Sentences with phrase «art speaks to people»

Not exact matches

It always fascinates me the way art speaks to different people in so many different ways.

When Gadamer stressed «the linguisticality of all understanding» he was extending hermeneutics beyond its traditional purview (works, art, people) to all otherness: to all that can address us through language, all that has the power to speak in conceptual form.

I am only speaking from my own experience now, but I have found that the most effective thing I can do in response to being wounded, harassed, punished, «messed with» and so on by persons who have made narcissism something of an art in their own lives, is to avoid letting those wounds become my own «narcissistic wounds.»

Christianly speaking, one grows conceptually by having one's abilities and capacities in relation to language — and therewith to ritual action, normative patterns of behavior, exemplary persons, music, art, etc. disciplined by just these biblical narratives.

Catholic art, along with the rich tradition of sacred music, continues to speak to people of differing cultural and religious backgrounds.

strange... a person's personal blog and personal art would speak to said person's personal experience.

The Minister spoke of the rich culture the Arab world has to offer and said: «we will do our best as government and as friends of the region to make sure that people understand its beauty, its music, its art, its fashion, its culture.

If you have to arrive at the nail salon 15 minutes before your appointment because you're the most indecisive person on the planet when it comes to picking your manicure color, then this nail art trend will speak to you.

Guest participants included Oscar ® and BAFTA - winning producer Iain Canning, Oscar ® - winning costume designer Jenny Beavan, CEO Academy of Motion Picture Arts & Sciences Dawn Hudson, the first female VFX Supervisor to win an Oscar ®, Sara Bennett, Ben Roberts, Director BFI Film Fund, Daniel Battsek, Director of Film4 and Rose Garnett, Director of BBC Films — all speaking across a rich and varied programme of events, from understanding what Brexit will mean to the UK film landscape to looking at the everyday inclusion of disabled people both in front of and behind the camera.

After the film's North American premiere at the Toronto International Film Festival back in September, I had the opportunity to sit down with the soft spoken, but cinematically articulate Assayas to discuss how he came to center the film around aging and how a person's relationship with art changes as one ages, as well as the film's strong resemblance of Ingmar Bergman's own dueling female fever dream, Persona.

Teach the art of piggybacking ideas in class discussion so that students learn to connect what they are saying to the ideas of the person who spoke before them.

Speaking to The Stage, Samuel West, National Campaign for the Arts chair, said that «Scotland is showing England the way forward» and called on education funders and policy makers to provide more opportunities for young people to experience live art.

Almost everyone wants to be called a photographer because taking photos is an art form that really speaks to a lot of people.

I have spoken to several people regarding the potential opportunity, and the main theme that has emerged is that fixed income is generally less exciting and more technical, whereas equities is more of an «art», which I don't necessarily disagree with.

During this year's Game Developers Conference, the former Bioware boss was featured in Kotaku's Splitscreen Podcast and he got the chance to speak about working inside Electronic Arts, sharing opinions that are very much different to what people usually think of the company.

Art touches people, fills in voids and speaks to people.

BOOKSHELF In addition to the forthcoming Alma Thomas volume, curator Lauren Haynes has authored and contributed to several of exhibition catalogs including «Speaking of People: Ebony, Jet and Contemporary Art» and «Stanley Whitney: Dance the Orange,» as well as «The Bearden Project» and «Fore.»

< EXHIBITION Paying homage to Ebony and Jet magazines — cultural barometers, vital news resources and bibles of aspirational imagery in the African American community for more than half a century — the Studio Museum in Harlem mounts «Speaking of People: Ebony, Jet and Contemporary Art» on Nov. 13.

BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.

(Plus, overuse of art - speak often comes across as an amateur who's showing off terminology s / he just discovered) * An artist statement should ideally describe the work well enough that a person could guess with reasonable accuracy which work in a group show goes with the statement * The statement should be interesting enough to make someone want to seek out the work and learn more I'm definitely going to point people to this post as well, as there are some great ideas here.

Curators, critics, dealers, and collectors get the opportunity to experience art in its native context, to see works in progress, and to speak with artists directly about their practice, while artists can expose their work to people who could help them with their careers and give them insightful feedback.

Fluxus and the Happenings in New York City in the 1960s drew miniscule crowds, fewer than ten people as often as not, but you'd be hard - pressed to find a student of contemporary art history who doesn't speak of the events with an almost religious fervor, something it seems Golia desires to emulate.

