Sentences with phrase «art scene of»

It's the story of a lost — ok, maybe not lost, but mislaid — generation of painters who didn't «fit in» with the art scene of the»80s (So, it's a Breakfast Club allegory, you might say...).

These were the circumstances that led me, along with my fellow students, to work installing and guarding the 1959 edition of documenta, which allowed me to witness the goings - on behind the art scene of the time.

It is also a testament to the gallery and its vital role in the changing art scene of the 1960s.

David McDermott and Peter McGough met when they were both part of the famous East Village New York art scene of the 1980s, and have since become renowned for their seamless fusion of art and life.

In the spring of 2016, the Whitney plans shows devoted to the artist and filmmaker Laura Poitras and to David Wojnarowicz, the painter, photographer, filmmaker and AIDS activist who was prominent in the East Village art scene of the 1980s.

The assembled materials provide a rich jumping off point for art history students, artists, and general audiences to plunge into the international contemporary art scene of 1972, to see what this particularly fertile cultural moment produced.

Modernikon explores Russia's young and still - evolving art scene of today, presenting the newest artistic research from a country that has only recently presented itself on the international art scene.

For much of his artistic career, MacGonigal was an influential figure in the visual art scene of Ireland, representing the more academic and conservative trend or style of art, as opposed to the more avant - garde approach of Mary Swanzy, Nora McGuinness and Louis le Brocquy.

Rauschenberg and Weil returned to New York and began participating in the extraordinary art scene of the time.

Heinecken emerged from the art scene of Southern California during the mid-1960s, at the same time in which artists such as Ed Ruscha and John Baldessari were gaining traction for their Conceptual photography.

It was the first major newcomer to the reawakening art scene of the reunited German capital and received high critical acclaim from its very start.

Organized with support from the Mondriaan Foundation, Misako & Rosen's exhibition of the Dutch artist Daan van Golden, who lived in Tokyo from mid-1963 to late - 1964, unearthed important connections between the Japanese art scene of the time and the use of appropriation and reproduction in Van Golden's practice, as well as the latter's influence upon contemporary artists exploring the overlaps between decorative patterning and abstraction.

Alyhough not a household name like some of his contemporaries, Krushenick, who died in 1999, was well known in the New York City art scene of the»60s and»70s.

As a fixture on the SoHo - based experimental art scene of the 1970s and 1980s, Argentine - American video / television - art pioneer and conceptual artist Jaime Davidovich (born 1936) has worked in a broad variety of mediums throughout his long career, including video, painting and installation, while also establishing himself as an activist and TV producer.

After emerging from the New York art scene of the 1950s, he developed a deep association with Mediterranean Europe, drawing inspiration from its history, poetry and ancient myths.

«The Unarchivable», its opening group show, curated by Marco Scotini and Lorenzo Paini, brings together a selection of works from the crowded Italian art scene of the»70s, from Alighiero Boetti's and Luigi Ghirri's attempts to create personal, nonlinear archives, to the ephemeral gestures of Ketty La Rocca and Gianfranco Baruchello's «leftovers».

The aim was to help young women become artists «without having to hide or deny their gender as I had been forced to do in order to be taken seriously in the LA art scene of the 1960s».

As he moves through a layered world of multiple cultures and geographies, Parlá's intensively textured works move between spaces and mediums: they encompass painting and sculpture, wall fragments brought inside gallery spaces or installed in public, and the polymorphous influence of the underground art scene of the 1980s.

Yoshi Wada (b. 1943, Kyoto, Japan) is a composer and artist associated with the downtown New York experimental art scene of the last fifty years.

It will provide a comprehensive window into the art scene of Berlin's unique and joyous aesthetics, examining diverse practices of the city's second generation of artists.

Degree in hand, Chase moved to downtown Manhattan, and became a part of the vibrant downtown art scene of the late 1970s and 1980s.

It was the first major newcomer to the reawakening art scene of the reunited German capital and received highest critical acclaim from its very start as one of Germany's leading international galleries.

The presented works cover the short but extensive oeuvre of the late Gordon Matta - Clark that elevated him as one of the most important figures of the art scene of the 70s, both in the United States and in Europe.

Within a brief period in both the alternative and spontaneous art scene of the East Village and in the fashionable new artists» lofts and polished SoHo galleries, the scale of cultural feeding became extremely disproportionate and overly frenzied.

