Sentences with phrase «art than a television»

With Samsung's proprietary mounting system, its Q9, Q8, and Q7 QLED TVs can be mounted flush, making the TV look more like a piece of art than a television.

Not exact matches

I spent the first 13 years of my professional life doing what was more akin to art than to business: commissioning, writing, directing, producing radio, television, films, and music.

Pictures of the bust were shared widely on social media, with some critics suggesting it bore more of a resemblance to former Arsenal and Manchester City forward Niall Quinn or The Head from BBC television programme «Art Attack» than Ronaldo.

Less than 24 hours after Anthony Rapp accused Kevin Spacey of sexual assault, the International Academy of Television Arts & Sciences announced it will revoke a planned honor for the «House of Cards» star.

This sequence, one of the most gripping and interesting in the television programmes, teaches more than a dozen books on cave art.

The «Batman» television show (1966 - 1968) cast a long, pop art - infused, camp shadow over the property and, after the big budget failures of a series of superhero films in the 1980s (some more campy than others) such as Howard the Duck (1986), WB apparently had cold feet.

Palace Residence & Villa Siem Reap is a three star hotel that is only five minutes from the Siem Reap Art Centre and Angkor National Museum.Guest staying at the hotel not only benefit from the easy access to the airport, but the Angkor Night Market, Lucky Mall Super Market, Angkor Golf Resort, and Cambodian Cultural Village are all less than five minutes from the hotel by car.Other nearby places of interest include the Royal Garden, Pub Street, the Siem Reap Royal Residence, and Angkor Shopping Centre.The rooms all come with a wide variety of in - room amenities.A selection of the available amenities at Palace Residence & Villa Siem Reap include vanity kits, hairdryer, iron and ironing board, cable television, sofa, working desk, tea and coffee making facilities, complimentary slippers and bathrobes, IDD phone, minibar, and wireless Internet access.

For more than a hundred years, film has been the American audience's most culturally significant way of connecting with stories, more so than literature or even television; as opposed to video games which are very young in the world of art and storytelling.

With just six days to go before the opening of the 2017 Venice Biennale, the staff for the Baltimore Museum of Art was being bombarded with interview requests from more than 140 media outlets, including the national public television of Slovenia and the fashion magazine Marie Claire Ukraine.

Over its three week - run, Performa 09's innovative program will break down the boundaries between visual art, music, dance, poetry, fashion, architecture, film, television, radio, graphic design, and the culinary arts, presenting over 110 events in collaboration with a consortium of more than 80 of the city's leading arts institutions, 40 curators from around the world, and a network of public and private venues throughout the city.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Andrew Berardini for Art Review (March 2012) writes that Bress's work is ``... less intensely disquieting than slightly unsettling, like the portraits in the hallways of Disneyland's Haunted Mansion, which turn holographically to follow visitors» every move... Here, though, the costumes and characters and creatures in the pictures look almost friendly: softish and colourful, moving at the nonthreatening, soporific half - speed of most young children's television programming.»

Bill Viola is internationally regarded as a seminal figure in the field of video art who has been creating video installations, pieces for television, opera, and sacred spaces for more than forty years.

Rather than art, I think it was something I saw on television.

If you think the importance of culture goes no further than what you hear on the radio or see on television, then you're sorely underestimating the long - term impact of art, movies, music, celebrities, and cultural phenomenons.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.

Call me dense, but I don't see how it's obvious for this man to endorse anything other than a martial arts movie marathon on late night cable television.