Art aResearch Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Turner Prize 2017 nominee Lubaina Himid, Professor of Contemporary Art aresearch project led by Turner Prize 2017 nominee Lubaina Himid, Professor of Contemporary Art at UCLan.

PUBLICATIONS / RESEARCH Currently I am working on a research project exploring the decision making process in Fine Art RESEARCH Currently I am working on a research project exploring the decision making process in Fine Art research project exploring the decision making process in Fine Art practic.

From 2000 - 2004 he was Director of the Rooseum Center for Contemporary Art, Malmö where he made solo exhibitions with Surasi Kusolwong, Nedko Solakov and Superflex a.o. and group shows including «Baltic Babel» and «Intentional Communities» From 1998 - 2002 he organised the international art academic research project called «protoacademy» at Edinburgh College of AArt, Malmö where he made solo exhibitions with Surasi Kusolwong, Nedko Solakov and Superflex a.o. and group shows including «Baltic Babel» and «Intentional Communities» From 1998 - 2002 he organised the international art academic research project called «protoacademy» at Edinburgh College of Aart academic research project called «protoacademy» at Edinburgh College of ArtArt.

Making Histories Visible is an interdisciplinary visual art research project based in the School of Art, Design and Performance at the University of Central Lancashiart research project based in the School of Art, Design and Performance at the University of Central LancashiArt, Design and Performance at the University of Central Lancashire.

In addition to her artistic practice, Lubaina Himid is Professor of Contemporary Art at the University of Central Lancashire in Preston, where she leads Making Histories Visible, a Black Art archive and multidisciplinary contemporary arts research project.

Christine is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by 2017 Turner Prize winner Lubaina Himid, artist and Professor of Contemporary Art aResearch Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by 2017 Turner Prize winner Lubaina Himid, artist and Professor of Contemporary Art aresearch project led by 2017 Turner Prize winner Lubaina Himid, artist and Professor of Contemporary Art at UCLan.

Christine Eyene Christine is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Lubaina Himid MBE artist and Professor of Contemporary Art aResearch Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Lubaina Himid MBE artist and Professor of Contemporary Art aresearch project led by Lubaina Himid MBE artist and Professor of Contemporary Art at UCLan.

Edwards also works within the Walker's Visual Arts department developing and implementing artist projects and exhibitions, and expanding interdisciplinary scholarship and research, while making key contributions to the Walker's acquisitions planning.

As part of the larger project started in the early 80's with shows such as the Thin Black Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean descent.

COMMUNITY BASED & COLLABORATIVE SOCIAL JUSTICE WORK WITH ONAMAN COLLECTIVE Youth Art Mural Project: John F. Ross Secondary School, Guelph, ON (May 2016) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar & Oct 2015, Mar 2016) Words from the Land: Youth & Elders art retreat (Mar 2016) Youth Run for the Language (Oct 2015) The Painted Hand: Gathering to Feast Our Historic Alliances (Sept 2015) Reconciliation, Resurgence & Storytelling with Maria Campbell (Aug 2015) Canoe Building with Youth: Chippewas of the Thames (July / Aug 2015) Harvesting ochre & making paint (June 2015) Research with Elders on traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goiArt Mural Project: John F. Ross Secondary School, Guelph, ON (May 2016) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar & Oct 2015, Mar 2016) Words from the Land: Youth & Elders art retreat (Mar 2016) Youth Run for the Language (Oct 2015) The Painted Hand: Gathering to Feast Our Historic Alliances (Sept 2015) Reconciliation, Resurgence & Storytelling with Maria Campbell (Aug 2015) Canoe Building with Youth: Chippewas of the Thames (July / Aug 2015) Harvesting ochre & making paint (June 2015) Research with Elders on traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goiart retreat (Mar 2016) Youth Run for the Language (Oct 2015) The Painted Hand: Gathering to Feast Our Historic Alliances (Sept 2015) Reconciliation, Resurgence & Storytelling with Maria Campbell (Aug 2015) Canoe Building with Youth: Chippewas of the Thames (July / Aug 2015) Harvesting ochre & making paint (June 2015) Research with Elders on traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goiart pieces by Isaac Murdoch and Christi Belcourt (on - going)

She is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project based at UCLan's Centre for Contemporary Art, led by Professor Lubaina Himid MBE, winner of the Turner PriResearch Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project based at UCLan's Centre for Contemporary Art, led by Professor Lubaina Himid MBE, winner of the Turner Priresearch project based at UCLan's Centre for Contemporary Art, led by Professor Lubaina Himid MBE, winner of the Turner Prize 2017.

