Sentences with phrase «art zeitgeist»
PHILADELPHIA INSTITUTE OF CONTEMPORARY ART January 18 - March 30 Curated by Carin Kuoni and Ingrid Schaffner Close on the heels of Team America and Avenue Q, an unlikely puppet - art Zeitgeist...
https://www.highbeam.com/ Not exact matches
Probably not the most expected avenue for cultural zeitgeist, the local auto shop has just become as poignant as any art gallery — all thanks to one, nudey and naughty page turner.
Disaster movies, which pre-date the zeitgeist's fascination with a world falling apart around us, are always great measures of the state of the Hollywood art of special effects.
Where: Zeitgeist Multi-Disciplinary Arts Center.
One of the ways in which art consultants add value to curators and galleries is in their understanding of artistic trends and which artists are currently producing work that captures the current zeitgeist.
1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.
Testimonies from artists such as Minimalist Carl Andre and Conceptualists Vito Acconci and Lawrence Weiner along with filmed footage of the New York art scene help to capture the zeitgeist, one very different from that of today's art world.
Anderson's artwork has been exhibited nationally, including shows at ZeiherSmith, Torrance Shipman and b.j. spokes gallery in New York, the Atlanta Contemporary Arts Center and Zeitgeist Gallery in Nashville.
2011 Zeitgeist Bandwagon, Susan Inglett Gallery, New York, NY George Herms: Collages, Craig Krull Gallery, Santa Monica, CA Chaos Job: Restrain Order, Grand Central Art Center, California State, Santa Ana, CA George Herms: Xenophilia (Love of the Unknown), Museum of Contemporary Art at PDC, Los Angeles, CA
It appears to be suffering some kind of identity crisis stemming from the decreasing relevance its entrants have on capturing the actual zeitgeist of contemporary art.
New aspects to my below comment... A new Zeitgeist shared amongst artists emerged as result of the Whitney Counterweight, eg, the explosive East Village art scene & Times Square show... which may also have relevance here for OWS.
Depuis le temps, Galerie Mezzanin, Geneva, Switzerland Infected Foot, Greene Naftali Gallery, New York, New York Chapters: Book Arts in Southern California, Craft & Folk Art Museum, Los Angeles, California Vanishing Points, James Cohan Gallery, New York, New York Zeitgeist, Musée d'art Modern et Contemporain, Geneva, Switzerland Tomorrow Will Still Be Ours, Gavin Brown's enterprise, New York, New York The Florine Stettheimer Collapsed Time Salon, The Armory Fair, New York, New York.
Tilley founded the London - based arts organisation, Zeitgeist Arts Projects, with Rosalind Davis in 2arts organisation, Zeitgeist Arts Projects, with Rosalind Davis in 2Arts Projects, with Rosalind Davis in 2012.
Leslie's visceral approach to art making is best described as «embodying the zeitgeist of the time.»
She was a finalist in the Crash Open 2013, Zeitgeist Open 2012, selected in 2010 and 2009 for the Salon Art Prize, Matt Roberts Art and John Moores 25 at Walker Art Gallery, Liverpool in 2008.
Influenced by Canada's Group of Seven, Doig's virtuosic work is a departure from the slick art that defined the eighties power - suit Zeitgeist (though last fall, the Saatchi Gallery in London reportedly sold seven Doig paintings to Sotheby's for a cool $ 11 million).
It is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.
As early as 1947, Kenneth Anger began his homoerotic pioneer work Fireworks, and since then he has repeatedly proved to make use of his personal interests — such as the British occultist Aleister Crowley's universe — into an original form, which has emphasized the zeitgeist and demonstrated new directions within the arts of film production.
The exhibition offers an observation of the way in which art can capture something of the current, contemporary Zeitgeist.
In tandem with his friends Jeff Koons, Jeffrey Deitch, and Maurizio Cattelan, the Cypriot industrialist and art collector DAKIS JOANNOU has turned an «unreasonable love for art» into a Zeitgeist - shaping pile of acquisitions.
Minimal art rejected the idea of relational, and subjective painting, the complexity of abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of action painting.
By the early 1960s Minimalism emerged as an abstract movement in art (with roots in geometric abstraction via Malevich, the Bauhaus and Mondrian) which rejected the idea of relational, and subjective painting, the complexity of Abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of Action painting.
Why can't the ubiquitous cultural zeitgeist responsible for our current POTUS gain any traction in the world of art?
Funded by a Tennessee Arts Commission» s Arts Build Communities grant, the conversation took place at Zeitgeist Fine Art, a good - sized gallery located in an architectural firm, and the studio visits took place all over the city.
While the Whitney Biennial is a survey of contemporary American art, not of the contemporary American Zeitgeist, it's impossible not to read some index of the national mood in its propositions.
A change in the new Whitney is to recognize our immigrant influx and have each of them considered «Americans,» regardless of their birth country, opening up a tremendous amount of art, not previously viewed as part of our collective zeitgeist.
