Sentences with phrase «artist dia»

Léger will be paired with a significant exhibition of paintings by the Iraqi artist Dia Al - Azzawi.

Recognized as one of the pioneers of modern Arab art, the London - based, Iraqi artist Dia Azzawi's body of work spans over forty years.

Pioneering modernist sculptor Saloua Raouda Choucair was given a retrospective (9/27 — 11/13), and «Art in Iraq Today» (11/23 — 12/18), co-curated by artist Dia al - Azzawi and Dubai gallerist Charles Pocock, shed light on the impact of exile on contemporary Iraqi creative production.

Doha's Mathaf and Al Riwaq museums are welcoming over 400 works by Iraqi artist Dia Al - Azzawi, whose deeply historical works span over half a century.

Not exact matches

The Dia Art Foundation appointed six new trustees to its board, including artists Lorna Simpson and Will Ryman.

Dia Art Foundation has added eight works by the artists Lee Ufan and Kishio Suga to its collection.

Dia collaborated with American artist Robert Irwin and architect OpenOffice to formulate the plan for the museum building and its exterior setting and grounds.

Dia's choices hinge on an ideal of obsession and control, a history of great white artists with no room for, say, Martin Puryear or Melvin Edwards.

In the 1990s, the artist's work was presented at the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); and the Städtisches Museum Abteiberg, Mönchengladbach (1996).

One sees, too, as at Dia's abandoned Chelsea museum, an artist's career in depth.

In 2005, Moran met Jonas, a pioneering performance artist, when she asked him to collaborate with her on a project for Dia: Beacon.

The 1990s brought widespread international recognition, and the artist's work was presented in numerous prestigious venues worldwide including the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); The Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); Carnegie Museum of Art, Pittsburgh (Carnegie International, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, Mönchengladbach (1996).

She was the 2015 Artist Educator at Dia: Beacon, NY.

Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).

This will be the artist's third exhibition at the gallery and coincides with Knots + Surfaces, a new work at the Dia Center for the Arts (through January 2002).

Zoe Leonard: You see I am here after all (2008) documents the artist's two - and - a-half year Dia installation while expanding upon the art of mechanical reproduction.

At last she gets a small retrospective at the Dia Center, with its deep commitment to a single artist, plus a strong gallery show of recent work.

For instance, there's Carl Andre, a Minimalist legend who has been sidelined ever since the mysterious 1985 death of his wife, the artist Ana Mendieta (though a big 2014 retrospective at Dia: Beacon is expected to bring his work back into the conversation).

A Family in Brussels, 2003 Book and 2 CDs, 110 ′ Courtesy of the artist and Dia Art Foundation, New York

The curator of Dia: Chelsea's Robert Rymanexhibition, discusses the seminal American artist's si...

An early career painting by Dia Azzawi, recognised as one of Iraq's most influential living artists, is also on show alongside Kadhim Hayder's painting of symbolic white horses titled Fatigued Ten Horses Converse with Nothing (The Martyrs Epic)(1965).

«Abraham Cruzvillegas on Robert Smithson: Artists on Artists Lecture Series,» Dia: Chelsea, New York, NY, February 14, 2011

This publication features transcripts of two interviews with the artist: Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem and Courtney J. Martin, Deputy Director and Chief Curator at Dia Art Foundation.

In 2014, the artist was the subject of a comprehensive retrospective at Dia: Beacon, New York, that featured both visual art works and a vast compilation of Andre's poems.

The exhibition at Lisson Gallery London coincides with two major presentations of the artist's work in the United States: Corse's first solo museum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening in May.

Buck, Luisa, «The Satellite Fair Comes of Age,» The Art Newspaper, Dec. 2005 Workman, Michael, «Border Patrol,» New City Chicago, 2005 Fontana, Lilia, «About Collections and Collectors,» Arte al Dia, 2004 Babcock, Mark, «Delinquent Boys,» Glasstire, Oct. 2004 Moreno, Gean, «If You Believe Hard Enough,» Art US, Oct. 2004 Martin, Marisol, «Art Chicago,» Art Nexus, Oct. 2004 Sommereys, Omar, «Electric Kool - Aid Overload,» The Street, April 2004 Suarez de Jesus, Carlos, «Art Capsules,» The New Times, March 2004 Turner, Elisa, «Way Outside the Galleries,» The Miami Herald, Feb. 2004 Sirgado, Miguel, «Edge Zones,» El Nuevo Herald, Feb. 2004 Feinstein, Roni, «Expanding Horizons,» Art in America, Dec. 2003 Sirgado, M., «Muestras Paralelas de Downtown a Wynwood,» El Nuevo Herald, Dec. 2003 Hernandez, Amber, «Dark Days,» The Miami Hurricane, Dec. 2003 Triff, Alfredo, «Mortality Rules,» The New Times, Dec. 2003 Bayer, Brian, «South Florida Today,» PBS, Sept. 2003 Ocaňa, Damarys, «Cheeky Showing,» The Street, Aug. 2003 Turner, Elisa, «Galleries Put Focus On Home Grown Art,» The Miami Herald, Aug. 2003 Turner, E., «City Focus: Miami - A Dramatic Reinvention,» ARTnews, Feb. 2003 Ales, Reynaldo, «Arte y Aparte,» Travel and Leisure, Jan. 2003 Cotzee, Mark, Where Art is Happening, 2002 Ocaňa, Damarys, «Art Guide 2002,» The Street, Oct. 2002 Sultry, Lynn, «Newly Juried Artists,» Art on the Road, Summer 2000 Turner, Elisa, «As Reality Art, Tent Survives Camp Of Live - in Artist,» The Miami Herald, Sept. 2001

