Sentences with phrase «art slide lecture»

2009 The Open, Deitch Studios, Long Island City, NY Alternative Abstraction, Nina Freudenhiem Gallery, Buffalo, NY 2008 Hunter MFA Thesis Exhibition, Times Square Gallery at Hunter, New York, NY Come on Shake it Check it, Massimo Audiello Gallery New York, NY 2007 Dialogues, Times Square Gallery at Hunter, New York, NY 2006 Gimmicks, Paragraph, Kansas City, MO -LRB--LRB--LRB--LRB--LRB-(O)-RRB--RRB--RRB--RRB--RRB-, Paragraph Project Space, Kansas City, MO 2005 Impulse Art Fair, Miami, FL The Affordable Art Fair, New York, NY Nova, New Art Fair, Chicago, IL On Site and In Progress, The Bank Gallery at UCP, Kansas City, MO Y - Topia, Byron Cohen Gallery, Kansas City, MO Corporate Partnership Exhibition Program, Kansas City, MO 4 Pop, Gunnison Art Center, Gunnison, CO 2004 Ungood, Shaw Hofstra Associates, Kansas City, MO The Stray Show, 1418 N. Kingsbury, Chicago, IL KCAI Annual BFA Show, H and R Block Art Space, Kansas City, MO Hover Craft, Beth Alison Gallery, Kansas City, MO Kansas City Flat Files, H and R Block Art Space, Kansas City, MO 2003 The Digital Show, KCAI Painting Gallery, Kansas City, MO The Untitled Show, The Apex Gallery, Kansas City, MO 2002 1 +1 = 1, The Hobbs Building, Kansas City, MO Deconstruction, Leedy - Voulkos Art Center, Kansas City, MO Peter Demos continued Lectures: 2005 Kemper Museum of Contemporary Art Slide Lecture Series, Kansas City, MO Publications: 2005 «New American Paintings» No. 59 Open Studios Press, Illus and Bio

Not exact matches

Hosted by the Mount Tabor Centre for Art and Spirituality and held in the monastic context of the ecumenical Community of Jesus, the retreat will include lectures and slide presentations covering the topics of Art & Life, Art & Faith, Art & Prayer and Art & Communion.

But he hadn't peddled avocados for thirty years on the South Water Street Market without learning a thing or two about life, and Helen, his wife, had practiced all her lectures on him when she'd started teaching art history at Edgar Lee Masters, dropping her slides one at a time into the projector on the dining room table, the front...

Join us at Durham County Library's Stanford L. Warren Branch, 1201 Fayetteville St., Durham, with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who will give a slide lecture of the...

PANELS / LECTURES 2004 «Contemporary Photography», slide lecture and critique class, Art Center College of Design, Pasadena, CA «Identity Politics in Contemporary Art», instructor: Jean Rasenberger, Art Center College of Design, Pasadena, CA «Artists in Their Studios», instructor: Eve Fowler, Art Center College of Design

2007 Juicy Mother II artist and Contributors» Panel, Bluestocking Bookstore, NY Elizabeth Sackler Center for Feminist Art, Lecture, Brooklyn Museum, NY Bloomfield College Visiting Artist Lecture, New Jersey Artists Talk on Art, Rubin Museum of Art, New York South Asian Women's Creative Collective Slide Slam, Asian American Writers» Workshop, NY Exquisite Acts & Everyday Rebellions: Feminist Art Symposium, CalArts, CA New York Studio School, NY, Visiting Artist Lecture

The fall and winter of 1984 - 85, Ms. Bing visited Korea and Japan and traveled extensively in China, where she presented slide lectures of American Abstract Expressionism to art students.

April 14 through 16, 1987 Share the Memories The Detroit Institute of Arts, Organized by Mr. Charles el Lewis Collagraph workshops, art exhibit, and slide lecture

Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Portland, OR

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

The Foundation's art world zombie movie (Isle of the Dead) was a summer hit on Governors Island, as was its art - education slide lecture last July, called Explaining Pictures to a Dead Bull, which refers to the classic Joseph Beuys 1965 performance How To Explain Pictures to a Dead Hare.

In the lecture, accompanied by slides, videos, and occasional help from an assistant, Schneemann constructed an art historical biography of herself that felt both earnest and enjoyably absurd.

In this excerpt from his lecture / performance, artist Theaster Gates reflects on the last 10 years of his art practice through the medium of his 60,000 - piece glass lantern slide collection, given to him by the University of Chicago's art history department.

INTERSECTIONS VISITING SCHOLAR MARCO ANTONINI Lecture: Revolution in (Re) Form More Thoughts on Abstract Painting Today Wednesday, November 18 ART Auditorium, ART Building 6:30 - 8:00 pm 6:00 - 6:30 pm Light reception Marco Antonini presents a slide lecture that takes Revolution in (Re) Form: More Thoughts on Abstraction Today, his eponymous essay for the exhibition NEW NEW YORK: Abstract Painting in Continue ReadingLecture: Revolution in (Re) Form More Thoughts on Abstract Painting Today Wednesday, November 18 ART Auditorium, ART Building 6:30 - 8:00 pm 6:00 - 6:30 pm Light reception Marco Antonini presents a slide lecture that takes Revolution in (Re) Form: More Thoughts on Abstraction Today, his eponymous essay for the exhibition NEW NEW YORK: Abstract Painting in Continue Readinglecture that takes Revolution in (Re) Form: More Thoughts on Abstraction Today, his eponymous essay for the exhibition NEW NEW YORK: Abstract Painting in Continue Reading»

Muellner has performed slide lectures at numerous venues in the U.S. and Europe, including MoMA P.S. 1, the Carnegie Museum of Art, The Photographers Gallery (London), the National Center for Contemporary Art (Saint Petersburg) and the Museum of Contemporary Photography (Chicago).

Friday, March 28, 4:30 p.m. Artist Slide Lecture and Gallery Talk Join artist Robert Priseman for the slide lecture No Human Way to Kill: Painting the American Execution in Stirn Auditorium, adjacent to the Mead Art Museum, followed by a gallery talk in the muSlide Lecture and Gallery Talk Join artist Robert Priseman for the slide lecture No Human Way to Kill: Painting the American Execution in Stirn Auditorium, adjacent to the Mead Art Museum, followed by a gallery talk in the Lecture and Gallery Talk Join artist Robert Priseman for the slide lecture No Human Way to Kill: Painting the American Execution in Stirn Auditorium, adjacent to the Mead Art Museum, followed by a gallery talk in the muslide lecture No Human Way to Kill: Painting the American Execution in Stirn Auditorium, adjacent to the Mead Art Museum, followed by a gallery talk in the lecture No Human Way to Kill: Painting the American Execution in Stirn Auditorium, adjacent to the Mead Art Museum, followed by a gallery talk in the museum.

Other ongoing programs include a free printmaking workshop that provides artists and amateurs 10 weeks of instruction in basic printmaking techniques; an educational services program offering tours and discussions, led by local work - study students, for school, college and community groups visiting the museum; and poetry readings, film programs, music, dance and dramatic presentations, lectures, workshops and slide discussions on Afro - American art.

Which is why Katz and Ward tried to give an art history lecture, working their way through the show, slide by slide, starting with 19th - century icon Walt Whitman and a racy painting of boxers by Thomas Eakins.