«When people are offended by art, it's because it makes them too uncomfortable to really stand it,» says Glenn Phillips, senior project specialist at the Getty Research Institute.

So receiving the Creative Capital Warhol Foundation Arts Writers Grant has made it possible for me to start a new research project: http://ephemeralobjects.org/.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

In frames of A-I-R Laboratory she has worked on multiple art productions and long term interdisciplinary art projects involving research on institutional and social conditions of art making, such as Re-tooling Residencies (2010/2011; Ptak is the editor of the reader accompanying the project), Studio Warsaw (2011/12) and currently Re-Directing: East which seeks for the new communication channels between art practices in Eastern Europe, Middle East and Asia.

artscope proudly sponsors the region's culture and art institutions, including: Amherst Biennial Arts Affair 9th Annual Artists for Humanity Greatest Party on Earth 12th Annual Marina Bay Boardwalk Arts artistprojectny / Architectural Digest Home & Design Show Asian Cultural Center of Vermont Boston Public Library Brattleboro Gallery Walk Breast Cancer Research Burlington Open Studios Bristol Warren Art Night Cambridge Arts Council Cambridge Open Studios Cambridge River Festival Chelsea, NY High Line Development Project Copley Society of Art Fresh Paint Auction Danforth Museum Fountain Street Open Studios International Encausitc Conference Karla Little Fine Furnishings Light Up the Arts Lowell Folk Festival Lyric Stage Company Make Speak: Contemporary Craft MassArt Auction Montserrat College of Art, Artrageoart institutions, including: Amherst Biennial Arts Affair 9th Annual Artists for Humanity Greatest Party on Earth 12th Annual Marina Bay Boardwalk Arts artistprojectny / Architectural Digest Home & Design Show Asian Cultural Center of Vermont Boston Public Library Brattleboro Gallery Walk Breast Cancer Research Burlington Open Studios Bristol Warren Art Night Cambridge Arts Council Cambridge Open Studios Cambridge River Festival Chelsea, NY High Line Development Project Copley Society of Art Fresh Paint Auction Danforth Museum Fountain Street Open Studios International Encausitc Conference Karla Little Fine Furnishings Light Up the Arts Lowell Folk Festival Lyric Stage Company Make Speak: Contemporary Craft MassArt Auction Montserrat College of Art, ArtrageoArt Night Cambridge Arts Council Cambridge Open Studios Cambridge River Festival Chelsea, NY High Line Development Project Copley Society of Art Fresh Paint Auction Danforth Museum Fountain Street Open Studios International Encausitc Conference Karla Little Fine Furnishings Light Up the Arts Lowell Folk Festival Lyric Stage Company Make Speak: Contemporary Craft MassArt Auction Montserrat College of Art, ArtrageoArt Fresh Paint Auction Danforth Museum Fountain Street Open Studios International Encausitc Conference Karla Little Fine Furnishings Light Up the Arts Lowell Folk Festival Lyric Stage Company Make Speak: Contemporary Craft MassArt Auction Montserrat College of Art, ArtrageoArt, Artrageous!

The curator and art historian who works on UCLan's Making Histories Visible project, an interdisciplinary visual art research project based at UCLan's Centre for Contemporary Art led by Lubaina Himid, Professor of Contemporary Art, hopes the two exhibitions will also inspire students from the Universiart historian who works on UCLan's Making Histories Visible project, an interdisciplinary visual art research project based at UCLan's Centre for Contemporary Art led by Lubaina Himid, Professor of Contemporary Art, hopes the two exhibitions will also inspire students from the Universiart research project based at UCLan's Centre for Contemporary Art led by Lubaina Himid, Professor of Contemporary Art, hopes the two exhibitions will also inspire students from the UniversiArt led by Lubaina Himid, Professor of Contemporary Art, hopes the two exhibitions will also inspire students from the UniversiArt, hopes the two exhibitions will also inspire students from the University.