2008 Third Place Award in Sculptural Pursuits's 5th Annual Art / Literary Competition 2005 2005 Tennessee Individual Artist Fellowship 2001 ARC Gallery, Chicago, IL 2000 Zeitgeist Gallery, 2000 Elephants, Nashville, TN 1996 Two Purchase awards, Evansville Museum of Arts and Sciences, Evansville, IN 1991 Mid-Cumberland Art Exhibit, Hendersonville, TN
of Art, (James Surls, Juror), Monroe, LA 2000 Elephants, Juried Competition, Merit Award, Zeitgeist Gallery, Nashville, TN 2000 Boundless Expressions: Renewal of Spirit, U of South Florida Contemporary Art Museum, Tampa, FL (Richard Gruber, Juror) 2000 Celebrating Tennessee Women Artists, Tennessee State Museum, Nashville, TN.
Its focus on the convergence of art, literature and philosophy fostered the creation of group and solo shows that explored the Zeitgeist within the contemporary art scene in Paris.
The DC Duesseldorf Contemporary wants to present the «Zeitgeist of art in the world today».
Usually a plastic fish or a maggot, this time the trick comes in the form of a made object that, having all the correct properties to secure its zeitgeist credos, is ultra recognisably an «art» one.
Operating within this zeitgeist, artists experimented with a range of practices that questioned authorship, explored new collective forms of art making, and opened up new modes of aesthetic experience.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arearts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they areArts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they areArts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they areArts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
Her work is represented by whitespace gallery in Atlanta, GA, G Fine Art in Washington DC, and Zeitgeist gallery in Nashville, TN.
Networking the Unseen, which is currently on view at Furtherfield gallery, is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.
By the early 1960s Minimalism had emerged as an abstract movement in art (with roots in geometric abstraction via Malevich, the Bauhaus and Mondrian) which rejected the idea of relational, and subjective painting, the complexity of Abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of Action painting.
Jahrhundert, Raab Galerie, Berlin, May 8 — June 2, 1997 The Age of Modernism: Art in the 20th Century (organized by the Zeitgeist - Gesellschaft), Martin — Gropius — Bau, Berlin, May 7 — July 27, 1997 (Catalogue) Chuck Close / Paul Cadmus: In Dialogue.
The first in a planned series of exhibitions across the globe celebrating the success of an art blog that been the catalyst in fostering a genuine movement, this exhibition in San Francisco is curated by Graffuturism founder Poesia; who brings together a global selection of artists that have established the graffiti zeitgeist.
Zeitgeist is a contemporary commercial art gallery that features works by established and emerging artists in a broad spectrum of media.
The zeitgeist is very much on her side: A retrospective of the African - American figurative painter Kerry James Marshall arrives at New York's Met Breuer this month, and next summer, London's Tate Modern will mount a major exhibition on the shifting definition of «black art» in the United States in the past century.
His work is both generous and confrontational; meticulously conceived and crafted no matter what medium he uses, his complex, often overlapping projects have come to define the zeitgeist of postmodern visual art.
During Amsterdam Art Weekend (23rd - 26th of November) Upstream Gallery will show Zeitgeist, a solo exhibition by Marc Bijl as well as an electronic music and voice performance by sound artist Kayleigh Beard.
In New Orleans Beauchamp has shown work at the Carroll Gallery, Parse Gallery and Zeitgeist Multi-Disciplinary Arts Center, among others.
Historically, art has served as the zeitgeist of a moment in time, and as a palimpsestic model on which traces of the past still remain, however faint.
He dismissed the concept of zeitgeist as «decorative»: as he put it, «it works with the masses as the most powerful force, with sentimentality, foolish content, false form, bad technique, the pseudo-philosophy of the art trade.
Channeling the art - world zeitgeist favoring all things handmade and artisanal, Wadden has been captivating collectors with his large hand - loomed geometric tapestries.
Europe, with exhibitions like «Documenta» and «Zeitgeist,» is way ahead of us in integrating European and American art.»
(2) In recent years, Leslie's Abstract Expressionist work has been the object of renewed appreciation, with the shows Action / Precision: The New Direction in New York, 1955 — 1960, organized by the Newport Harbor Art Museum in 1985, and Alfred Leslie 1951 — 1962: Expressing the Zeitgeist at Allan Stone Gallery in 2004.
He participated in the groundbreaking exhibitions Zeitgeist (Martin - Gropius - Bau, Berlin, 1982) and New Art (Tate, London, 1983), two major events which helped confirm his status as an important international artist.
Newport Beach, Newport Harbor Art Museum, Action Precision: The New Direction in New York, 1955 - 1960, 28 June - 9 September 1984, no. 27 (illustrated in color, p. 107); This exhibition later traveled to Worcester, Worcester Art Museum, 3 October - 25 November 1984; New York, Grey Art Gallery, New York University, 15 January - 23 February 1985; Cincinnati, Contemporary Arts Center, 14 March - 27 April 1985; Buffalo, Albright - Knox Art Gallery, 14 September - 3 November 1985 and Austin, Archer M. Huntington Art Gallery, University of Texas at Austin, 12 January - 23 February 1986; New York, Allan Stone Gallery, Alfred Leslie 1951 - 1962: Expressing the Zeitgeist, 16 October - 22 December 2004, no. 7 (illustrated in color, p. 13); New York, Allan Stone Projects, Alfred Leslie: Abstraction 1951 - 1962, 29 October - 24 December 2015 (illustrated in color, p. 14)