Sentences with phrase «art shaped both paintings»

The research into different tools, formats, methods of production, and embrace of a new concept for the produced work of art shaped both paintings and sculpture.

Not exact matches

Her initial path led her on an artistic journey, shaped by several types of artistic media and she eventually found herself gravitating towards painting with beeswax (the art of encaustic painting).

We talk to Justine Nettleton from Art You Wear — a fine artist who creates jewellery inspired by the marks and colours of her paintings and shapes in nature.

ABCmouse.com's unique drawing and painting program gives children of all ages the opportunity to use lines, shapes, and colors to create original works of art.

The Design Your Own Street Art Headphones set comes with a pair white over-ear headphones that work with a standard headphone jack, bright «spray» paints, colorful adhesive paper to create stickers or stencil shapes, craft markers, and instructions.

How to Make a Simple Matching Game for Preschoolers — Mama Smiles Raining Hearts Name Craft — Still Playing School Broken Hearts Number Bonds — Rainy Day Mum Love Heart Number Line — Adventures and Play Valentine's Counting Activity — Clare's Little Tots Hearts Sensory Bin — The Moments at Home Easy Heart Shaped Pancakes - The Educators» Spin On It Preschool STEM: Valentine's Tower — Preschool Powol Packets Coding for Kids — The Day It Rained Hearts Prewriting Valentine's Day pack — Kori at Home Throw a Love Fest Kindness Party for Kids — Toddler Approved The Day It Rained Hearts Process Art — Artsy Momma Easy Heart Art Painting — Messy Little Monster

Working with the museum's art conservators, Walton and his collaborators used non-destructive and non-invasive techniques to extract information about the paintings» underlying surface shapes and color.

These materials place this epic exhibit in its historical context in five units: Observing the Urban American Scene; The Spirit of Modernism: A New Way of Looking; The Spirit of the Painting: Expressive Use of Color, Line, and Shape; Modernism in New York, 1913; and Armory Art in the Social Studies Classroom.

It's a state - of - the - art repair center with master body work and paint specialists who will whip your car back into shape.

A virtual synthesiser lets you play with music, whilst a 3D art studio lets you create characters or environments by pulling and poking and painting shapes, and a logic system lets you connect things together, triggering events in a level or just hooking up a switch to a door.

Alongside the main game, fans will be treated to a 100 - page booklet filled with concept art, a custom - shaped USB drive containing but a sample of the game's soundtrack as well as a limited edition matted 5 × 7 art card of a painting done for the game by illustrator Takashi Kojo.

SPACE MARSHALL: The finished game for your PC with your top of the line RSI Constellation spaceship ready to fly + 20,000 Galactic Credits + Exclusive access to the Alpha and Beta + Spaceship shaped USB stick of game and all digital elements + CD of game soundtrack + Fold up glossy full color map of the game universe + Set of 5 Ship Blueprints + 8 - inch painted model of your in - game ship + Hardcover copy of «The Making of Star Citizen» including loads of behind the scenes images and info, prelim concept art, development stories + Spend half a day with Chris Roberts and get into the details of the development + Black Citizens Card

+ Exclusive access to the Alpha and Beta + 1 Million Mile High Club Ownership - Invite your guests to your private club in the game + Spaceship shaped USB stick of game and all digital elements + CD of game soundtrack + Fold up glossy full color map of the game universe + Set of 5 Ship Blueprints + 10 - inch painted model of your in - game ship + Hardcover copy of «The Making of Star Citizen» including loads of behind the scenes images and info, prelim concept art, development stories + Hang for a day with Chris Roberts and key peeps on the dev team + Titanium Citizens Card

Drawing their way toward graduation — from the art basics of simple shapes and coloring, to exciting advanced techniques of shading and blending — players will wield a variety of tools, including markers, colored pencils, pastels and paints to illustrate popular Pokémon from all known regions.

«Any kind of formal invention in the work of black artists was seen as, if not second rate, then something done the second time around,» says Odita, noting that Clark laid claim to making the first shaped painting — before Frank Stella — and that the king - making art critic Clement Greenberg regularly visited Bowling's studio but never took the opportunity to write one word in support of his work.

In between are too few of the swaggering compositions — of target - like concentric stripes, designs based on compasses and protractors, and shaped canvases that echo the shapes painted on them — that made Stella a god of the sixties art world, exalting tastes for reductive form, daunting scale, and florid artificial color.»

Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).

In «Tempest» (1979) we see the balance of the sharp - edged paintings with poppy, bulbous, colorful shapes that would come to define her art making in the «80s.

