Not exact matches
The participating
artists were asked to take a piece of art that they did
at an early
age and remake that piece in the
artist's
current style.
In her review of the ICA Boston's
current exhibition, Art in the
Age of the Internet: 1989 to Today, Megan Driscoll (PhD candidate in contemporary and African American art
at the University of California Los Angeles) attends to the conflicted responses that the featured
artists and exhibition curators alike express toward the ubiquity of computer networks, unpacking exhibition subthemes ranging from «states of surveillance» to «performing the self.»
She praised Tate Britain's
current «Queer British Art» show, which features works from 1861 to 1967 by gay
artists or representing gay and transgender subjects, and the «Soul of a Nation: Art in the
Age of Black Power» exhibition of works by black American
artists from 1963 to 1983, which opens Wednesday, July 12,
at Tate Modern.
(A similar ranking
at Artfacts.net shows that the
current top 10 living
artists globally have an average
age of 72.)
On the occasion of her exhibition From Chakras to Glands
at the Muroff Kotler Visual Arts Gallery, SUNY Ulster (October 13 — November 11, 2011) and the release of her video Starved Survivors, performance and video
artist Linda Mary Montano spoke with Charles Duncan about her
current work, Catholic reawakening, and
aging.
Over the next few weeks I will be posting on the two
current exhibitions
at the Henry Moore Institute, The
Age to Innocence: Replicating the Ideal Portrait in the New Sculpture Movement and Indifferent Matter: From Object to Sculpture, a piece related to a new research project on the Italian
artist Alberto Burri, and the Nasher Sculpture Center's recently opened Return to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso, 1943 - 1963; the latter being the reason for my trip to Dallas.