Sentences with phrase «artist affixed»

In the late 1950s, Seung - taek Lee began work on his Godret Stone series, in which the artist affixes rocks to wooden bars with rope; by making the stones appear weightless and soft, he obscures their true physical nature.

One recent series of paintings, for instance, relies upon supports made from store - bought fabrics — some single - hued, others patterned — on which the artist affixes fishing lures.

In each of the paintings a rectangular canvas is painted with numerous layers of white paint, on top of which the artist affixes a (usually) black canvas.

Not exact matches

Her unsteady countenance, flanked by makeup artists and crew members affixing a squib to the side of her head above the wig line, first seems symptomatic of her inability to grasp the character, but each time the film returns to it, the implications change with further knowledge of Christine and how Kate interprets her life and untimely demise.

Other states, including Connecticut and Florida, require the artist to affix a sign to the consigned work stating that the work is subject to a consignment agreement, and the agreement must stipulate certain terms and conditions.

Affixing his perspective of our time on material thousands of years old, the artist redefines this popular material in a contemporary setting.

Artist Tina Braegger will present «a door into the space», Sam Pulitzer will create «an ear gauge in the wall», Aude Pariset will install a «giant shell», Richard Frater will present «a lure hanging from the ceiling», and Lucie Stahl will show that «a soda can affixed to the wall».

American — and all modern — art has had a difficult time determining just who its best artists are, preferring instead to affix artists to the numerous movements and the most recent spectacles.

Artists have made paintings on board, sculptural works, mixed media pieces (even some involving the form of a chicken) and photography affixed to board.

There is a gelatin silver print, a portrait of the artist by Cy Twombly, affixed to the cover of the portfolio box.

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

Not only were the pieces unique to the artist based on the elements he affixed, the narratives themselves were also very personal.

Designed by acclaimed graphic artist Stefan Sagmeister, the hardcover edition features a three - dimensional monument affixed to the front cover; the paperback retains some trace of the monument, perhaps a footprint of the monument on the front cover, a pop - up monument inside, or some other invention.

While the majority of works on display make reference to music — a reproduction of an Al Green poster stained with blackened grits or a series of assemblages affixed with notes in Japanese to imply their re-discovery abroad — the artist also makes references to identity politics in African - American history.

Three Scenic Photographs: Joseph Breitenbach (German / American, 1896 - 1984), Konarak (India), 1957, identified on an artist's label affixed to the reverse, gelatin silver print mounted to More...

«It would have taken huuuuge balls to decline the invitation to participate [in Documenta 14], balls I don't possess for now,» the Greek - Belgian artist Danai Anesiadou writes in a tortured letter affixed to a wall of the Neue Galerie in Kassel, Germany.

Instagram cutouts with colorful cellophane filters have been found affixed to lampposts and walls all around popular London tourist spots — left there by Brazilian Artist, Bruno Riberio (aka.

Palestinian - born British artist Mona Hatoum makes drawings by affixing human hairs in abstract patterns on handmade paper.

Also affixed are an oblong, round - ended slab of natural wood and a framed photograph of the artist's own backyard, in which a blurry rainbow arcs over unkempt grass in the foreground.

In essence, object art - originated by Marcel Duchamp - is any type of junk plastic art, that is, any three - dimensional work made from objects or materials accumulated by the artist which are then constructed, arranged or affixed together in some symbolic or meaningful way.

Mr. Negroponte's recent work uses pre-mixed hardware store paint and pieces of discarded cardboard that are stacked, superimposed — «just like laying bricks right on top of each other,» according to the artist — and affixed to the wall with pushpins.

Rubinstein and visual artist Heather Bause insert these narratives into the interior and exterior architecture and landscape of the University of Houston campus using large - scale building graphics, outdoor canvases, and vinyl «pages» affixed to paths and stairways.

The three - channel piece combines footage and audio of various soundmaking set - ups: a balloon inflated, stuck onto the end of a flute, and allowed to wheeze its air through the instrument; a merry - go - round with a violin affixed to its outer edge, so that every time it rotates it strikes a bow placed, just so, by the artist; an accordion hung from a lamp post, groaning as it stretches its bellows.

At the Frieze fair, which opens on Friday, numerous galleries will include work by Biennial artists: New York's Mitchell Innes and Nash, which represents Pope.L, whose massive installation in the Whitney included hundreds of pieces of bologna affixed to the wall in pushpins, will be offering one of the artist's (less perishable) photographs; the Los Angeles - based Night Gallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Biennial.

signed and numbered «Wolfgang Tillmans 1/1 +1» on a label affixed to the reverse chromogenic print mounted on aluminium, in artist's frame 240 x 181 cm (94 1/2 x 71 1/4 in.)

Colleen Plumb (B. 1970) New Orleans Elephant, 2010 archival pigment print, mounted on Dibond, printed 2011 signed in ink and credited, titled and numbered» 3/4» on affixed artist's label (frame backing board) image: 36 x 36 in.

Access to the Leeds Art Gallery will allow her to explore transhistorical connections between the affixed Kleinarchitektur of late - Gothic altarpiece wings and the assemblages of 20th - century British artists such as Nash, Earnshaw, and Thubron.

Dance identified on artist's label affixed to the reverse, image size 9 7/8 x 7 1/2; Abstract signed «John Brook» in pencil and inscribed on the reverse, image size 7 3/4 x 9 1/2 in.

This trendy enamel pin portraying artist Jean - Michel Basquiat is made to adorn a lapel, and could also be affixed to a cap or bag.

Three Scenic Photographs: Joseph Breitenbach (German / American, 1896 - 1984), Konarak (India), 1957, identified on an artist's label affixed to the reverse, gelatin silver print mounted to paperboard, unframed; Mills & Sons, identified in text on the paperboard, albumen print mounted to paperboard, matted, framed; and The Royal Gorge, April 16th, 1883, identified in text on the paperboard, albumen print mounted to paperboard, framed; board sizes to 14 1/4 x 16 3/4 in.

Cutting out the edges of dollar bills and placing them in overlaid pattern against his canvas, while affixing an empty till at its center, the artist is commenting on the work's use - value in society.

Dada Group (1921 - 1922), a gelatin silver collage depicts leading members of the movement holding various objets d'art, including a portrait of the artist himself, affixed carefully on the surface.

Affixed to two shipping containers docked at the base of Chelsea, the names of 392,486 artists are packed onto the surface of multi-colored acrylic panels.

Initialed and dated «J.N.U. 1969» in pencil on the mount l.r., titled in pencil on the mount l.l., titled, dated, and signed «Jerry N. Uelsmann» on the reverse, identified on an artist's label affixed to the reverse.

American, b. 1928 UNTITLED Signed and dated Frankenthaler»67 (lr); also dedicated, signed and dated for Irene with love Helen 23 Feb.»67 on the backing Gouache on paper, affixed to a board 13 3/4 x 9 3/4 inches Provenance: Acquired from the artist Estate of Irene Worth

Wolfgang Tillmans (B. 1968) Freischwimmer 186 signed and numbered «Wolfgang Tillmans 1/1 +1» (on a label affixed to the reverse) c - print in artist's frame image: 66 7/8 x 84 1/8 in.

Eight contemporary artists — Willard Boepple, Varujan Boghosian, Garth Evans, Louise Kruger, Gelah Penn, Rachel Rotenberg, Cordy Ryman, and Tim Woodman — as well as the late Irving Kriesberg and Betty Parsons — comprise the exhibition, skirting the traditional conception of free - standing sculpture by affixing work to the wall or building it up the corners of a space; many synthesize object - making with an evident joy of drawing and painting.