In a process that mimics the push and pull of water currents,
the artist builds complex textures from layers of paper, paint, ink, and thread.
Not exact matches
So the planners enlisted the help of a
complex algorithm
built by media design firm Local Projects and New York City — based software
artist Jer Thorp.
For the first time,
complex organic molecules (depicted by stick molecules in the
artist's representation above) that are potential precursors to some
building blocks of life have been spotted in the protoplanetary disk surrounding another star.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy
buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural
Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic
Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility,
Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train
building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
The
building complex includes an exhibition hall as well as accommodations for
artists.
May to September were electric
building - filling months at the New Museum, with four standout concurrent solo shows by women
artists: the late under - known Italian visionary Carol Rama, the gnarly art of Kaari Upson, the materially
complex alchemical sculptures of Elaine Cameron - Weir, and the steamy, seductive portraits of a beautiful community of black dancers and others by Lynette Yiadom - Boakye.
Cited as the first truly Modernist
building of the Americas, this large
complex features contributions by a variety of Brazilian
artists, architects, and designers (including the influential landscape architect Roberto Brule Marx, currently the subject of a solo show at the Jewish Museum in New York) all organized by the famed, controversial godfather of 20th - century architecture himself, Le Corbusier.
The
built environment lurks in a number of sculptural installations and videos as emblematic of our recent economic crash and stand - ins for human culture, as other
artists address the natural environment and our increasingly
complex relationship to it.
Over the past half century, Gerhard Richter (born 1932) has
built up a stylistically heterogeneous and conceptually
complex body of painting, photography, sculpture and
artist's books that firmly establishes his status as the most important living
artist of our time: today, this diverse oeuvre totals in excess of 3,000 individual works.
Amongst Gowanus industry, NYCHA housing
complexes,
artist studios and newly -
built luxury condominiums, we aim to provide a space where
artists can work with the community, developing art that responds to and reflects the community surrounding OS Gowanus.
On a tour of the Rappaport's
complex, the Minnesota Street Project, local
artist and studio program director Brion Nuda Rosch boasted that for «the first time a space in the Bay area has been
built from the ground up for
artists.»
Through basic elements such as pixels and binary code, the
artist builds large - scale sculptural installations that defy predictability, and ultimately grow into
complex forms that question common notions of space and time.
9am - 1 pm Fountainheads Open Studios A large converted warehouse
building in Little Haiti houses a
complex of
artist studios, including those of Dona Lambert, Juana Valdes, Lori Nozick, PJ Mills, Karen Starosta - Gilinski *, Temisan Okpaku, Nicole Doran *, Carla Fache, Julie Davidow *, Kerry Phillips *, Tom Bollinger, Marco Beria, Dona Altemus, Juan Raul Hoyos, Nereida Garcia - Ferraz, Andrea Nhuch, PaoloAmbu, Judith Robertson, Elaine Defibaugh, David Rohn *, Marisa Telleria, Martha Raoli, Jessy Nite, Ian Peter Hosfeld, ROberto Ojeda, Claudia Calle, Alexander Heria, Sandra Ramos, Santiago Rubino, Patricia Schnall Gutierrez, Typoe, Alex Tremino *, Nicole Burko, Sara Stites *, CarleneMunoz, Erni Vales, and Farley Aguilar.
Noted Detroit - based performance
artist collective
Complex Movements, a winner of the 2015 Meadows Prize awarded by SMU Meadows School of the Arts, is presenting 10 free public performances of its multimedia audience participation program Beware of the Dandelions in the Tower
Building at Fair Park, Dallas from November 19 to December 5.
Moreover, in the public work Basel Time (2010), the
artist manipulated the image of the huge clock on the facade of the Hall 2
building at Art Basel's Messe
complex (designed in 1953), and placed it on the facade of Hall 1 (designed in 1926), which is slated for demolition in advance of an upcoming
building project by Herzog & de Meuron.
The Los Angeles — based
artist selected locations in the San Francisco Bay Area that are emblematic of distinct urban - redevelopment episodes: Islais Landing, a former tidal bog that once served as a sewage channel and slaughterhouse dumping ground; San Francisco City Hall, a Beaux Arts monument whose harmonious proportions and massive domed rotunda are meant to pique municipal pride (and good civic behavior); and Pacific Shores Center, a 106 - acre, 1.7 - millionsquare - foot corporate
complex, planned during the dot - com glut of the late 1990s and
built on marshland south of the city.
