Sentences with phrase «art than a mass»

Add in that each creation is closer to art than a mass produced product and they seem to have a winning combination.

Not exact matches

Each chapter discusses an aspect of the one theme that the central purpose of all education — whether in homes, schools, churches, business organizations, community agencies, or the mass media, and whatever the area of learning, whether science, art, health, or international relations — should be the transformation of persons from the life of self - centered desire to that of devoted service of the excellent, and at the same time the creation of a democratic commonwealth established in justice and fraternal regard rather than in expediency.

Along with Mars 2020, STMD is hard at work, advancing promising technology for potential infusion into these Mars missions including: Heat - shield for Extreme Entry Environment, a tailorable, woven thermal protection system that would reduce entry loads and greatly reduce heat - shield mass; Deep Space Optical Communications, which will improve the data - return capacity from space to Earth by more than 10 times the current state - of - the - art; and the Deep Space Atomic Clock project which will revolutionize deep space travel by improving the precision of space navigation and enabling more efficient use of tracking networks like GPS.

The Pt3Ni nanoframe catalysts achieved a more than 36-fold and 22-fold enhancement in two different measures of catalytic activity (mass and specific activities, respectively) for the oxygen reduction reaction in comparison to state - of - the - art carbon - supported Pt catalysts (Pt / C) during prolonged exposure to reaction conditions.

An art film is typically a serious, independent film, aimed at a niche market rather than a mass market audience.

Although the film didn't connect as strongly with mass audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on as a deserved cult classic, perfect for drunken film studies students and bored kids at slumber parties alike.

The producers have a dilemma, since its not a mass market film, but seems bigger than an art house flick.

Twin Peaks: The Return By Aliza Ma David Lynch's latest mass - media experiment was much more than «season three» of a beloved series — it pushed the filmmaker into new realms of the dark arts Plus: Installations, paintings, and Peaks by Violet Lucca

According to the AV Club «The mass - market edition of Mockingbird — which currently features silhouetted cover art by Sarah Jane Coleman, but which is probably best remembered as the puce - covered little volume that populates the shelves of so many American high schools — was the cheapest version of the book on the market, retailing for a little more than half of what Harper Collins charges for its sturdier trade paperback edition.

Just because something is distributed independently makes it no less an art form than something released on a mass scale.

The capital city of Bangkok boasts state of the art transportation such as the elevated mass transit system known as the Skytrain and massive stretches of elevated roads that whisk traffic in and out of the city (I recollect that we traveled on one such continuously elevated road for more than 40 miles!)

His art collection is just as huge, colorful, and bizarre, though perhaps less affordable than the books he markets to the masses.

MASS MoCA's more than 250,000 sq. ft. of gallery space includes partnerships with Laurie Anderson, the Louise Bourgeois Trust, Jenny Holzer, Anselm Kiefer with the Hall Art Foundation, Sol LeWitt, and James Turrell.

More platform than box, MASS MoCA strives to bring to its audiences art experiences that are fresh, engaging, and transformative.

A riff on the Pavillon de l'Esprit Nouveau — a show house Le Corbusier created for the 1925 Paris Exposition des Arts Décoratifs that appeared revolutionary for its ideas about mass production and home mechanization — Burrichter's rendition features works by more than 30 artists and designers who push the boundaries of design today.

But the New Realism movement has often been compared to the pop art movement in New York for their use and critique of mass - produced commercial objects (Villeglé's ripped cinema posters, Arman's collections of detritus and trash), although Nouveau Réalisme maintained closer ties with Dada than with pop art.

In fact MASS MoCA may be better known regionally for its music than for its art.

MASS MoCA opens its newly renovated Building 6 this Sunday, giving the North Adams Campus — catch this - more gallery space than any other contemporary art museum in the country.

The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.

NEW OBJECTIVITY: MODERN GERMAN ART IN THE WEIMAR REPUBLIC, 1919 - 1933 Crippled war veterans, prostitutes and the rise of mass media were some of the subjects addressed by Neue Sachlichkeit artists, more than 50 of whom are represented here.

The more than 50 artists included in the exhibition have culled from the canon of art history, mined mass media, and scoured streets and screens to appropriate images and practices from commerce, science, politics, sports, religion, and technology, to illuminate recent shifts in how culture is being created and consumed.

Presenting more than 80 performances each year including popular music, contemporary dance, alternative cabaret, documentaries, and avant - garde theater, MASS MoCA offers a robust roster of performing arts programming, introducing audiences to the full spectrum of artists, embracing diversity in genre and experience.