Recent projects include The Claudia Jones Space Station (BALTIC Centre for Contemporary Art and The NewBridge Project, Newcastle), Into the Future (Primary, Nottingham), At the Intersections (Nottingham Contemporary), Platform: In the Making and The Paul Robeson Research Station, (both Site Gallery, Sheffield).

Making Histories Visible is an interdisciplinary visual art research project based at the Centre for Contemporary Art (School of Art, Design and Fashion), University of Central Lancashiart research project based at the Centre for Contemporary Art (School of Art, Design and Fashion), University of Central LancashiArt (School of Art, Design and Fashion), University of Central LancashiArt, Design and Fashion), University of Central Lancashire.

Our goal is to make the enormous worldwide residential art labyrinth accessible and usable to artists through our website, workshops, AiR collection, research and projects.

Making Histories Visible is an interdisciplinary visual art research project that enables distinct areas of international excellence in contemporary arts research.

She is Guild Research Fellow in Contemporary Art at the University of Central Lancashire where she collaborates to Making Histories Visible, an interdisciplinary visual art research project led by Professor Lubaina HiResearch Fellow in Contemporary Art at the University of Central Lancashire where she collaborates to Making Histories Visible, an interdisciplinary visual art research project led by Professor Lubaina Himid MArt at the University of Central Lancashire where she collaborates to Making Histories Visible, an interdisciplinary visual art research project led by Professor Lubaina Himid Mart research project led by Professor Lubaina Hiresearch project led by Professor Lubaina Himid MBE.

Making Histories Visible is an interdisciplinary visual art research project based in the Centre for Contemporary Art (School of Art, Design and Fashion) at the University of Central Lancashire (UCLaart research project based in the Centre for Contemporary Art (School of Art, Design and Fashion) at the University of Central Lancashire (UCLaArt (School of Art, Design and Fashion) at the University of Central Lancashire (UCLaArt, Design and Fashion) at the University of Central Lancashire (UCLan).

Archives: Blk Art Group Research Project, African - Caribbean, Asian & African Art in Britain Archive (Chelsea College of Arts Library, University of the Arts), The June Givanni Pan African Cinema Archive (including films by Imruh Bakari, Ceddo, Amani Naphtali and Maybelle Peters), Making Histories Visible Archive (Centre of Contemporary Art at the University of Central Lancashire), The Stuart Hall Library, Iniva (Institute of International Visual Arts), London.

John Akomfrah, Rasheed Araeen, Martina Attille, Zarina Bhimji, Blk Art Group Research Project, Sonia Boyce, Brixton Art Gallery Archive, Ceddo Film and Video Collective, Eddie Chambers, The June Givanni Pan African Cinema Archive, Joy Gregory, Mona Hatoum, Lubaina Himid, Making Histories Visible Archive, Gavin Jantjes, Claudette Johnson, Isaac Julien, Chila Kumari Burman, Dave Lewis, Pratibha Parmar, Maybelle Peters, Keith Piper, Ingrid Pollard, Donald Rodney, Marlene Smith.

Archives: Blk Art Group Research Project, African - Caribbean, Asian & African Art in Britain Archive (Chelsea College of Arts Library, University of the Arts), The June Givanni Pan African Cinema Archive (including films by Imruh Bakari and Amani Naphtali), Making Histories Visible Archive (Centre of Contemporary Art at the University of Central Lancashire), The Stuart Hall Library, Iniva (Institute of International Visual Arts), London

Supported by the Arts and Humanities Research Council, the project embraced a range of activities and outputs, including an exhibition and display at Tate Britain, conferences and specially made films.

In line with this, and in order to research and analyse the current arts scene, the Fair will offer a fresh look through the 23 projects by Latin American artists that will make up the Solo Projects: Latin America Focus projects by Latin American artists that will make up the Solo Projects: Latin America Focus Projects: Latin America Focus section.