Timo Fahler aqui con mi sangre (here with my blood), 2017 Adobe, Hydrocal, hay, dye, lava rock, found objects seguro dentro del dia (safe inside the day), 2017 Hydrocal, hay, fabric dye la busqueda del oro (the search for gold), 2017 Adobe, lava rock, found objects Courtesy the artist and Ballroom Marfa Photo by Alex Marks

The sector will provide further insights into work by artists Rodolfo Aricò, Hércules Barsotti, Judith Bernstein, Frank Bowling, Dadamaino, Willys de Castro, Cícero Dias, Noël Dolla, David Driskell, Sérvulo Esmeraldo, Wesley Duke Lee, Carlos Leppe, Roberto Matta, Mario Nigro, Brian O'Doherty, Letícia Parente, Alexis Smith, William Turnbull, Claude Viallat and Edgardo Antonio Vigo.

Dia Art Foundation was originally founded in New York City in 1974 as a program committed to helping artists achieve visionary projects.

Simões de Assis Galeria de Arte will bring together eight historical works by the Brazilian modernist Cícero Dias (b. 1907, d. 2003), which represent the height of his abstract creations and were produced following his move to Paris, where he became associated with other prominent artists at the time including Alexander Calder, Fernand Léger, Joan Miró and Pablo Picasso.

Artists in the sector include: Sérvulo Esmeraldo (b. 1929, d. 2017) at Galeria Raquel Arnaud; Judith Bernstein (b. 1942) at The Box; Wesley Duke Lee (b. 1931, d. 2010) at Ricardo Camargo Galeria; Claude Viallat (b. 1936) and Noël Dolla (b. 1945) at Ceysson & Bénétière; David Driskell (b. 1931) at DC Moore Gallery; Carlos Leppe (b. 1952, d. 2015) at Espaivisor; Hércules Barsotti (b. 1914, d. 2010) and Willys de Castro (b. 1926, d. 1988) at Henrique Faria Fine Art; Alexis Smith (b. 1949) at Honor Fraser; Frank Bowling (b. 1936) at Hales Gallery; Dadamaino (b. 1930, d. 2004), Mario Nigro (b. 1917, d. 1992) and Rodolfo Aricò (b. 1930, d. 2002) at A arte Invernizzi; Letícia Parente (b. 1930, d. 1991) at Galeria Jaqueline Martins; Roberto Matta (b. 1911, d. 2002) at Robilant + Voena; Edgardo Antonio Vigo (b. 1928, d. 1997) at Richard Saltoun Gallery; Cícero Dias (b. 1907, d. 2003) at Simões de Assis Galeria de Arte; Brian O'Doherty (b. 1928) at Simone Subal Gallery; and William Turnbull (b. 1922, d. 2012) at Offer Waterman.

Known for his curious arrangements of everyday objects, Haim Steinbach will discuss the work of the Japanese conceptual artist On Kawara, he of the instantly identifiable «date paintings,» as part of Dia: Chelsea's «Artists on Artists» lecture series.

Independent Projects goes it one better in 2014, with single - artist displays that stake out half an aisle or more in the former Dia: Chelsea.

To celebrate the 40th anniversary of his three 1977 projects as well as the debut of Truck Trilogy, Dia is publishing Artists on Walter De Maria, which includes texts by artists including Terry Winters, Richard Aldrich, and Jeanne DArtists on Walter De Maria, which includes texts by artists including Terry Winters, Richard Aldrich, and Jeanne Dartists including Terry Winters, Richard Aldrich, and Jeanne Dunning.

Farther from town, there is a long - term installation of Chamberlain's work at Dia: Beacon, and even farther away — in Texas — the artist's work is installed at Donald Judd's Chinati Foundation.

The Dia Art Foundation presents an exhibition of nearly fifty years of the work of Robert Ryman, one of the most important artists of the postwar period.

«It has an unparalleled collection of art and a deep history of helping artists develop their practice and realize ambitious projects... I am excited to begin working with Jessica and the team to guide Dia's strategic approach to exhibitions, collections, and public programs and help the institution continue to fulfill its mission.»

