Not exact matches
In fact, this elegant catalogue offers, among many other items, Etruscan jars,
tapestry fireplace screens, Roman coins, crystal vases
designed by Raphael, and a head of Apollo, but Christian
art is conspicuously absent.
The
tapestry design takes inspiration from classic Korean
art, evoking the film's sumptuous setting, whilst giving a glimpse of key moments within the story.
While the
art design of Mira is consistent and beautifully rendered, the music's patchwork aural
tapestry is more distracting than supportive.
The exhibition and installation feature large - format prints, as well as custom
designed newspapers, all framed within Liverpool's newest
arts venture,
Tapestry Gallery, in the heart of the Fabric District, Liverpool.
The
tapestry room from Croome Court, Worcestershire, 1763 — 71,
designed by Robert Adam, as currently installed at the Metropolitan Museum of
Art, New York.
1977 Stanley Brown: 25 January — 27 February 1977 Richard Long: 25 January — 27 February 1977 Pearly Kings and Queens; 25 January — 27 February 1977 Nicholas Hawksmoor: 23 March — 1 May 1977 Kilims: Plain - weave
tapestries from Persia, Turkey and the Caucasus: 25 March — 1 May 1977 Keith Arnatt: 18 May — 26 June 1977Walter Pichler: 18 May — 26 June 1977 Robert Smithson: 18 May — 26 June 1977 Morton Feldman and the Creative Associates: 31 July 1977 Graphic
Design Works: ILEA
Art Schools: 6 June — 17 July 1977 Whitechapel Open: 3 August — 28 August 1977 Robert Ryman: 21 September — 23 October 1977 Working Party: Böhmler, Brehmer, Helms, Mitzka, Oehms, Polke, Rückriem, Rühm, Walther: 26 — 30 October 1977 The Fairground: 9 November — 18 December 1977
They are both members of the Fine
Arts Faculty at Parsons School of
Design / The New School in New York City and recently were artists in residence at the Frans Masereel Centrum in Belgium where they worked on a series of prints as well as a set of digitally woven
tapestries in collaboration with Magnolia Editions based in Oakland, CA.
From the biggest ever Hockney show to the Bayeux
tapestry of space, with the Russian revolution, Renaissance miracles and California's tech visions thrown in... the best
art and
design exhibitions to come in 2017
Upritchard is drawn to a variety of
arts, crafts, and
design from around the world produced over the past several centuries, and an array of objects and techniques have informed her work: the fifteenth - century German sculptor Erasmus Grasser's wooden figures; the Bayeux
Tapestry, made in the eleventh century, with its scenes of the Norman conquest of England; the use of canopic jars in Egyptian mummification; the bronze figures of the Chola dynasty in India; and the blank expressions of the masks used in Japanese Noh theater.
The paintings were original
designs for William Morris's
tapestry The Forest, which was first exhibited at the 1887
Arts & Crafts Exhibition in Wolverhampton.
By the mid-20th century, artists such as Jean Lurçat, Picasso, and Le Corbusier renewed focus on carpets and
tapestries ( with the complicity of Aubusson workshops ) and saw them as a third option between
art and
design, or painting and sculpture.
«Grand
Design: Pieter Coecke van Aelst and Renaissance
Tapestry» ran at The Metropolitan Museum of
Art through January 11, 2015, Charles Coypel at The Frick Collection through May 17.
She never stopped making
art — lithographs, paintings, collages,
tapestry designs.
The Museum of
Arts and
Design (MAD) exhibits Ebony G. Patterson's «Dead Treez» featuring intricate mixed - media installations and jacquard photo
tapestries that explore what it means to be visable in terms of class, gender, race and the media.
GLENN LONEY»S JANUARY, 2015 RAMBLES At The Asia Society: TAKAHIRO IWASKAI: In Focus, BUDDHIST
ART OF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settleme
ART OF MYANMAR, At The Brooklyn Museum of
Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settleme
Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian
Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settleme
Art, At The Frick Collection: COYPEL»S DON QUIXOTE
TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing
Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of
Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settleme
Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The
Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settleme
Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The
Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settleme
Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS
DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlement.
In early 2011, the Museum of
Art and
Design in New York presented the first survey of Judy Chicago's work in
tapestry which dates back to the mid 1970's.
New Content &
Design The all - new DECOR Ezine will deliver cutting - edge news on all things design and decor — from interior decorating and fine art collecting to the latest trends in architecture, furnishings, textiles and tapestries, framing, and much
Design The all - new DECOR Ezine will deliver cutting - edge news on all things
design and decor — from interior decorating and fine art collecting to the latest trends in architecture, furnishings, textiles and tapestries, framing, and much
design and decor — from interior decorating and fine
art collecting to the latest trends in architecture, furnishings, textiles and
tapestries, framing, and much more.
This featured graphic
design and poster
art, furniture, stained glass
art, batik, metalwork and ceramic
art, as well as textiles,
tapestry art and some small - scale sculpture.
Best known for her exquisite, colorful paintings full of references as diverse as folk
art, Carnival decorations, sixties psychedelia, jewelry, embroidery, colonial Baroque imagery, and high Modernism, Milhazes has recently been diversifying her
art practice through her exploration of prints and collage, theatrical sets, site - specific public installations and
design work including fabric and
tapestry.
Although best - known for her painting, she also excelled in the
design of
tapestry art and stained glass.
Over 20 hand - crafted rugs,
tapestries and fabric installations will be on show for the first time offering visitors the chance to see textile
art based on the original
designs of three complementary colourists from the Bauhaus to Britart eras alongside each other.
Nov. 10, 2015 — April 3, 2016 «EBONY G. PATTERSON: Dead Treez» @ Museum of
Arts and
Design New York, N.Y. Known for her highly embellished and lavishly adorned sculptures,
tapestries and paintings, and recent cameos of her work on the hit TV series «Empire,» Ebony G. Patterson considers issues of visibility and representation through the lens of race, gender, class and the media.
Represented South Africa at the Venice Biennale 1959 Solo exhibition of woodcuts at Wittenborn Gallery, New York Represented SA Touring exhibition, South and North America Painting and Sculpture, National
Arts Club, New York Represented South Africa at Sao Paulo Biennale Represented on The National
Arts Club International Exhibition of painting and sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg
Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic
Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo Cattaneo.
Burne - Jones made many
designs for the company, primarily for stained glass and
tapestry, converting some of them into paintings - such as his King Mark and La Belle Iseult (1862, Birmingham Museum of
Art).
However, the most significant development in German textile
art (as well as in most other applied
art), took place at the Bauhaus
design school, where
tapestry was produced during the period 1919 - 1933.
In addition to oils, he also worked in gouache, while his interest in
design extended to
tapestry art and stained glass.
A master of blending drawing, collage,
tapestry, photography, graphic
design, experimental film and performance, Geta Brătescu set her sights on the themes of gender and motherhood, staying true to this year's conceptual guideline of the
Art on the Underground.