Albert Oehlen / Skarstedt / 20 E 79 / thru 12/20 Baptiste Caccia / Blumenthal / 1045 Madison @ 80 / thru 12/13 Amie Siegel thru 1/4; Cubism thru 2/16; Thomas Struth thru 2/16; Etc. / Met Museum / 5th Avenue @ 82nd Krazy Kats: Christian Maycheck; Michelle Segre; Cary Smith; B.Wurtz / Artist House Party / 424 E 83 # 2W / thru 12/10 Egon Schiele; etc. / Neue Galerie / 148 Fifth Avenue @ 86 / thru 1/19 ZERO: Countdown to Tomorrow thru 1/7, V.S Gaitonde thru 2/11; Etc. / Guggenheim / 1071 Fifth Avenue @ 89 Beyond the Classical: Imagining the Ideal; Wendell Castle; William Pedersen / National Academy / 1083 Fifth Avenue @ 89 / thru 1/11 Lee Krasner & Norman Lewis thru 2/1; Dani Gal thru 2/1; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Katherine Bradford / Arts & Leisure / 1571 Lexington @ 101 / thru 12/14 Alejandro Duran / Hinter / 2130 Third Ave. @ 119 / thru 2/28 Marisol thru 1/10; Playing With Fire thru 1/3 / El Museo del Barrio / 1230 Fifth @ 104 Speaking of People; Kianja Strobert; Titus Kaphar / Studio Museum / 144 W 125 / thru 3/8

Video installation in conjunction with Glenn Ligon's A Small Band Presented by Black Cinema House at the Stony Island Arts Bank Here we screen works that reflect on the capacity of Black people to speak truth to power, to address systematic abuses to and through their bodies, and the bodies of others.

Speaking of art, hair, and ethnicity — an fascinating person to check out is Wenda Gu, a contemporary Chinese artist who also uses human hair in amazingly elaborate, monumental works.

In February 2017, the Barnes Foundation will present Person of the Crowd: The Contemporary Art of Flânerie, an exhibition featuring the work of 50 U.S. and international artists who have taken to the street throughout the post-war period to speak to issues as diverse as gentrification, gender politics, globalization, racism, and homelessness.

He speaks with high regard of former tutors at the University of Derby — the photographers John Blakemore and Oded Shimshon and the theorist Mark Durden — and of what it meant «to come down to London from Middle England» for his MA at the Royal College of Art and be «surrounded by people who really wanted to be there».

This meant that I had some art knowledge, that I had begun to speak just a few words of the language that was spoken by art people in art places.

A solo exhibition of twenty portrait paintings by Mary Whyte, on view at the Butler Institute of American Art in Youngstown, Ohio, through November 24, 2013, speaks to Whyte's ongoing preoccupation with subjects she calls «everyday people.»

To mark the milestone, Panther co-founder Bobby Seale spoke in Sacramento at Brickhouse Art Gallery, where he promoted his new book «Power To The People: The World of The Black Panthers,» which features photographs by Stephen Shames, and recounted the founding of the local chapter.

People used to speak of art as a mirror of life.

After getting over the humiliation of owning up to being confused by «art speak» I found I was not alone and that lots of young people with a passion for contemporary art also felt the same.»

I think all art is political, whether you're working in a studio or going out into the street and speaking to people and making something from those interactions.

Pope.L is included in The Barnes Foundation's exhibition, Person of the Crowd: The Contemporary Art of Flânerie, which features work by more than 50 international artists who have taken to the street to play detective, make fantastic maps, scavenge and shop for new materials, launch guerrilla campaigns, and make provocative spectacles of themselves to speak to issues as diverse as commodity fetishism, gentrification, gender politics, globalization, racism, and homelessness.

This summer I noticed a welcome shift in the audiences that art establishments want to talk to and the people being invited to speak to them.

Soon after Art Basel Miami Beach was over I had read an article on Art Forum which spoke to how many people did not...

Writer and curator Osei Bonsu, spoke passionately of an «urgent» need for Africans and people of African descent to take full charge of African and African - related art practices in Africa today.

I hope to see you again in Albissola, to speak in person about certain issues regarding contemporary art.