Talk: Charles Gaines on Robert Ryman at Dia: Chelsea As part of the Dia's «Artists on Artists» lecture series, Mr. Gaines (who closed a terrific show at Paula Cooper Gallery in April) will expound upon another artist getting a lot of attention lately: Robert Ryman.

His obsession led to a long career as an artist and a two - decade stint with New York City's renowned Dia Art Foundation.

Academy of Fine Arts Vienna, Austria 2010 Eternal Tour festival: «From Abstraction to Activism,» Jerusalem and Ramallah, Palestine 2009 «Nostalgia Isn't What It Used To Be,» co-programmed by Brooke O'Harra and Sharon Hayes), Light Industry, Brooklyn, NY Artists on Artists Lecture Series: «Sharon Hayes on Merce Cunningham,» Dia Art Foundation, New York, NY, March 2, 2009 2008 «Nine Scripts from a Nation at War - In Conversation,» Conference with the 9 Scripts from a Nation at War artists Andrea Geyer, Sharon Hayes, Ashley Hunt, Katya Sander and David Thorne, The Courtauld Institute of Art, London, England, June 9, 2008 «Spheres of Interest,» San Francisco Art Institute, San Francisco, CA, May 2, 2008 «Looking BaArtists on Artists Lecture Series: «Sharon Hayes on Merce Cunningham,» Dia Art Foundation, New York, NY, March 2, 2009 2008 «Nine Scripts from a Nation at War - In Conversation,» Conference with the 9 Scripts from a Nation at War artists Andrea Geyer, Sharon Hayes, Ashley Hunt, Katya Sander and David Thorne, The Courtauld Institute of Art, London, England, June 9, 2008 «Spheres of Interest,» San Francisco Art Institute, San Francisco, CA, May 2, 2008 «Looking BaArtists Lecture Series: «Sharon Hayes on Merce Cunningham,» Dia Art Foundation, New York, NY, March 2, 2009 2008 «Nine Scripts from a Nation at War - In Conversation,» Conference with the 9 Scripts from a Nation at War artists Andrea Geyer, Sharon Hayes, Ashley Hunt, Katya Sander and David Thorne, The Courtauld Institute of Art, London, England, June 9, 2008 «Spheres of Interest,» San Francisco Art Institute, San Francisco, CA, May 2, 2008 «Looking Baartists Andrea Geyer, Sharon Hayes, Ashley Hunt, Katya Sander and David Thorne, The Courtauld Institute of Art, London, England, June 9, 2008 «Spheres of Interest,» San Francisco Art Institute, San Francisco, CA, May 2, 2008 «Looking Back Now.

With new museums opening and artists such as Dia Al - Azzawi having major retrospective shows (Mathaf: Arab Museum of Modern Art, Doha, October 2016), Middle Eastern artists are becoming internationally known.

Standby has also done extensive preservation work for exhibitions at MoMA, the Whitney Museum, Artists Space, the New Museum, Albright Knox, and Dia Art Foundation.

For some time Judd's work was partially supported by the New York - based Dia Foundation, but in 1985 he threatened to sue the foundation, which he believed had failed to follow through on a promise to fund permanent installations of his and other contemporary artists» work in Marfa.

This homage to German artist, Blinky Palermo, was created on the occasion of McElheny's exhibition, If you lived here, you'd be home by now at the Hessel Museum of Art, and accompanying the retrospective of Blinky Palermo at the CCS galleries and Dia: Beacon, both on view in 2011.

Born in Italy, Maiolino moved to Brazil in 1960, living first in Rio de Janeiro where she became involved with the various artistic movements of the time - New Figuration, Neo-Concretism, and New Brazilian Objectivity - working closely alongside artists such as Lygia Clark, Antonio Dias, Hélio Oiticica, and Lygia Pape.

Dia Art Foundation presents the first ever retrospective exhibition of works in America by the French Avant - garde artist.

Members include Apex Art, Artists Space, Center for Architecture: AIA New York Chapter, Center for Italian Modern Art, Dia Art Foundation, The Drawing Center, The Renee & Chaim Gross Foundation, HarvestWorks, Emily Harvey Foundation, ICP Museum, Judd Foundation, Leslie - Lohman Museum of Gay and Lesbian Art, New Museum, Recess, Storefront for Art and Architecture, and The Sylvia Wald & Po Kim Art Gallery.

From 1981 to 1986, De Salvo was a curator at the Dia Art Foundation, where she worked closely with several of its artists, including John Chamberlain, Walter De Maria, Donald Judd, Cy Twombly, and Andy Warhol.

Robert Irwin recently exhibited at the Hirschorn Museum in Washington (2016), at Dia Beacon in New York (2015), at Villa Panza, Varese (2013), the Association of Visual Artists, Vienna (2013) and Walker Art Center, Minneapolis (2010).

In 1983, the Dia Center for the Arts opened the Dan Flavin Art Institute in Bridgehampton, New York, a permanent exhibition of his works, designed by the artist in a converted firehouse.