Sentences with phrase «artificial sinew»

(66 x 33 x 43.2 cm) Medium: Copper rod, archival inkjet print on paper, leather, and artificial sinew Credit Line: Purchased with funds from the William R. Roberson Jr. and Frances M. Roberson Endowed Fund for North Carolina Art Object Number: 2012.20.1 Culture: American Classification: Sculpture Department: Modern

2015 found punching bag, glass and plastic beads, steel studs, nylon fringe, copper cones, nylon fringe, artificial sinew, quartz crystals, acrylic paint 73 x 14 x 14 inches / 185 x 36 x 36 cm

2015 Drift wood, hardware, wool, canvas, glass beads, quartz crystal, artificial sinew, metal jingles, nylon fringe, acrylic, high fire glazed ceramic 72.5 x 53 x 112 in

2016 Recycled wool, glass beads, artificial sinew, druzy agate stone, copper jingles, nylon fringe, repurposed wood block, custom maple pedestal 85 x 28 x 12 inches (216 x 71 x 30.5 cm) with pedestal

2015 Repurposed wool army blanket, glass beads, steel studs, nylon fringe, artificial sinew, tin jingles 42 x 77 1/2 x 4 1/2 inches / 107 x 197 x 11 cm

2016 Driftwood, hardware, recycled wool army blanket, canvas, glass beads, Artist's own repurposed painting, artificial sinew, metal jingles, metal studs, nylon fringe, nylon ric rac, high fire glazed ceramic 92.5 x 39 x 64 in

Re-purposed punching bag, glass beads, artificial sinew, and steel; 40 x 14 x 14 inches (101.6 x 35.6 x 35.6 cm).

(detail), 2017 nylon, glass beads, artificial sinew, monofilament, acrylic batting, steel, and wood frame 60 x 52 inches 152.4 x 132.1 cm Certificate of Authenticity included LM25423

JEFFREY GIBSON MAKING THE BEST OF A BAD SITUATION, 2017 glass beads, artificial sinew, metal studs, tin jingles, canvas, and wood 43 x 34 inches 109.22 x 86.36 cm.

, 2017 nylon, glass beads, artificial sinew, monofilament, acrylic batting, steel, and wood frame 60 x 52 inches 152.4 x 132.1 cm LM25423

Jeffrey Gibson, «The Only Way Out Is Through,» detail, glass beads, wool, canvas, artificial sinew, brass studs and brass cones over wood panel, 2015.

Jeffrey Gibson, Making the Best of A Bad Situation 2017 Glass beads, artificial sinew, tin jingles, metal studs, acrylic felt, canvas, and wood panel Courtesy of Jeffrey Gibson Studio Photo / Peter Mauney

Jeffrey Gibson, Birds of a Feather, 2017, glass beads, artificial sinew, wood, acrylic felt, druzy crystal, copper jingles, metal cones, nylon fringe, and steel.

Glass beads, artificial sinew, acrylic felt, steel and brass; 114 x 71 x 42 in.

Elk hide, glass beads, artificial sinew, wool blanket, metal studs, steel, found pinewood block, and fur; 56 x 24 x 11 in.

repurposed punching bag, glass beads, oxidized copper beads, artificial sinew, steel.

Glass beads, tin jingles, artificial sinew, acrylic felt, canvas, over wood panel.

High fire glazed ceramic, repurposed tipi poles, wool, acrylic paint, wool blanket, glass beads, artificial sinew, copper jingles, and nylon fringe; 72 x 29 x 38 in.

Mixed media installation: robe (canvas, wool, artificial sinew, glass beads, tin and metal jingles, nylon fringe) and drum (wood, rawhide, acrylic paint).

Repurposed punching bags, glass beads, artificial sinew, acrylic felt, steel and brass; 114 x 71 x 42 in.

Repurposed wool army blanket, glass beads, tin jingles, nylon fringe, acrylic yarn, artificial sinew, copper - coated wire, copper cones, turquoise, amethyst, quartz crystals, plastic sequins, cowrie shells, horn, druzy quartz beads, dentalium, malachite, stone arrowheads, and nickel beads; 68 1/2 x 128 1/2 x 8 in.

Repurposed punching bag, glass beads, artificial sinew, steel; 41 x 14 x 14 in.

Glass beads, artificial sinew, copper jingles, metal studs, and repurposed wool army blanket over wood panel; 61 1/2 x 43 in.

Wool, steel studs, glass beads, artificial sinew, metal jingles, acrylic yarn, nylon fringe, and canvas; 89 × 66 × 5 in.

Repurposed punching bag, glass beads, artificial sinew, and steel; 40 × 14 × 14 in (101.6 × 35.6 × 35.6 cm).

JEFFREY GIBSON: Installation view, center, «Homma,» 2013 (Found canvas punching bag, recycled wool blanket, artistʼs own repurposed painting, glass beads, steel and brass studs, tin jingles, nylon fringe, artificial sinew) and at right, «Both Hands,» 2014 (found canvas punching bag, recycled wool blanket, artistʼs own repurposed painting, glass beads, artificial sinew, tin jingles, nylon fringe), all three by Jeffrey Gibson at Marc Straus of New York.