Sentences with phrase «artist archival inkjet print»

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Advances in technology have made it seemingly easy for artists to produce beautiful archival inkjet prints of their -LSB-...]

Advances in technology have made it seemingly easy for artists to produce beautiful archival inkjet prints of their work.

Meet the artist: Sarah Kane By Eva Buttacavoli Photo: Sarah Kane, I Got You The Jelly Kind, 2014, archival inkjet print, from the series The Neighbors I've only known Sarah Kane for the last three months — first meeting her on a wintry Saturday afternoon as she was setting out with her camera to capture -LSB-...]

Star Montana Maria; Krystal; Ruby; Sarah, 2017 All works archival inkjet prints Courtesy the artist and Ballroom Marfa Photo by Alex Marks

Angelika Rinnhofer Menschenkunde VII, 2005 Archival inkjet print, 10 x 8 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50 (unnumbered), signed by the artist

11 x 14» Paper size 9 x 11.25» Image size Archival Inkjet print Edition of 100, signed and numbered by the artist $ 125 per print, shipped

Arthur Renwick Canadian, born 1965 Nlaka «pamux BC 2005 archival inkjet print edition 1/5 Collection of the artist, courtesy of Leo Kamen Gallery © 2007 Arthur Renwick

The Road Home (As the Winter Snows Melt), 2007 Archival inkjet print, 10 x 15» on 11 x 16» paper Shipped in a 16 x 20» mat Edition of 50, signed and numbered by the artist

Untitled (from One to Nothing), 2011 Archival inkjet print, 10 x 10 ″ on 14 x 11 ″ paper Shipped in a 18 x 14 ″ mat Edition of 50, signed and numbered by the artist

Scott Connaroe Trailer Park, Wendover, UT, 2008 Archival inkjet print, 8 x 10 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist

Winds of Change # 3, 2015 Archival inkjet print on gold leaf 12» x 12» Framed Courtesy of the Artist Lindsay Sparagana (American) lives in Philadelphia.

Siblings on polonyna (mountain pasture) above the village, 1995 Archival inkjet print, 11 x 13.75 ″ on 12 x 14.75 ″ paper Shipped in a 16 x 20» mat Edition of 50, signed and numbered by the artist

Untitled (detail) from the «Passage on the Underground Railroad Series,» 2003, by Stephen Marc, archival pigment inkjet print, courtesy of the artist.

Image credits (L to R): Untitled (detail) from the «Passage on the Underground Railroad Series,» 2005, by Stephen Marc, archival pigment inkjet print, courtesy of the artist.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Maldiya, 2008 Archival inkjet print, 14 x 11 ″ on 16 x 13 ″ paper Shipped in a 20 x 16» mat Edition of 50, signed and numbered by the artist

Since 2009, the Philadelphia Photo Arts Center's public Artist Lab has provided a state - of - the - art workspace for creating archival inkjet prints and high quality scans.

Andrea Robbins and Max Becher Capitalizing on Communism, 1998 Archival inkjet print, 8 x 10 ″ on 11 x 13 ″ paper Shipped in a 14 x 18 ″ mat Edition of 75, signed and numbered by the artists

Larry Fink, Roy Hargrove, Gramercy Park, NYC, 2000, Archival inkjet print, Courtesy of the Artist and Marvelli Gallery, New York City.

Victoria Crayhon (Providence, RI), Untitled, Auburn, NY, 2010, from the series «Thoughts On Romance From the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We're...

Athi - Patra Ruga, The Night of the Long Knives I, 2013, Archival Inkjet Print on Photorag Baryta Paper 150 x 190 cm, Courtesy the artist, WHATIFTHEWORLD.

Still Life 04, 2014 Archival inkjet print, 10 x 7.5 ″ on 14 x 11 ″ paper Shipped in a 18 x 14» mat Edition of 50, signed and numbered by the artist

Detail of Mr. Tronson, Farmer Near Wheelock, ND, 1936 (Russell Lee) / Detail of Untitled, Alabama, 1936 (Walker Evans), 2015 Archival inkjet print, 12.5 x 7.5» on 11 x 17» paper Shipped unmatted, diptych of images as single print Edition of 50, signed and numbered by the artist

Glacier Sky (Back to Back), 2016 Archival inkjet prints, 15.375 x 11.25» x.75» Shipped unmatted, as a single double - sided object Edition of 50, signed and numbered by the artist

Blake Fitch Dorothy, 1997 Archival inkjet print, 10 x 8 ″ on 14 x 11 ″ paper Shipped in an 18 x 14 ″ mat Edition of 50 (unnumbered), signed by the artist

Tony Gleaton Langi, Wearing a Siapo (Bark Cloth) Dress, Western Samoa, 2000 Archival inkjet print, 9 x 9 ″ on 14 x 11 ″ paper Shipped in an 18 x 14 ″ mat Edition of 50, signed and numbered by the artist

Phil Chang, Peel On Wood Table, Alternate For Studio (Inkjet Version), 2012, archival pigment print, 21 x 36 inches, Courtesy the artist and Pepin Moore, Los Angeles.

