Sentences with phrase «artist at the institution»

South has held visiting teaching positions and has been a visiting artist at institutions including Pratt Institute (2013 - 14 and 2004), Williams College, the Maryland Institute College of Art, Brandeis University, Mount Holyoke College, the University of Las Vegas, and the University of North Carolina, Greensboro.

Miner has been featured in more than twenty solo exhibitions — with two planned in 2018 — and has been artist - in - residence or visiting artist at institutions such as the School of the Art Institute of Chicago, École supérieure des beaux - arts in Nantes, Klondike Institute of Art and Culture, Rabbit Island, Santa Fe Art Institute, and numerous universities, art schools, and low - residency MFA programs.

Miner has been featured in more than twenty solo exhibitions and has been artist - in - residence or visiting artist at institutions such as the School of the Art Institute of Chicago, École supérieure des beaux - arts in Nantes, Klondike Institute of Art and Culture, Rabbit Island, Santa Fe Art Institute, and numerous universities, art schools, and low - residency MFA programs.

The remainder funds six - week residencies for the four shortlisted artists at institutions across Canada.

The fall season was something of a William Kentridge fest, with his eagerly anticipated production of Alban Berg's Lulu at the Metropolitan Opera, performances of his «chamber opera,» Refuse the Hour, with music by Philip Miller, at the Brooklyn Academy of Music, lectures by the artist at institutions ranging from the New York Studio School to the Metropolitan Museum of Art, the launch of a magnificent edition of Frank Wedekind and Carl Richard Mueller's The Lulu Plays, with Kentridge's drawings, and an exhibition of those drawings at Marian Goodman Gallery.

Not exact matches

As early as 787, at the Second Council of Nicaea, it was ruled that icon painting was to be seen not an invention of artists but an inherited and established institution of the Church, entrusted to men totally committed to God.

If I'm wrong about this, Rauch should be able to produce earlier statements in which hundreds of self - identified «lesbian, gay, bisexual, and transgender and allied activists, scholars, educators, writers, artists, lawyers, journalists, and community organizers,» including notable scholars at top academic institutions and leaders of respected organizations, endorsed sexual arrangements involving three or more conjugal partners.

The first stops on today's tour are MIT and Harvard Medical School — the two institutions at which Davis has held research positions (mostly unpaid), serving as an unofficial artist - in - residence, free spirit, and mad scientist all rolled into one.

Like those other films, Gallery is divided into a series of segments highlighting different aspects of the institution: the tour guides explaining a work or an artist; the craftsmen and women building frames, gallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its audience.

At fully implemented OMA schools like Corbett, teaching artists — professionals from Tucson's cultural institutions — work with students on activities that dovetail with the classroom curriculum and state standards.

Whether it is an entrepreneur completing a business proposal, a social institution increasing community awareness, or an artist debuting a collection of paintings, people across the world are achieving remarkable accomplishments one project at a time.

Simone Leigh has used her agency as an artist to turn her exhibitions at various art institutions into platforms for everything from yoga classes to natural healing centers; at the New Museum this past summer, Leigh staged a protest and celebration by 100 artists assembled under the name Black Women Artists for Blackartists assembled under the name Black Women Artists for BlackArtists for Black Lives.

But today, at what is (at least, superficially) a more permissive moment, artists are being welcomed in and afforded some impressive leeway to rework how institutions operate — if only for a limited time, and, for the most part, at smaller venues.

One thing however is clear: for a woman to opt for a career at all, much less for a career in art, has required a certain amount of unconventionality, both in the past and at present; whether or not the woman artist rebels against or finds strength in the attitude of her family, she must in any case have a good strong streak of rebellion in her to make her way in the world of art at all, rather than submitting to the socially approved role of wife and mother, the only role to which every social institution consigns her automatically.

That achievement in the arts, as in any field of endeavor, demands struggle and sacrifice, no one would deny; that this has certainly been true after the middle of the 19th century, when the traditional institutions of artistic support and patronage no longer fulfilled their customary obligations, is undeniable: one has only to think of Delacroix, Courbet, Degas, van Gogh and Toulouse - Lautrec as examples of great artists who gave up the distractions and obligations of family life, at least in part, so that they could pursue their artistic careers more singlemindedly.

Responding to «the generalization of the political» at the 1993 Whitney Biennial, Meyer gathered together an emerging generation of artists engaged in critical practices around institutions, including, but not limited to, museums.

Having held the first major museum survey of the artist earlier this year as part of its «Recognition of Art by Women» series, it was at the head of a queue of more than a dozen public institutions waiting to buy Ms Crosby's painstakingly crafted works.

Selective content presents programs at leading art institutions: museums, biennials, and art centers, as well as notable artist - run spaces and experimental venues.

Join over 200 world - renowned art and cultural influencers from more than 20 countries, including museum directors, gallerists, curators, auction houses, collectors, entrepreneurs, investors, financial institutions, lawyers, artists, architects, designers, urban planners, government officials and tourism organizations, as well as corporate and civic leaders at Art for Tomorrow.

He also helmed the 2014 traveling exhibition that was rebuked by some participating artists (who asked to have their work removed) after it was, unbeknownst to them, touring through Israel, making a stop at Haifa's Tenchnion, an institution with ties to the Israeli military and the country's defense technology development.

She has engaged in solo and collaborative projects with numerous Chicago creatives and institutions, including A+D Gallery at Columbia College Chicago, The Black Visual Archive, Chicago Artists» Coalition & Hatch Projects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, among others.

