Sentences with phrase «art viewing spaces»

The artwork is kept in the custody of art vaults like freeports — ultra luxurious art viewing spaces in tax free zones near major airports.

LMAKgallery is unlike the typical white cube art viewing spaces you'll find peppered throughout New York City.

Nearby styrene and plaster casts are reminiscent of a classically decorated carved reliefs, hand - crafted objects and industrial artifacts that reference a multitude of symbols, linguistic particles from antiquity to the present day — iconography that exists within the urban landscape but are repurposed here within the formal confines of the art viewing space.

Not exact matches

The new space will feature a variety of elements, including structures like ramps, rails and stairs, three viewing platforms, art space, an amphitheater and landscape gardens.

This faceted mirror makes the room sparkle and the reflection of art on the other side of the room incorporates such a pretty view in to the space making for a super cozy master suite.

The Marmont Hill Dance and View Canvas Wall Art will add a dash of vibrant color to any living space.

I actively seek out these spaces where mistakes and failure are expected and encouraged, where these things we tend to run from are viewed as necessary acts on a path to separating the art from the ego.

Using arts - based pedagogies or arts - inquires goes beyond singing the times - tables or watching a topical DVD, it is about framing learning experiences to connect the cognitive with the emotive, to critically examine assumptions, understandings and beliefs, to view things from different perspectives, and create a space for experimentation where alternative views can be explored.

giovanni singleton is a native of Richmond, Virginia, a former debutant, and founding editor of nocturnes (re) view of the literary arts, a journal dedicated to experimental work of the African Diaspora and other contested spaces.

Featuring a domed design with a crystal clear 360 - degree viewing space, the BioBubble Aquatic's state - of - the - art engineering enables the dome to be removed, cleaned and replaced without having to empty the unit.

• 460 square metres of state - of - the - art meeting and event space including spacious Hooft room, 5 luxurious multi-functional meeting rooms, and private dining Maurer room in Rococo style, offer authentic and original architectural details flooded with natural light, and stunning canal or garden views • All rooms are located on one floor including 3 which can connect combining privacy with practical function • Tailor - made catering by our 2 - star Michelin executive chef • An expert team of events co-ordinators are on hand to ensure events are crafted to the client's exact specifications

It appeals to anyone who «loves space, science, the stunning view of L.A., and the building's Art Deco architecture», says Bonnie Winings, a director for Friends Of The Observatory.

Affording exceptional dining, 25,000 ft2 of opulent meeting space adorned with luminous chandeliers and marble accents, state - of - the - art amenities, and 307 thoughtfully - appointed guestrooms and suites, many featuring panoramic views of the vibrant city scape and wondrous Lake Michigan, The Pfister Hotel seamlessly blends its treasured history with modern conveniences.

Hotel Alfonso XIII features extensive state - of - the - art meeting and event space including the newly renovated Salón Real Ballroom, which hosts up to 500 people and opens out to a spacious terrace offering spectacular views over the hotel's extensive gardens.

The hotel also offers nearly 7,000 square feet of state - of - the - art meeting and event space (including the Michael B. Coleman Grand Ballroom, hosting up to 250 guests), Columbus» chic new lounge, Soul and a 24 - hour fully equipped fitness center with floor to ceiling windows and stunning views of the Short North and Downtown Columbus.

Refining the art of hospitality for over 100 years, the iconic Hotel Eden has gorgeous private event spaces, an idyllic wedding lunch venue with panoramic views, and Il Giardino Ristorante & Bar provides an informal yet stylish rooftop celebration space for great cocktails and epic sunsets.

View an eclectic mix of mediums, styles and works in unique exhibition spaces at the Cairns Regional Art Gallery, Under Art Gallery, KickArts Contemporary Arts, Tanks Art Centre and the Canopy Art Space.

Baseball aficionados will be cheering as they're a stone's throw from Petco Park and book lovers will find solace at the City Library complete with a roof deck art gallery, event space and viewing platform.

