Sentences with phrase «artist as an archive»

This iteration of Tolentino's «The Sky Remains the Same» expands the notion of the body of the artist as an archive to include the presence of multiple archiving bodies.

Not exact matches

The artist's influence is articulated through form, texture and crafted detail, as well as vivid prints referencing his designs from the archive at the Henry Moore Foundation.

As she did for Zelda Fitzgerald 30 years ago, Milford resurrects the great and courageous lyric poet Edna St. Vincent Millay from unwarranted marginalization, making extraordinarily compelling use of a vast private archive of Millay's diaries and letters in a vivid and sensitive portrait of a mercurial, original, and radiant artist.

The booth will feature over 70 pieces of original art from legendary manga artists joining our celebration, as well as items from VIZ Media's archives illustrating highlights from the company's history!

The voice - overs for the majority of the characters are lifted directly from the Star Wars films, so when you are hearing the dialogue of Han Solo, then you really are hearing Harrison Ford with further noticeable archive audio from Carrie Fisher as Leia, Adam Driver as Kylo Ren, John Boyega as Finn, Daisy Ridley as Rey, Oscar Isaac as Poe Damoeron, Anthony Daniels as C - 3PO, Max von Sydow as Lor San Tekka and much more besides, while there are also exceptional voice - over artists such as Matthew Mercer and JB Blanc amongst many more talented voice - over artists fulfilling a variety of character roles on the fringe of the story that interweaves with the archived audio to tell the story as authentically as possible.

For his 2011 exhibition «Create,» Lawrence Rinder, director of the Berkeley Art Museum and Pacific Film Archive, collaborated with organizations that support disabled artists, such as San Francisco's Creativity Explored, Oakland's Creative Growth Art Center, and Richmond's NAID Art Center, home base for JTT artist Mullen.

Starting next month, a group of contemporary artists from the Middle East, collectively known as Edge of Arabia, will take a three - year - long road trip around the United States, using high - tech devices and the Internet to digitally archive and share what... Read More

In addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

The material in the archives not only allows us to reconstruct the artist's daily activities and studio practice, but it also gives us a clear picture of Motherwell as an individual.

In addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

This archive display brings together rarely seen material from a 90's mail art project featuring artists such as Jeremy Deller, Martin Creed, Peter Doig, Chris Ofili and Fiona Banner.

The introduction by archives specialist Mary Savig explores the intersections between commercial holiday cards and the art world — how holiday cards were first marketed as «affordable art» and how selling their art to card companies often provided income for artists in lean times.

In addition to the Foundation offices, and at a later date, we plan to set up a research area where visiting scholars may study the papers of the two artists as well as the photographic archives of their works of art.

The exhibition, which will examine the artist's pioneering social, relational and activist approach to art, will include more than 100 artworks from the artist as well as rarely - seen materials from his archive and immersive film projections.

Development of an online resource of archives relevant to Washington visual artists As a service to many artists, Artist Trust has gathered information on visual art archives, including answers to frequently asked questions (FAQ) on archives and repositories for visual arts, as well as information on a selection of local, statewide and national archiveAs a service to many artists, Artist Trust has gathered information on visual art archives, including answers to frequently asked questions (FAQ) on archives and repositories for visual arts, as well as information on a selection of local, statewide and national archiveas well as information on a selection of local, statewide and national archiveas information on a selection of local, statewide and national archives.

Situating itself within current art historical and political debates, the exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially engaged practice and the archive, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place.

Published last month, «Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs: Selections from the Ektachrome Archive» charts Harris's development as an artist and features some of the same photographs on view at the Whitney.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

The exhibition — which is part of the College's Georgia Brooks Stonewall Celebration Project — features the work of 20 contemporary artists as well as artifacts from the Lesbian Herstory Archives.

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

Prior to ICP she worked in the Art Institute of Chicago and the Museum of Modern Art, as well as arts foundations and artist archives.

Danish artist Mette Juul works primarily in video and photography, focusing on photographic archives and images as narrative structures.

Art Spaces Archives Project (AS - AP) is a non-profit initiative founded by a consortium of arts organizations, including Bomb Magazine, College Art Association, Franklin Furnace Archive, New York State Council on the Arts (NYSCA), New York State Artist Workspace Consortium, and The Skowhegan School of Painting and Sculpture.

This juried contest will examine work that is musically - inspired from a preview of one of the tracks featured on this release, Archive 01: Cognitive Architecture, as well as Giorgio Gigli's artist statement describing the Forgotten Stories Archives: «In a post apocalyptic world, a squad of heroes fight to save what remains of humanity.

In 1974 they founded Art Metropole, Toronto, a distribution center and archive for artists» books, audio, video, and multiples, which they conceived as the shop and archive for their Gesamtkunstwerk: The 1984 Miss General Idea Pavillion, a kind of meta - museum.

Rigorously researched, drawing on rarely accessed archive material, «Black Artists in British Art» presents insightful theories, developments and scholarship that avoids treating and discussing black artists as isolated practitioners, wholly separate and disconnected from their counterparts.Artists in British Art» presents insightful theories, developments and scholarship that avoids treating and discussing black artists as isolated practitioners, wholly separate and disconnected from their counterparts.artists as isolated practitioners, wholly separate and disconnected from their counterparts.»

Clyfford Still and the San Francisco Scene, 1946 — 1950 also includes materials culled from the Clyfford Still Museum Archives, such as Still's teaching materials, photographs, and correspondence related to these and other artists active in San Francisco at this time.