The artist has been given solo exhibitions at several prominent institutions including The Metropolitan Museum of Art, New York, The National Gallery of Art, Washington, D.C., the Centre Pompidou, Paris, and the Kunstmuseum Basel.

In 1983, the artist was honored with a 40 year retrospective which originated at the Albright - Knox Gallery of Art in Buffalo and traveled to numerous institutions across the United States including the Guggenheim Museum, NY.

The storied institution that describes itself as a nexus for artists of African descent has tapped Amanda Hunt (at right) to join its curatorial team.

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

Works by African American contemporary artists from Alabama, Tennessee, Georgia, Mississippi, and Florida will be presented in six spaces at the museum where the institution's permanent collection is usually on view.

The artist's work has been exhibited at numerous institutions, including at the Walker Art Center, Minneapolis, the Museum für Modern Kunst, Frankfurt, and the Museo di Arte Moderna e Contemporanea, Trento, Italy.

Aruna D'Souza's new book Whitewalling: Art, Race & Protest in 3 Acts (Badlands Unlimited) presents, in reverse chronology, three events that sparked protest against racism at New York art institutions: the inclusion of Dana Schutz's painting of Emmett Till in the 2017 Whitney Biennial, the white artist Donald Newman's solo show titled «The Nigger Drawings» at Artists Space in 1979, and «Harlem On My Mind,» an exhibition of all - white artists at the Metropolitan Museum of Art iArtists Space in 1979, and «Harlem On My Mind,» an exhibition of all - white artists at the Metropolitan Museum of Art iartists at the Metropolitan Museum of Art in 1969.

He said he was grateful for the opportunities he'd had at the NGV, under its director Tony Ellwood, curating major shows including the institution's landmark Melbourne Now exhibition of works by local contemporary artists and a survey of works by British artist David Shrigley.

Her paintings, prints, and artist books have been shown at galleries and art institutions throughout the United States and internationally, including the 12th Cairo Biennale, BravinLee Programs, Clementine Gallery, and Aljira Center for Contemporary Art.

Nicholas Hlobo, a South African visual artist who has been given prominent shows at the Tate Modern, the Institute of Contemporary Art / Boston, and other institutions, has joined Lehmann Maupin, a representative at the gallery said.

The artist's work has been shown at numerous institutions, including the Metropolitan Museum of Art, the Museum of Modern Art, the Drawing Center, and the National Galerie in Berlin.

Due to prestigious Californian - art programmes at universities and art schools, and the close relationship with these educational institutions enjoyed by the many iconic artists who've worked there as professors, the art scene in L.A. has been considered the most significant part of American contemporary art on an academic level.

The exhibition will be accompanied by a fully illustrated publication with a scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive catalogue on Ree Morton produced by a U.S. institution since her show at the New Museum in 1980.

Back in the old gallery, the recent work of Arte Povera artist Marisa Merz is presented — her first UK solo exhibition at a public institution.

Swiss Institute is delighted to present the first exhibition by Swiss artist Heidi Bucher (1926 - 1993) at an American institution in more than 40 years.

«Our artist - in - residence program has been at the heart of this institution's mission since our founding in 1968,» director and chief curator Thelma Golden said.

The artists have exhibited in major international institutions including solo engagements at the Museum of Modern Art in New York, Vienna Secession, Dallas Museum of Art, and Kunsthalle Zurich.

In 2003, McGinley had a solo exhibition at the Whitney Museum of American Art, making him one of the youngest artists to have a one - man show at the institution.

Gilewicz takes on board issues related to the role of painting in today's world, the status of the artist and artistic work in the context of the institution and the circulation of art, as well as a society at large.

The collective GCC, composed of eight artists with ties to the Persian Gulf, was formed in 2013 during Art Dubai and has since shown at institutions like the New Museum, the Whitney Museum of American Art and MoMA PS1.

He is a Professor at PRATT Institute and has been a visiting artist at many institutions.

«As Franklin Furnace approaches its 40th anniversary in 2016, collaborating with a formidable educational institution like Pratt will make it possible for us to provide public and pedagogical access to emerging artists, and for Pratt and Franklin Furnace to undertake long - term preservation and documentation projects that will have cultural impact long into the future,» said artist Martha Wilson, Franklin Furnace founding director and visiting associate professor of Fine Arts at Pratt Institute.

Self was included in «A Constellation» (2015 - 16), which traced connections between 20th century figures represented in the museum's collection and younger contemporary artists whose works were being shown for the first time at the Harlem institution.

For her Performa Commission and first major solo presentation at an institution in New York, South African artist Tracey Rose will present The Tracey Rose Show in collaboration with Performa17 and AFROGLOSSIA presents: The Good Ship Jesus vs The Black Star Line hitching a ride with Die Alibama [working title], a multi-part durational performance.

She has taught painting and sculpture as Artist in Residence at Yale Summer School of Art and Music, and lectured widely at institutions such as Columbia University, Boston University, Yale University, Brandeis University, and the Baltimore Museum of Art.

Joan Jonas's interest in the arts began at a young age and was cultivated by several significant artists and noteworthy institutions.

«Our Artist - in - Residence program has been at the heart of this institution's mission since our founding in 1968.

Organized by guest curators Wayne Northcross and Jose Ruiz, it is presented concurrently at the Bronx Museum of the Arts and Wave Hill, the two largest institutions in the Bronx dedicated to showcasing the work of local emerging artists.

Signalling the artist's debut at an American institution, Gordon created various environments through five spaces within the gallery, which visitors experienced chronologically.