Sentences with phrase «artist as an avatar»

Throughout his life and in death, Graham has been exhibited widely, with notable exhibitions including a retrospective organized by the Phillips Collection, John Graham: Artist as Avatar (1987 - 88), and a retrospective at Allan Stone Gallery, John Graham: Sum Qui Sum (2005).

Paul Wirhun's ecology lecture and ghoulish eggs shun such extremes, but he, too, responds to consumer culture and to the artist as its avatar.

So, the characterization of the artist as an avatar functions on multiple levels.

Not exact matches

Panel guests include Jimmy Palmiotti (Jonah Hex), co-creator and co-writer of Time Bomb; Rick Remender (Punisher), creator and writer for The Last Days of American Crime, soon to be a major motion picture produced by and starring Avatar's Sam Worthington; Peter Milligan (Hellblazer), writer for After Dark, co-created by director Antoine Fuqua and Wesley Snipes; Arvid Nelson (Rex Mundi), writer for the upcoming Oblivion from Tron Legacy director Joseph Kosinski; Nick Percival (Judge Dredd), creator and artist for Legends, soon to be a major motion picture from Ron Howard's Imagine Entertainment; David Hine (Spider - Man Noir), writer of Ryder on the Storm and FVZA; Matthew Cirulnick (True Crime: New York City), creator and co-writer for Earp: Saints for Sinners; and Keith Arem (Call of Duty series), one of the gaming industry's leading director / producers as well as co-creator for the upcoming Exile.

Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.

By Kyle Pinion Gene Luen Yang is the writer / artist of critically acclaimed graphic novels like American Born Chinese and Boxers & Saints, as well as the writer of Level Up, The Eternal Smile, and adaptations of Avatar: The Last Airbender.

Whether it's a Spidey - Suit Pack featuring Spider - Punk, as well as a couple suits we will reveal this summer, the Spider - Drone gadget, a PSN avatar, an original PS4 theme designed by renowned comic book artist Adi Granov, or just some extra skill points to unlock faster web - swinging sooner — our pre-order bonus is the total package.

Just as the clock was nearing 12:00 am, the music stopped at Deadmau5's New Year's concert and VRChat avatars of Rick and Morty appeared on the giant screens flanking either side of the EDM artists giant cube - shaped stage.

Easy to forget that it was in the 60s that staircases first climbed to nowhere; that posters blown up to avatars took on the mantle of art; that subversions as diverse as the optics of Jo Baer and the combines of Joseph Beuys coincided; that Latin American artists from three nations had nailed disruption by mid-century; that the satirist Robert Crumb was already his fully irreverent self, and that Henri Cartier - Bresson's street photography, consigned in memory to an earlier time, was even more actively influential at the decade's closing.

Schor's most recent body of work presented the figure as avatar, a stick - figure understudy for the artist, in a series of «selfie» self - portraits.

Ed Atkins (b. 1982) is a British artist whose oeuvre consists largely of photography and digital videos in which he incorporates computer - generated characters — CGI avatars — and scenes as a means to explore the ways in which digital forms of representation can create new versions of reality.

Ed Atkins (b. 1982) is a British artist whose oeuvre consists largely of photography and digital videos in which he incorporates computer generated characters — CGI avatars — and scenes as a means to explore the ways in which digital forms of representation can create new versions of reality.

As we recently explored here on Artspace, the alter ego is a trenchant aspect of contemporary art — think of the recent controversy surrounding the Yams Collective's withdrawal from the Whitney Biennial because of artist Joe Scanlan's adopting of a black female identity (fictional artist «Donelle Woolford») as an avataAs we recently explored here on Artspace, the alter ego is a trenchant aspect of contemporary art — think of the recent controversy surrounding the Yams Collective's withdrawal from the Whitney Biennial because of artist Joe Scanlan's adopting of a black female identity (fictional artist «Donelle Woolford») as an avataas an avatar.

Case in point, the mini-retrospective at Frieze of British artist Linder Sterling's brash collaged female avatars of soft porn, so amusingly outre in the 70s but, as reprieved today, irretrievably lewd.

He explained why we should dislike the character (as if we wouldn't) and why there are recognisable features of him, the artist, in the avatar.

In between is a group of works, including one of the Arts Council Collections» new commissions, all relating to the artist's near - obsession with Felix the Cat as a virtual avatar.

From digital avatars to divine architecture, picnics as protest and people as products — the work of these four artist - collaborators tackles the vast questions of who we are as individuals, how we interact with others, and what we create with our labor.

There have always been the kinds of artists who present themselves as avatars of our perceived cultural moment, as if that's the job description.

The exhibition will focus on the product EVA 3.0, a virtual avatar, which the artist uses as a medium for a critical exploration of the virtual world.

Naked, lonely and misanthropic, the palpable melancholy of Atkins's Computer Generated avatar hero is «rendered» as HD graphic, troll, voyeur and, perhaps, artist.

As we cycle through avatars in our online lives, we are discovering a new appreciation for the artist of many identities: a figure like Cindy Sherman, with her parade of photographic personae, or the younger contemporary artists Kalup Linzy and Tamy Ben - Tor, who inhabit multiple characters in their satirical videos.

The video installation, / no stats on the same, utilizes motion capture data from the artist's own body movements transplanted onto a scan of a male model as an exercise in becoming other or mapping one's avatar onto another biology.

From a variety of intergenerational perspectives, the featured artists broadly question how technology has reimagined the physical body — as avatar, container, prosthesis, shell, surrogate, telepresence, or otherwise — as well its ongoing ramifications for understanding the evolving human condition.

The exhibition Limits of Imaginary brings to the public a selection of works by 25 artists from the collection of FVCB - Avatar Moraes, Begoña Egurbide, Bóris Kossoy, Domènec, Elcio Rossini, Mario Ramiro, Mário Röhnelt, Marlies Ritter, Mauro Fuke, Michael Chapman, Patricio Farías, Ricardo Carioba, Rodrigo Braga, Rosângela Rennó, Sandra Cinto, Sol Casal, Suzy Gomes, Terry Wilson, Vera Chaves Barcellos, Vilma Sonaglio and Walmor Corrêa and will also include guest artists such as Tony Camargo, presenting his Videomódulos.

There are something like 18 discrete galleries, beginning with ephemera - filled cases that give a sense of, among other avatars, Conner the Dadaist performance artist — wearing surgical scrubs to receive an honorary doctorate; running for San Francisco supervisor — and Conner the conceptual artist — insisting that an employer - required fingerprint be treated as one of a series of multiple works of art.