Culled from the artist's archive of hundreds of color slides originally shot using Ektachrome film (which Kodak discontinued in 2013), Harris initially presented selections from his archive publicly as digital projections at Yale University, as well as in conjunction with the exhibition Radical Presence: Black Performance in Contemporary Art at New York University's Grey Art Gallery and the Studio Museum in Harlem in 2013 - 14.

Co-organized by the Menil Collection and the University of California, Berkeley Art Museum and Pacific Film Archive, Silence takes a multimedia approach to understanding the ways contemporary visual and sonic artists such as John Cage, Joseph Beuys, Doris Salcedo, and Christian Marclay have practiced withdrawal as a response to the complications and multiplicities of contemporary life.

In addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

In addition to this initiative, other programs undertaken by the Foundation include the Emerging Artist Grant Pilot Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disaster.

As well as this, early collages and photographs from the archive of Martin Wong at the Fales Library were selected for the exhibition by the artists Danh Vo and Julie Ault are shown in vitrines and are displayed in the window of the gallerAs well as this, early collages and photographs from the archive of Martin Wong at the Fales Library were selected for the exhibition by the artists Danh Vo and Julie Ault are shown in vitrines and are displayed in the window of the galleras this, early collages and photographs from the archive of Martin Wong at the Fales Library were selected for the exhibition by the artists Danh Vo and Julie Ault are shown in vitrines and are displayed in the window of the gallery.

The Virginia Museum of Fine Arts recently acquired 35 photographs by the Richmond - born, African - American artist Louis Draper (1935 - 2002), as well as his complete archive, which includes his papers, working prints, negatives, and camera equipment.

Travelling to public and private archives such as la Fondation Dubuffet in Paris, the Bibliothèque Kandinsky at Centre Pompidou or to IMEC in Caen, Leguillon has photographed ephemera such as invitations, posters, catalogs, artist's books, flyers, tickets, and record sleeves.

The exhibition also highlights artists» approaches to interviewing as an integral part of their work, with contributions from Marysia Lewandowska's Women's Audio Archives and others.

In addition to this initiative, other programs undertaken by the Foundation include the Painters & Sculptors Grant Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disaster.

Presumably Bailey had found among his archives not a single portrait of a female artist that he deemed as successful as his photographs of these 26 men.

Mark Rappol is Editor of Art Review, his catalogue essays from the last six months include monographs on Alex Katz, Arik Levy and Slater Bradley as well as a group show on female Pop artists for the Kunsthalle Wein; he was a judge for the 2010 Jarman Award, the inaugural Zabludowicz Curatorial Open and the Asia Art Archive's 2011 Open Platform.

The gallery began its programming by exhibiting mid-career artists with no prior gallery representation, then expanding the roster to show previously unseen archives as well as promising contemporary photographers.

Tagged as: Anthony Elms, Artists Monument, Computer Chess, Easy Rider, Gallery 400, James Benning, joseph grigley, keith mayerson, Kevin Beasley, laura owens, Let the Dream Write Itself, Lisa Anne Auerbach, martin wong, Michelle Grabner, Molly Zuckerman - Hartung, My Barbarian, nada miami, Nike Air Jordans, Pedro VÃ © lez, Richard Hawkins, School Art Institute of Chicago, Terry Adkins, The Gregory Battcock Archive, The Mother, tony tasset, Whitney Biennial

Christa Maiwald moved to New York in 1973, where she established herself as a video artist with solo exhibitions at the Whitney Museum of American Art, Anthology Film Archives, Holly Solomon Gallery, and Franklin Furnace, among others, and was included in the 1979 Whitney Biennial.

Described as the artist's own personal archive, this provides an insight into how Marshall sees popular culture: an aspirational world in which the revered are always white.

The BIA took the form of an «improvised office environment» and served as a repository and archive of work that she was making, or planning to make, as a then - unknown artist.

Whether this happens in the form of projects dealing with real archival material or artworks in which artists use the archive as a theme (sometimes even inventing material), the idea of the archive continues to be an undeniable force and organizing structure in exhibitions today.

It centers on six large - scale murals created in the gallery, alongside works in diverse media by artists of various generations as well as archive photographs.

Having worked for years as a designer for the New York Times, the Canadian artist Sara Cwynar knows her way around image archives, and now that she has transitioned to making art of her own she's putting that knowledge to exquisite use.

Commissioning new works from both emerging artists, as well as more established artists, accompanied by talks, seminars, hosting book clubs, and an Artists» Book Archive, Banner Repeater is committed to providing a lively forum for exchange and artists, as well as more established artists, accompanied by talks, seminars, hosting book clubs, and an Artists» Book Archive, Banner Repeater is committed to providing a lively forum for exchange and artists, accompanied by talks, seminars, hosting book clubs, and an Artists» Book Archive, Banner Repeater is committed to providing a lively forum for exchange and Artists» Book Archive, Banner Repeater is committed to providing a lively forum for exchange and debate.

Carolyn Christov - Bakargiev's much - praised dOCUMENTA (13) featured an extensive use of archives, and artists who employ archives, as well.

Julie Tolentino will archive three works selected for her by the artists Lovett / Codagnone, presented as part of a residency for «The Sky Remains the Same,» November 11 — 24 at the New Museum.

The artists delved into the vast Du Bois archives at UMass Amherst for their research and consulted with Du Bois scholars both on and off campus as they conceived their works.