Likening her to twentieth - century predecessors, such as Henri Rousseau and Florine Stettheimer, who found renewal «in the bright colours and crude shapes of an art that seems artless,» Jones sees in Wylie's work «a way forward for painting in this century.»

And so at the moment about two dozen of Ms. Crockett's sparkling late paintings, with their bright tangles of jazzy lines and shapes floating on pale, brushy backgrounds, form a surprising exhibition at Meredith Ward Fine Art.

SHINIQUE SMITH: Wonder and Rainbows @ Frist Center for the Visual Arts Nashville Evocative of her own experiences, observations and values, Shinique Smith «s highly expressive paintings, sculptures, and installations often incorporate personal possessions which she believes «can inspire memories and shape our experience and identity.»

Gillian Ayres: Paintings, exhibition catalogue, Museum of Modern Art, Oxford, October — November 1981, p. 8), a thinly painted work which introduced lines and enclosed shapes into Ayres's vocabulary.

Early in his career, his work was included in a number of significant exhibitions that defined the sphere of postwar art, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 197art, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 197Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 197Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 197Art, New York, 1971).

The journey was shaped in part by chance: a quarter century after having first encountered Munch's art at MoMA, for instance, Johns received a postcard of Munch's Self - Portrait between the Clock and the Bed, 1940 - 43, from a friend who had noticed similarities between the bedspread in the painting and Johns's crosshatch motif.

Characterized by mathematically complex compositions of color, shape and dizzying pattern, the term «Op Art,» was first used by artist Donald Judd in his review of Julian Stanczak's «Optical Paintings,» and was later popularized by a 1964 Time magazine article, catapulted the term into main - stream use.

A pioneer in painting and former professor at Bard College, Murray is known for distinctively shaped canvases that break with art - historical tradition and blur the lines between painting and sculpture.

One of the outcomes of this period is the Art Council Collection's painting Portrait Surrounded by Artistic Devices (1965), a depiction of Hockney's father, sat behind a pile of abstracted geometric shapes, and beneath a colourful arc.

This month, visit Carmen Herrera: Lines of Sight and Dreamlands: Immersive Cinema and Art, 1905 — 2016 to compare how artists use shapes and colors in both painting and the moving image!

Hard edge painting and its artists relied on color, shape and line to make impersonal artworks of entirely abstract art.

2007 RESET: Works from the Marx Collection, Hamburger Bahnhof Museum für Gegenwart, Berlin (catalogue) Twenty Years With Friends (A. V.), Galleria in Arco, Turin, Italy Selection 2007, Elgiz Museum of Contemporary Art, Istanbul The Shapes of Space, Solomon R. Guggenheim Museum, New York (catalogue) Commemorating 30 Years Part II: 1981 — 1990, Rhona Hoffman Gallery, Chicago War and Discontent, Museum of Fine Arts, Boston, MA 27th Biennial of Graphic Arts, International Centre of Graphic Arts (MGLC), Ljubljana, Slovenia Passion for Art: 35 Years of the Essel Collection, Kunst der Gegenwart Essl Museum and Schömer Haus, Klosterneuburg, Austria (catalogue) Paintings from the 80s.

Another early shaped painting made by Clark in 1957 is now in the permanent collection of the Art Institute of Chicago.

The ongoing dialogue between the digital and physical worlds provides the backdrop for Data Deluge, an exhibition that presents a selection of sculpture, furniture, painting, photography, video, sound and works on paper by artists who shape Web - based and software - generated data into art.

Nearly half the artists in the show have been drawn to Oriental art, where painting has been a way of shaping and being shaped by elemental forces.»

Riley's black - and - white paintings of the early 1960s, in which space seems to advance and buckle, thanks to her careful calibration of repeated shapes, placed the young artist in the vanguard of Op art.

Stella's work was included in several important exhibitions that defined 1960s art [citation needed], among them the Solomon R. Guggenheim Museum's The Shaped Canvas (1965) and Systemic Painting (1966).

He had been working all of his life in a style he evolved as a young man which at the same time was changing the face of the art world: Abstract Expressionism (characterized briefly as a form of painting which emphasized gesture in an effort to define the flatness and realness of color and shape as a more integrated realization of the painted space).

