Sentences with phrase «art than theories»

While many contemporary artists do utilize complex theories about art, there are other ways to understand art than theories.

Not exact matches

In any event, one of the unavoidable side effects of literature and the arts generally is that they cater to the human need to believe that cognitive dissonance is only a temporary thing, so that they anticipate and support those grand unification theories that have compelled political reformers no less than scientists.

Starting with 2 - D structures formed using state - of - the - art methods in semiconductor manufacturing and carefully placed «Kirigami cuts,» the researchers created more than 50 different mostly closed 3 - D structures that, in theory, could contain cells or support advanced electronic or optoelectronic devices.

Beane's outlandish new theories are treated like Satanists at a prayer meeting, and no one is more hostile than Oakland's field manager Art Howe (played like a dour, thick - necked old Marine colonel by Philip Seymour Hoffman [pictured below]-RRB-.

This probably sounds familiar to someone already invested in a game like this, though they'll be the most disappointed to hear that Mercenary Kings» beautiful art and underlying core are often better in concept than theory.

Seymour wrote more than 45 books, in areas as diverse as community psychology, mental disability, educational change, teacher education, teaching as a performance art, the theory of relativity, and (now in press) life in nursing homes.

Since 2015, students in third, fourth and fifth grades have shown steady improvement on statewide English language arts and math tests, and more than 5,000 students are on the waiting list for String Theory Schools» enrollment lottery.

String Theory Schools, which runs Philadelphia Performing Arts, has a waiting list of more than 5,000 students.

In addition to the Center's collection of artworks, the CCS Bard Library and Archives house more than 25,000 books and exhibition catalogues focusing on contemporary art, exhibition history, and the theory and interpretation of contemporary art and culture, as well as extensive research archives comprising over 1,000 linear feet of material.

I have fond memories of operating in a studio as a pure scientist, with absolutely no agenda other than to brainstorm art theory and develop new methods.

That Bearden would seek advice from someone whose knowledge ran wider than Western art and deeper than the current theory of the day is indicative of his need to anchor the vagaries of spontaneity and chance with his subject, which was essential to his vision.

And the fact that painters are more likely to read (and write) poetry and art blogs than the post-structuralist theory championed in MFA programs in the 1990s has everything to do with it.

First, because they are more about painting than art theory or social identity.

I'm deeply troubled by a brilliant friend, a freshly minted Ivy League PhD, who unabashedly refuses to read anything other than art history and «theory».

They also need to write about them and, in the process, incorporate media theory, game studies, film criticism, anthropology, history, philosophy, and scientific studies, perhaps as a way of indicating that they are engaging in art making rather than basic Internet use.

At the North Carolina Museum of Art, education director Susan Glasser is harnessing play theory to turn viewers into participants rather than passive observers in a game called The Grand Tour.

That first experiment with color theory set in motion what would become more than five decades of ardent inquiry into the nature of color, not as the means to conveying life but as the subject itself of Riley's art.

More than 500 students enroll each year in the 45 - plus courses offered by the Program in Visual Arts in painting, drawing, graphic design, photography, sculpture, film, video, and film history and theory, which are taught by a distinguished faculty of working artists, critics, and scholars.

What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.

Surely the issue lies more with the art Joselit chooses to speak about than with his ideas, as one must question the relevance of any work of art the significance or interest of which can be completely exhausted by the application of this or that theory.

More than 48,000 volumes, including artist's monographs and books, works of art history and theory, catalogues from national and international exhibitions, and current art periodicals are included.

If you set aside conspiracy theories, and ignore the fact that sociological, sexual and racial factors often do stack the art - world deck against certain artists, this show allows you to understand why some moments are more doomed to the dustbin of history than others.

After a day of engaging with art theory at The Nasher for a symposium inspired by Nasher Prize Laureate Theaster Gates, what better way to celebrate is there than to look at some art?

Groups like the Hairy Who and Destroy All Monsters placed more stock in comic books than in critical theory, which had no place for the raw, figurative, often grotesque kind of art they admired.

This theory proposes that the 2 - dimensional imagery used in manga and anime has influenced the western art scene more than critics and artists are ready to admit.

Past exhibitions include Image - History - Existence, Taikang Art Collection, National Art Museum Of China, Beijing and Moving Image In China: 1988 - 2011, Minsheng Art Museum, Shanghai in 2011, China Power Station, Pinacoteca Giovanni e Marella Agnelli, Turin and Studies & Theory, Kwadrat, Berlin in 2010; The Generational: Younger Than Jesus, New Museum of Contemporary Art, New York in 2009.

He has maintained his interest in the relationship of words and imagery, of delighting in the absurd, and pointing out the irony in contemporary art theory for more than 35 years.

Artists, art historians, and critics look at the legacies of feminism and critical theory in the work of women artists, more than thirty years after the beginning of the modern women's movement and Linda Nochlin's landmark essay «Why Have There Been No Great Women Artists?»

andlt; Pandgt; Artists, art historians, and critics look at the legacies of feminism and critical theory in the work of women artists, more than thirty years after the beginning of the modern women's movement and Linda Nochlin's landmark essay «Why Have There Been No Great Women Artists?

It won that scrap, in the court of uptown galleries, but soon succumbed to the juggernauts of Pop art and minimalism, which had behind them forces of more than rarefied aesthetic theory: by 1962, Andy Warhol's silk - screened works equalled the formal strength of color - field and surpassed its éclat, with the added bonus of Marilyn Monroe.

Restatements are written by committees led by a distinguished law professor in the particular field called a «reporter» and unlike the West Digest System sacrifice being fully and accurately descriptive, in favor of articulating a single coherent theory of an area of law that theoretically represents a majority position of the states on that body of the common law, something that is more art than science.