Not exact matches
This exhibition, which bears the title «Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the Legendary Survival Research Laboratories,» will be SRL's first
art - world solo show, and will
feature eight of their kinetic sculptures alongside video documentation of other work, much of which looks at how
technological objects can overpower their users.
Featuring 20 works from the Smith College Museum of
Art collection, including photographs by masters such as Peter Henry Emerson, Julia Margaret Cameron and Alfred Stieglitz, the exhibition demonstrates how these artists took etching and photography beyond
technological reproduction and into the arena of aesthetic innovation.
At the Columbus Museum of
Art, a group exhibition entitled The Sun Placed in the Abyss will
feature more than 50 artists exploring the historical, social and
technological conditions of contemporary photo - making, alongside solo shows by established artists like New York - based photographer Jen Davis and Alan Rath.
Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The Body Politic — and the thematic
features that unfolded over the course of the year: Bruno Fazzolari's conversation series investigating abstraction and the terms on which it is defined or negotiated in contemporary artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political,
technological, and cultural factors that shape the visual
arts in the Bay Area and its possibilities for the future.
Rejecting established modes of representation, the works
featured in the exhibition exemplify the artists» shared quest for a new beginning in
art, as in life; one that could respond to a social reality filled with potential and new
technological advances in the aftermath of World War II.
Echoing the promised utopia and oft - dismal reality of advanced
technological networks and intimating at the vague disillusion of late - stage capitalism, Bleeding Edge
features site - specific installations and new media works by artists Anthony Antonellis, Kelsey... Continue reading Bleeding Edge An Immersive Triumph at Hudson Valley Center for Contemporary
Art