There is perhaps no greater indicator of changing tastes in London's contemporary art scene and the West's hunger for fresh cultural and artistic influences than the masses of people who came to witness the «Korean Eye: Moon Generation» Exhibition, which showcases the finest contemporary Korean art at the renowned Saatchi Gallery in London.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

More than 80 major new works of art and more than 50 performances have been created through fabrication and rehearsal residencies in North Adams, making MASS MoCA perhaps the most fertile site in the country for new art.

If Pop Art and Minimalism did nothing more than deride mass culture, one could hardly call that cynicism.

In part, too, art has become closer to mass entertainment than someone like Serra or Frank Stella could ever accept.

To date, the Yale University Art Gallery and MASS MoCA have raised more than $ 10 million in funding for the project from an array of devoted board members and other notable arts patrons who are supportive of Sol LeWitt's work.

During this period, MASS presented more than forty exhibitions and indescribable events, establishing its reputation as an art space with a true sense of curiosity, always amenable to the risk of providing its space and energy in support of the unknown.

But what further differentiates an artist's sketch from a skit on Saturday Night Liveis that these videos and performances are «made specifically to be in a dialogue with other pieces of art — paintings, sculpture — rather than in a dialogue with TV and other mass media,» says Phillips.

She had deep admiration for Kertess and also for legendary dealer Leo Castelli, and she wanted to accomplish no less a feat than they had: to build a gallery every artist of her generation would want to join, one that, with a critical mass of influence, would leave a lasting mark on art history.

Pop Life: Art in a Material World argues that Warhol's most radical lesson is reflected in the work of artists of subsequent generations who, rather than simply representing or commenting upon our mass media culture, have infiltrated the publicity machine and the marketplace as...

Pop Life: Art in a Material World argues that Warhol's most radical lesson is reflected in the work of artists of subsequent generations who, rather than simply representing or commenting upon our mass media culture, have infiltrated the...

While his book deals with modernism as a whole rather than modernism in the arts, artists continue to mine it for inspiration, as evidenced by the MASS Gallery exhibition Mariah Dekkenga and Josef Bull: We have never been modern, curated by Jackie Klempay and Margit Raczkowski.

Eilshemius perfectly exemplifies — in an age of mass - oriented biennials and art fairs — the idea of the individualist who resolutely goes his own way, one of the reasons that his work appears to us today more contemporary than ever.

Berlin Art Week to me is more about the gallery shows rather than a mass of fairs, there is another fair called Position which I will report back on, but the whole of Berlin is alive is one opening after another...

The book connects everyday experience, social critique, and creative expression with classroom learning, and includes color reproductions of artworks; statements in English and Spanish from more than fifty contemporary artists; lesson plans for using art to explore subjects such as American identity, changing definitions of the family, AIDS, discrimination, racism, homophobia, mass media, and public art; and resources, including annotated bibliographies for further study.

For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation art, one that applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.

He also established his famous New York art studio, known as «The Factory», where he anticipated Damien Hirst's mass production methods by more than 30 years.

Following in the footsteps of Leonardo and Michelangelo, they believed in «high art» - art which elevates and inspires the cultivated spectator - rather than «low art» which merely amuses or entertains the masses.

Pop Life: Art in a Material World argues that Warhol's most radical lesson is reflected in the work of artists of subsequent generations who, rather than simply representing or commenting upon our mass media culture, have...

Taking place within the VW Dome in the courtyard of PS1 MoMA rather than the more traditional venues of New York Fashion Week, Eckhaus Latta's commitment to prioritizing creativity over mass marketability has won the young brand strong support of major art institutions resulting in their inclusion in several exhibitions such as the Greater New York survey show on view at at PS1 MoMA, as well as the upcoming exhibition, Made in LA opening at the Hammer Museum in Los Angeles, on June 12th.

Nothing is further from art than these materials, which were mass - produced and mass distributed.

Pop Life: Art in a Material World argues that Warhol's most radical lesson is reflected in the work of artists of subsequent generations who, rather than simply representing or commenting upon our mass media culture, have infiltrated the publicity machine and the marketplace as a deliberate strategy.

Amongst the mastery of brand is the glowering ghost - like portraits of Joseph Beuys — haunting, enigmatic, and seemingly rather personal — the work feels like it has the personal touch of the artist, rather than the work of that factory mass production — this is the catholic Pop Art master's true obsession with mortality floating to the surface, as Beuys stares out of the work; hollow and implacable.

More than a thousand people packed the Coral Springs Center for the Arts to discuss how to make children safer after 17 people were killed in a mass shooting at Marjory Stoneman Douglas High School in Parkland on Feb. 14.

And if you're the type of person to look futher than the ubiquitous black and white photographic prints sold en mass everywhere (Breakfast at Tiffany's print I'm looking at you) then there are lots of art fairs cropping up to inspire you with affordable and unique art.