Select group exhibitions include From concrete to liquid to spoken worlds to the word at the Centre D'Art Contemporain Geneve in Geneva, Switzerland; In Practice: Material Deviance, at the Sculpture Center in New York; Lagos Live at the Goethe Institut Nigeria in Lagos, Nigeria; Experimental People at The Highline in New York City; Shifters at Art in General in New York; It Can Howl at the Atlanta Contemporary Art Center in Atlanta, Georgia; What Shall We Do Next?

The process of selection was lengthy and arduous for the curators; a process Norton describes: «We went through piles of exhibition listings and reviews from newspapers and periodicals... we also spoke to people who were active participants in the art community of that time, asking them to share their memories of that year and describe what they were doing.»

Multiple advisers I spoke to throughout the week were delighted their clients were transacting via text message rather than in person (you can sell more art when you're not limited to walking one buyer around the aisles at a time).

Proliferating across art forms, from performance and music to film, video, photography, painting and sculpture, the artists embraced semantics, historicism, new feminism, celebrity, and market competition, while also establishing a strong DIY culture, speaking out through instigating magazines, events and criticism, to the point that an inevitable backlash began, with people wanting something less hermetic that would directly address impending crises such as AIDS and Reaganomics.

Art luminaries and celebrities such as: Larry Gagosian, Francesco Clemente, Peter McGough, Brice Marden, fashion designer Zac Posen, Lola and Stella Schnabel, actress Jessica Lange, et al. — each person called to speak about Rene had profound memories of a life lived to the fullest and his most authentic self.

Art Miami featured so much art to see and people to speak with that it proved impossible to include in a single stoArt Miami featured so much art to see and people to speak with that it proved impossible to include in a single stoart to see and people to speak with that it proved impossible to include in a single story.

«To Have and to Hold,» Rubell Family Collection, Miami, FL, December 3, 2014 — May 30, 2015 «Beneath the Surface,» De La Cruz Collection Contemporary Art Space, Miami, FL, December 2, 2014 — October 2015 «Speaking of People: Ebony, Jet and Contemporary Art,» Studio Museum in Harlem, New York, NY, November 13, 2014 — March 8, 2015; catalogTo Have and to Hold,» Rubell Family Collection, Miami, FL, December 3, 2014 — May 30, 2015 «Beneath the Surface,» De La Cruz Collection Contemporary Art Space, Miami, FL, December 2, 2014 — October 2015 «Speaking of People: Ebony, Jet and Contemporary Art,» Studio Museum in Harlem, New York, NY, November 13, 2014 — March 8, 2015; catalogto Hold,» Rubell Family Collection, Miami, FL, December 3, 2014 — May 30, 2015 «Beneath the Surface,» De La Cruz Collection Contemporary Art Space, Miami, FL, December 2, 2014 — October 2015 «Speaking of People: Ebony, Jet and Contemporary Art,» Studio Museum in Harlem, New York, NY, November 13, 2014 — March 8, 2015; catalogue

However many people one sees queuing for the Turner prize show, or wandering Tate Modern or the Centre Pompidou on a Sunday afternoon, the idea that the art of our time speaks to the wider public, and that people actually get something out of looking at it, might not be quite as true I might like to think.

«Speaking of People: Ebony, Jet and Contemporary Art» is published to coincide with the Studio Museum in Harlem exhibition of the same name, exploring the ways 16 artists have been inspired by the historic and culturally significant magazines.

I probably made it worse when I stepped up to speak, by doing my version of Bruce Nauman's video performance piece Clown Torture — jumping up and down shouting No, No, No, No, No, as well as performing my Mark Rothko - Killed - Himself - Because - He - Met - the - People - Who - Bought - His - Art routine.

Kaelen Wilson - Goldie points out the conflict addressed in Wael Shawky's Performance DICTUM, performed at last year's Sharjah Biennial, between the largely poor local people and a «presumed - to - be-elite audience for contemporary art,» which was, so to speak, physically inscribed into the work.

Person of the Crowd: The Contemporary Art of Flânerie features work by more than 50 international artists who have taken to the street to play detective, make fantastic maps, scavenge and shop for new materials, launch guerrilla campaigns, and make provocative spectacles of themselves to speak to issues as diverse as commodity fetishism, gentrification, gender politics, globalization, racism, and homelessness.