Signature features include a permanent curated art collection on view throughout the resort's public spaces and an elegant lobby with soaring ceilings and sleek Italian furnishings.

The hotel will also house Atrio restaurant, offering American fare and all - day dining, a rooftop bar with views of the Hudson River and Manhattan, a coffee bar, a 24 - hour gym, and more than 15,000 square feet of meeting space, with state - of - the - art technology.

Additionally, the hotel features more than 37,100 square feet of state - of - the - art meeting spaces for events, including two ballrooms that can seat more than 1,000 people, which are part of the new pillar-less convention centre with panoramic views of Darling Harbour.

Offering stunning views of Mount Kilimanjaro and the surrounding nature reserves, the resort will combine state - of - the - art, flexible meeting space with fitness facilities including swimming pools and a tennis court.

With 11 dedicated meeting rooms and total event spaces across 2,280 square meters, including a 550 - square meters, natural day light foyer with full river view and a 1,380 - square meter grand ballroom which can be divisible into five sections, the hotel offers extensive banquet facilities equipped with brightly art light and modern sound system to ensure every of your unique business or social requirement is well accommodated.

Oaks Grand Gladstone features state - of - the - art function and conferencing spaces able to accommodate a range of events from 50 to 500 guests with a unique wrap - around verandah boasting city and harbour views.

Fabulous art and accessories have a museum like feel yet this is a comfortable, charming and exotic space to simply relax and enjoy the view.

Guest suites have a trendy design and contemporary styling with a mix of pale and warm toned interiors, drapes and fabrics of vibrant colour, attractive wall - hung art, smart furnishings cleverly spaced on cool tiled flooring and modern amenities to take care of your comfort; features include a private furnished balcony for most suites with sea or marina view, air - conditioning, a private bathroom with hair dryer and amenities, living room with TV (international channels) and DVD player on request, DVD library at reception, sofa bed / armchair, a bedroom (s) with twin beds, writing desk and chair, telephone, night curtain, a kitchenette with 2 - ring hob, microwave, fridge, coffee machine, kettle, toaster, plates & cutlery and table with 4 chairs, iron and board, and baby amenities.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

Collectively, the years of research have resulted in a more complete view of art in Southern California, one that goes beyond the genres typically identified with the region: Light and Space sculpture, conceptual landscape photography, and Modernist design.

Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).

For many recent exhibitions, including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.

, Recession Art Project, Invisible Dog Gallery, New York, NY With / drawn, The Drawing Room, Budapest, Hungary Space / Place, 39th Street Gallery, Washington D.C KY7 Biennale, Lexington Art League, Lexington, KY Eye of the Beholder, Maryland Federation of the Art, Annapolis, MD Art Chicago, With Linda Warren Gallery, Chicago, IL Dis.place.ment, Urban Institute of Contemporary Art, Grand Rapids, MI Selections from the INDA 5, Manifest Gallery, Cincinnati, OH 2009 — 62nd Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, NY Art Chicago, With Linda Warren Gallery, Chicago, IL 2008 — Somewhere Elsewhere, Linda Warren Gallery, Chicago, IL Weekend Fling Series, All Rise Gallery, Chicago, IL Introductions 4, Irvine Contemporary, Washington D.C Paper New England II, The Bushnell, Hartford, CT 2007 — Viewing Registry, The Drawing Center of New York, New York, NY Summer Exhibition, New York Academy of Art, New York, NY CAA Exhibition, Hunter College, New York, NY 2006 — Place as Object Figure and Landscape, Janes Gallery, St. Barths 2004 — Doppelganger, Johnsonese Gallery, Chicago, IL