Matt Black Dawn Firebaugh, 1996 Archival inkjet print, 6.75 x 10 ″ on 11 x 14 ″ paper Shipped in an 14 x 18 ″ mat Edition of 50 (unnumbered), signed by the artist

Stanley Greenberg Untitled, Cambridge, Massachusetts, 2002 Archival inkjet print, 10.25 x 8 ″ on 12.25 x 10 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist

The Analysis, 2005 Archival inkjet print, 10 x 8 ″ on 12 x 9 ″ paper Shipped in a 18 x 14 ″ mat Edition of 50, signed and numbered by the artist

Yolanda del Amo Edith, Juan, 2007 Archival inkjet print, 7.75 x 9.75 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist

Cardin in the Rain, Virginia, 2006 Archival inkjet print, 7.5 x 10 ″ on 9.5 x 12» paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist

Untitled, 2014 Archival inkjet print, 12 x 9.6 ″ on 14 x 11 ″ paper Shipped in a 18 x 14 ″ mat Edition of 50, signed and numbered by the artist

Pipo Nguyen - duy The Walk Home, 2003 Archival inkjet print, 7 x 8.75 ″ on 8 x 10 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50 (unnumbered), signed by the artist $ 300

Marla Sweeney Brothers, South Boston Beach, 2003 Archival inkjet print, 9 x 9 ″ on 14 x 11 ″ paper Shipped in an 18 x 14 ″ mat Edition of 50 (unnumbered), signed by the artist

Christian Patterson Prairie Grass Leak, 2009 Archival inkjet print, 8 x 10 ″ on 8.125 x 10.125 ″ paper Shipped unmatted, with framing recommendation from the artist Edition of 50, signed and numbered by the artist $ 300

Other items featuring Dawoud Bey: Contact Sheet 51 (SOLD OUT) Contact Sheet 53 Contact Sheet 124: Embracing Eatonville Contact Sheet 152: Light Work Annual 2009 Contact Sheet 173: 40 Artists 40 Years Five Children, Syracuse, NY, 1985 by Dawoud Bey (SOLD OUT) Scott Connaroe Trailer Park, Wendover, UT, 2008 Archival inkjet print, 8 x 10 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist $ 300

Kelli Connell Head to Head, 2008 Archival inkjet print, 7.5 x 9.75 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist

Krista Steinke They wondered where the path would lead them, 2006 Archival inkjet print, 8 x 10 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50 (unnumbered), signed by the artist

House at Sunset, 2014 Archival inkjet print, 15.5 x 19.5 ″ on 17 x 22 ″ paper Shipped unmatted Edition of 20, signed and numbered by the artist

Grandma Ruby and Me in Her Livingroom, 2007 Archival inkjet print, 14 x 11.3» on 16 x 13.3» paper Shipped in a 16 x 20» mat Edition of 50, signed and numbered by the artist

Rich Hogan, Untitled (1), 2016, 44 ″ x 56 ″, Archival Inkjet Print In his 1994 essay, Felix in Exile: Geography of Memory, South African artist William Kentridge writes, «The landscape hides its history.

Catskill, NY (Car with painted flames), Archival inkjet print, 2015/2018, 24» x 16» Signed sticker, verso Donated by the artist AP, Edition of 10 $ 400 - 800

Untitled, Archival inkjet print, 2016/2018, 20» x 20» Signed stamp, verso Donated by the artist Artist proof, edition 1/2 $ 400artist Artist proof, edition 1/2 $ 400Artist proof, edition 1/2 $ 400 - 600

Archival inkjet print, 6.75 x 9 ″ on 8 x 10 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist

Victoria Crayhon (Providence, RI), Untitled, Auburn, NY, 2010, from the series «Thoughts On Romance From the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We're used to a certain type of photography in the New...

Andrew Fillmore (Providence, RI, and New York, NY), House Chambers, 2012, from the series «Politics as Usual,» Archival inkjet print, 22 x 30 inches, courtesy of the artist

Byproducts & Coke Ovens at Midnight, Archival inkjet print, c. 1989, 16» x 20» Signed sticker, verso Donated by the artist $ 500 - 800

Lotus, Yuanming Yuan, Beijing, China, 2016, Archival inkjet print, 2016/2018, 13» x 34» Signed, verso Donated by the artist Edition 3/10 $ 1,200 - 3,000

Susan Worsham Margaret's Rhubarb, 2008 Archival inkjet print, 8 x 10 ″ on 10 x 12 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist