Sentences with phrase «artist books rather»

Many of my early ideas, when switching from design focus to art focus, were ideas for artist books rather than works to be on a wall.

Not exact matches

«I would rather do what musicians and artists in other media do, and that's get your book out there, perform, and work your way up slowly.

Jane was embarrassed when Alice referred to herself as an artist rather than a writer, and thought her books strove to appear more highbrow than they were; Alice found Jane's work rather formless, and at times bleatingly autobiographical.

Publishing Scam Artists: Spotting the Sharks Rather than carefully selecting and investing in books in exchange for a percentage of profits as do traditional publishers, or offering self - publishing services such as editing or design for a fee and letting authors keep their royalties, vanity presses take a cut from both pieces of the pie.

«I think there are cultural reasons — mostly around the way in which people view books and authors as lonely artists rather than multinational industries — and some that are more practical,» he said.

posted at Russell Phillips, saying, «Cover artists are hired for their graphic design skills rather than their knowledge of the book's subject matter.

As a Tyson Scholar at Crystal Bridges Museum of American Art, Susan Rather will complete her manuscript for a book examining in depth what it meant to be an American artist during the colonial and early national era.

Add various others including plenty of John Stezaker, some unusual Linder and the too - rare chance to see Nusch Éluard as an artist, rather than as muse, and this — and the impressively organised book which accompanies it — is excellent.

Rather than get hung up on Isaac Julien's recitations of Das Kapital (which even Enwezor admits is «a book that nobody has read and yet everyone hates or quotes from,» [5]-RRB- a more engaged viewer might see these readings as part of a larger program of live performance [6] that periodically animates the installation, both in David Adjaye's massive red «Arena» and throughout both exhibition venues, with musical compositions arranged by artists including Charles Gaines, Jason Moran and Alicia Hall Moran, Jeremy Deller, and Jennifer Allora and Guillermo Calzadilla.

Rather than a comprehensive survey, this richly illustrated book presents examples of ambitious and important work by more than 160 African artists since the last 30 years.

Supplementing the established canon of German artists (Max Beckmann, Käthe Kollwitz, Otto Dix and George Grosz) and the rather smaller one of Allied artists (of whom the best known is the British painter and printmaker C.R.W. Nevinson), Farrell included an unusual selection of prints along with illustrated books and periodicals, posters, trade cards, photographs and textiles; even more unexpected in the context of the museum's prints and drawings galleries are the medals, trench lighters, helmets and gas masks — objects that provide a glimpse of the artifacts of war, which can not be divorced from its arts.

The book also features a text on Lucio Fontana by Nanda Vigo, which is written more in a form of a memoir rather than a critical account of the artist's work.

I'd Rather Sink) the artist utilizes the conventions of comic book art — a thought bubble conveys the thoughts of the subject, while Ben - Day dots shows the result of the mechanized printing process.

Here, the Brooklyn - based artist gives her best advice for finding happiness (rather than «succeeding») as an artist, excerpted in its entirety from the new book AKADEMIE X: Lesson in Art + Life.

The selection of artists represented in his forthcoming book, itself a selection of the artists represented in the project, maps a network of referrals rather than pretending to approximate a cross-section whose contours more or less correspond to those of the whole.

Rather than simply giving each participating gallery a page in the book, the fair organizers have given a page to each artist, arranged alphabetically, including an image for each, biographical information, a descriptive text, a list of all galleries representing the artist, and select bibliographic and exhibition information.

Today the artist's book — a medium combining image and text in a book - like package but meant to be engaged with as art rather than read — is a widely known and wildly popular format, with both established artists like Lawrence Weiner and Richard Tuttle to rising stars like Bjarne Melgaard and Darren Bader creating significant examples.

While his book deals with modernism as a whole rather than modernism in the arts, artists continue to mine it for inspiration, as evidenced by the MASS Gallery exhibition Mariah Dekkenga and Josef Bull: We have never been modern, curated by Jackie Klempay and Margit Raczkowski.

This exhibition highlights some of their work by displaying selected prints and books from the Tozzer Library collection, looking beyond the familiar 19th century white male painters to include women artists, Native artists, and even one living artist.The exhibition also includes artists who were primarily illustrators, designers, and printmakers rather than painters.

But though the book groups artists together according to their race, English strives to focus on the art and its context rather than the artists» ethnic or racial identities.

Instead, the show presents a loose collection of a wide range of media (including book producers, collectives, and self - taught artists) and thus reads more as a salon - style overview rather than a focused inquiry into the prominent issues facing the South — ones not dissimilar to those facing the country as a whole.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tbook photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TBook an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tbook Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

As the sub-title of Andrew Causey's new book (my Book of the Week) implies, Spencer's paintings don't set out to please, but rather to reflect the artist's own singular internal visbook (my Book of the Week) implies, Spencer's paintings don't set out to please, but rather to reflect the artist's own singular internal visBook of the Week) implies, Spencer's paintings don't set out to please, but rather to reflect the artist's own singular internal vision.

Refurbishment and expansion is about more than just having more space for a curator and artist to play with; rather, artspaces need to encourage people to come in, have a coffee, browse a few books in the bookstore, use a computer, or take a class.

Rather than emphasize continuity over time, the book emphasizes cross-generational connections, and much of the talk focuses on the historical context — direct and indirect — that informs the work of Mexico's vibrant contemporary artists, several of whom — such as Francis Alÿs, Melanie Smith, and Teresa Margolles — are included in the Modern's current exhibition, México Inside Out: Themes in Art Since 1990.

But it isn't just the interviews that make this an intriguing book, and it isn't just the photographs that, rather than depicting the artists at work, are focused more on the interiors of their studios.

Why: Rather than offering how - to formulas, this wonderfully illustrated coffee table book offers voyeuristic peeks into the homes of leading culturati (creative directors, artists, architects, filmmakers, writers, etc) in hotspots like Barcelona, Berlin, London, New York, Paris and Tokyo.