Images: James Turrell, Raemar Pink White, 1969, Shallow Space, Collection of Art & Research, Las Vegas, Installation view at Griffin Contemporary, Santa Monica, CA, 2004, © James Turrell, Photo by Robert Wedemeyer, courtesy Kayne Griffin Corcoran, Los Angeles; James Turrell, Breathing Light, 2013, LED light into space, Los Angeles County Museum of Art, purchased with funds provided by Kayne Griffin Corcoran and the Kayne Foundation, M. 2013.1, © James Turrell, Photo © Florian HolzSpace, Collection of Art & Research, Las Vegas, Installation view at Griffin Contemporary, Santa Monica, CA, 2004, © James Turrell, Photo by Robert Wedemeyer, courtesy Kayne Griffin Corcoran, Los Angeles; James Turrell, Breathing Light, 2013, LED light into space, Los Angeles County Museum of Art, purchased with funds provided by Kayne Griffin Corcoran and the Kayne Foundation, M. 2013.1, © James Turrell, Photo © Florian Holzspace, Los Angeles County Museum of Art, purchased with funds provided by Kayne Griffin Corcoran and the Kayne Foundation, M. 2013.1, © James Turrell, Photo © Florian Holzherr.

The Manchester Art Gallery presents Raqib Shaw's largest solo exhibition to date, featuring 28 recent recent paintings, sculptures, and works on paper, many on public view for the first time.In addition, Shaw has created a floral installation that fills the galleries, lending an otherworldly, paradisical atmosphere to the space.

Contributed by Sharon Butler / In «Of Earth and Sky,» on view at Susan Eley Fine Art, Rachelle Krieger presents a new series of elegant abstract paintings in which winding brushstrokes float throughout tightly - cropped square spaces.

These tapestries, woven in mohair on traditional looms to monumental scale will be on view in the new Goodman Gallery project space, at Arts on Main, downtown Johannesburg, Main Street.

The sculpture, which was recently reconstructed, was on view at the time of the interview as part of the exhibition «Vito Acconci: Thinking Space,» at the Middlebury College Museum of Art.

Brunswick Street Gallery is a platform for the exhibition of diverse creative practices, and has, since opening its doors in 2007, maintained a persistent dedication to providing space for emerging art practices to be viewed and experienced.

Installation view of After Effect, 2016 Raymond Jonson Space With White, 1937 Oil on canvas 22 1/8 x 27 1/8 inches Courtesy Ballroom Marfa © University of New Mexico Art Museum, Albuquerque Photo © Fredrik Nilsen

When I enter the Los Angeles Contemporary Archive for the first time, I know that I have not viewed art in any space like it...

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

Cool art pervades these spaces and this exclusive aesthetic point of view, happens to be the same point of view seen in the Salon of the galleries and museums.

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

2017 — Take Care of Yourself, Linda Warren Projects, Chicago, IL 2014 — It Ended With My Putting it On, The Comfort Station, Chicago, IL Could Almost Feel it in My Hands Like an Egg of Air in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, IN

[13] He started making room sized installations that made the spaces themselves his playground and the viewing of his art a visceral, physical experience.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

GENDERED: An Inclusive Art Show, organized by Young Affiliates of the Mint, will be on view for FREE in Mint Museum Uptown's Level 5 expansion space from Friday, June 16, 2017 through Friday, July 21, 2017.

Challenging and re-inventing ideas about pictorial space, the paintings on view relate to Color Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illusions.

Negative Space (STScI - PRC2012 - 10a), 2013 Photographic mural 126 x 590 inches / 320 x 1498 CM Exterior view, Yaletown - Roundhouse Station, Vancouver, Canada Presented by Contemporary Art Gallery, Vancouver Photo: SITE Photography

Pace is delighted to announce a presence in Switzerland with the opening of an exhibition space in Geneva this March, closely following the gallery's first time participating in the city's premiere art fair, artgenève, on view 1 - 4 February 2018.

Taking over the entire gallery and transforming the space into a Natural History Museum meets island tourist bar, IF IT FLOATS... breaks the gallery into 4 separate rooms, each fit with its own unique art viewing experience.