Well that and the inclusion of JJ Abrams-esque
lens -
flare in literally one shot of the entire movie, which, given the lack of any
artificial light sources existing in this setting, makes so little sense that... you know what, nevermind.)
Snatches of music, speech, and invented promo slogans interrupt what the artist has called his «super-viciously
artificial» imagery, while the real makes a return of sorts both in the film's atmosphere of lingering, subcutaneous depression, and in its meticulously animated
lens flares and moments of fuzzy «cinematography» — reminders of a tool, the camera, which has played almost no part in its creation.