2017 Cabbages and Kings, Maddox Arts, London Contemporary Abstract Prints, Clifford Chance, London Touchstone, APT Gallery, London Creekside Eleven, Zillah Bell Gallery, Thirsk (curator) A Funny Thing Happened on the Way to the Future, Brodrick Gallery, Hull Painting & Structure, The Kennington Residency, London Nine Painters, Syson Gallery, Nottingham Fully Awake, blip blip blip Gallery, Leeds Counterpoints, Eagle Gallery, London Women Artists: Power and Presence, University of Chichester Steal the Show, Glasgow Open House Festival Nine Painters, Syson Gallery, Nottingham Abstract, Paper Gallery, Manchester Abstract, New Adelphi Gallery, University of Salford 2016 Modern Mirror, Bread and Jam IV, London Cuts, Shapes, Scrapes and Breaks, Seventeen, London We Are The Dead, Kirk Hopper Fine Art, Dallas, Texas Juxtaposition, Zilla Bell Gallery, Thirsk, Yorkshire.

She received the Women in the Arts Award from the Brooklyn Museum (2009), the 50th Edward MacDowell Medal (2009), the Medal Award from the School of the Museum of Fine Arts, Boston (2006), the Athena Award for Excellence in Printmaking from the Rhode Island School of Design (2006), the Skowhegan Medal for Sculpture from the Skowhegan School of Painting and Sculpture, Maine (2000), and Time Magazine's «Time 100: The People Who Shape Our World» (2006).

Each in turn shaped Abstract Expressionism, color - field painting, Minimalism, land art, and the mess of art today.

This presentation of masterworks and experimental pieces from SFMOMA's collection of painting and sculpture explores themes that have shaped the history of modern art from the early twentieth century to our own time.

Lines, colors, shapes are arranged in space and while at first the composition doesn't seem to stand out in any specific way, what you're in fact looking at is what art historians consider to be the very first non-objective or abstract painting of the 20th century.

Ultimately, however, it was Cage's emphasis on the action of light and shadow on the white surfaces of these paintings that had the greatest impact on shaping their interpretation by art historians.

Her artistic practice and pedagogical bent — she is an esteemed professor of painting at the School of the Art Institute of Chicago, a position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materiaArt Institute of Chicago, a position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materiaart scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materials.

The bad news is what that says about the last forty years or more, after paintings by Lee Krasner, Joan Mitchell, Helen Frankenthaler, and Agnes Martin shaped a generation's understanding of postwar art.

Following the developments of Cubist and Futurist painting — in which the natural world was translated into a stark pictorial language of shapes, lines, and angles — Russia was one of the primary breeding grounds of pure abstraction, with Wassily Kandinsky doing much to popularize geometric art before gravitating to the gestural camp in later years.

Newman appears again in Twice Hammered (2011), where one finds the reproduction of Diao's earlier Barnett Newman: The Paintings (1990; for which Diao presents all of Newman's paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary Paintings (1990; for which Diao presents all of Newman's paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary Art sale.

This collection gathers the work of some magnificent artists who give shape to contemporary painting, and through whose art Artzine finds its own expression.

Demonstrating virtuosity across diverse media — from drawing and performance to sculpture, painting, installation, and video — her multifaceted production is representative of the most innovative aesthetic currents shaping contemporary art in the global sphere.

Legendary New York art dealer and Buffalo native Martha Jackson also shaped the Gallery's distinguished collection of mid-twentieth-century painting and sculpture through the establishment of The Martha Jackson Collection in 1974.

The catalogue includes a text by Brandon as well as contributions by Nick Robins, author of The Corporation that Changed the World: How the East India Company Shaped the Modern Multinational (Pluto Press, 2012); art historian John Seyller, a specialist in miniature painting and author of Pahari Paintings in the Jagdish and Kamla Mittal Museum of Indian Art (Hyderabad, 2014); Ayad Akhtar, winner of the Pulitzer Prize for his play Disgraced (2012); Ashley Nga - sai Wu, assistant curator at Asia Society Hong Kong Center; and Hans Ulrich Obrist, Serpentine Galleries's co-director, as well as curator and author of Ways of Curating (Farber & Farber, 201art historian John Seyller, a specialist in miniature painting and author of Pahari Paintings in the Jagdish and Kamla Mittal Museum of Indian Art (Hyderabad, 2014); Ayad Akhtar, winner of the Pulitzer Prize for his play Disgraced (2012); Ashley Nga - sai Wu, assistant curator at Asia Society Hong Kong Center; and Hans Ulrich Obrist, Serpentine Galleries's co-director, as well as curator and author of Ways of Curating (Farber & Farber, 201Art (Hyderabad, 2014); Ayad Akhtar, winner of the Pulitzer Prize for his play Disgraced (2012); Ashley Nga - sai Wu, assistant curator at Asia Society Hong Kong Center; and Hans Ulrich Obrist, Serpentine Galleries's co-director, as well as curator and author of Ways of Curating (Farber & Farber, 2014).