Among his teachers were the American painter John Sloan and the Czech modernist painter Jan Matulka, both of whom were very influential to the art scene of the Big Apple.

When we look at the art scene of the 20th century, we see that some of the greatest avant - garde movements came to life as a result of a complete revolt towards some other movement.

Kenny Scharf rose to prominence alongside his friends and contemporaries Jean - Michel Basquiat and Keith Haring in the East Village art scene of the 1980s.

In an essay for the accompanying monograph, Michelle Cotton, curator and director of the Bonner Kunstverein (Germany), situates Hill's practice within the conceptual art scene of the 1960s and 70s.

Although often overlooked by his contemporary colleagues, Carl Schmitz - Pleis was still a very influential painter who was well regarded within the German art scene of his time.

«The show is giving me the opportunity to show my work to a new audience and get myself involved in the art scene of my new home.»

The newest gallery in the burgeoning art scene of Bushwick, Space 776 has been exceedingly successful in creating a space for a wide range of artist whose medium of work stretches from live multimedia performances to traditional oil painting.

«It was a rich life,» Drexler admitted, recalling fondly the New York art scene of the 1960s, which she describes as «a smaller community» where folks such as Franz Kline, and Elaine and Willem de Kooning would all attend each other's openings and gather at watering holes such as the Cedar Bar and Max's Kansas City.

A former assistant curator of drawings at the Museum of Modern Art, Ms. Beck became a phenomenon in the SoHo art scene of the 1970s and»80s for her ability to put together shows of major - museum quality on a budget based on modest grants from the New York State Council on the Arts, the National Endowment for the Arts and private donors.

Pum Pum is one the best known artists participating in the street art scene of Buenos Aires, and another of...

Jogja, as the central Javanese city of 400,000 is known, is seeing a burst of creativity akin to the New York art scene of the 1980s (think Jean - Michel Basquiat and Julian Schnabel) and London in the 1990s (Tracey Emin and Damien Hirst), only this time set in the tropics.

Bringing together this rarely - seen collection of Imprint 93 editions in its entirety, the exhibition offers unique insight into a significant period in the development of the British art scene of the 1990s, and beyond.

In 1973 — 74, the Whitney's solo exhibition of Zox's work gave recognition to his significance in the art scene of the preceding decade.

Rauschenberg was one of the most important artists in the burgeoning, energetic New York art scene of the mid-2oth Century.

The artist, who is of Angolan heritage and represented his country at the most recent Venice Biennale, helped to grow the art scene of Luanda, Angola by co-founding the e-studio Luanda, a project space and studio complex that offers exhibitions and an art education program run by local artists.

The tour will start with an introduction which on the importance to the contemporary art scene of the relevance of the exhibitions curated by the Saatchi gallery, with the tour forging links between the exhibition name and the subjects which are explored in it.

He rose to prominence alongside his contemporaries Jean - Michel Basquiat and Keith Haring in the East Village art scene of the 1980s.

Travel back to the New York art scene of the 70's and 80's.

O'Connor studied with a number of different artists including the notable abstract expressionist, Bill Gambini, (who was part of the NY City art scene of the 1950's along with Rothko, Pollack and de Kooning).

Claes Oldenburg (b. 1929, Stockholm, Sweden) came to prominence in the New York art scene of the late 1950s and early 1960s.

«There Will Never Be Silence» tracks how Cage's radical work activated the imaginations of painters and sculptors, making them reconsider negative space both in terms of sight and sound; Cage thought of silence itself as a structure and clearly took cues from the contemporary art scene of the time.

Kienholz rose to prominence in the Los Angeles art scene of the late «50s.

Alptekin was a leading figure in the art scene of Istanbul and was part of the first generation of Turkish artists to be considered globally active and nationally influential.

Upon returning to the space for the 2015 edition — only to be wowed again — she decided that her gallery, which she describes as «interested in authenticity,» would invest in the art scene of Harare.

Another showstopper, though of a decidedly more playful sort, is Anton van Dalen's «The Pigeon Car» (1987), which anchors PPOW Gallery's booth devoted to members of the East Village art scene of the 1970s.

Drink Canada Dry broke yet another taboo at the time it was created, since it directly contrasted the hyperbolic, overly gestural paintings that dominated the New York art scene of the 1980s, especially the Neo-Expressionist paintings of Julian Schnabel and Francesco Clemente.