For more than twenty years British
artist Cornelia Parker has been
building a rich and intellectually
complex body of work.
It is precisely in these peripheral zones that
artists have
built many of their studio
complexes — the best - known districts include Huantie, Feijiacun, Yihaodi and Caochangdi — where land has been available and relatively affordable, and where there are plenty of workshops for art - related production facilities.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA
Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012
Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst &
Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn
Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst &
Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog:
Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women
Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
The 5 acre
complex and its varied brick mill
buildings host 250 work only studios 50 live / work lofts over a dozen teaching
artists the Loading Dock Gallery - a cooperative
artist run gallery and the Onyx Room Performance Space.
Lisa Sanditz is an
artist whose work investigates the collision of the natural and
built environment in the American landscape through historically anchored and formally
complex paintings, drawings, and, most recently, sculptures.
In this inaugural exhibition for this newcomer gallery to the 56 Bogart
building, Life on Mars presents the works of fourteen unique
artists that all deal with the
complex issues of scale.
During his solo exhibition «A Sentimental Journey», we catch up with Carl Laubin to discuss the inspiration behind his
complex and highly technical paintings and how he became an
artist specialising in pristine architectual renderings of
buildings.
Over the past half - century, Gerhard Richter (born 1932) has
built up a stylistically heterogeneous and conceptually
complex body of painting, photography, sculpture and
artist's books that firmly establishes his status as the most important living
artist of our time: today, this diverse oeuvre totals in excess of 3,000 individual works.
The exhibition focuses on Moser's architectural work in its unusually close relationship with the visual arts, a
complex symbiosis comprising the often exhaustive artistic appointment of his constructions, his collaboration with
artists as partners on his projects, Moser's own artistic ambitions and, last but not least, his
buildings dedicated expressly to art.
Theaster Gates,
artist and founder of the non-profit Rebuild Foundation, which acquires dilapidated
buildings on the predominantly African - American South Side of Chicago and rehabilitates them to serve as community, artistic, archival, and residential
complexes.
Building upon the themes and techniques explored in previous solo collections including Multiplied (2016), Overlapping View (2015), An American Trilogy and Turneresque (both 2014), Cánovas» latest exhibition at Halcyon Gallery sees the
artist reflect on the
complex connection between past and present, along with an examination of colour and form.
Alex Bag, Louise Lawler, Le Tigre, David Burrows and Bob and Roberta Smith, the
artists included in Master Blaster, use raucous videos, performances and installations to confront the
complex institutional framework that
builds canons, appoints masters and authorizes certain artistic voices, while suppressing or invalidating others.
And, despite his criticism of intellectualism, Ho remains a conceptual
artist to the end; his abstract paintings are inseparable from the
complex narrative he
built around them.
It turns out Chuck helped design and
build the
artist's studio
complex in the grounds of Schnabel's Stanford White - designed wooden house in Montauk, Long Island.
The striped works feel like an
artist working through a
complex — and, as it turned out, influential — idea about the limits of painting; the later, 3D relief works feel like something «bold» that would be suitable for a generic, if high - end, corporate office
building lobby.
Projects Gallery, second floor Working in photography, film, video, installation, and performance, Beirut - based
artist Akram Zaatari has
built a
complex, compelling body of work that explores the state of image - making today.
... In broad terms, we look for
artists whose work will fit the particularities for our site and this wonderful
complex of late - 19th - century mill
buildings.
As a prelude to visiting a show, or as a post-visit extension of it, whereby we
build on our experiences and impressions, each of us — with a little effort — is now in a position to examine
complex artists such as Moholy - Nagy — everyone tends only to use his surname and has learn how to pronounce it correctly via the internet — in great detail and with relative ease.
Working in photography, film, video, installation, and performance, Beirut - based
artist Akram Zaatari has
built a
complex, compelling body of work that explores the state of image - making today.
According to the magazine: «In the years since the 1999 opening of the Massachusetts Museum of Contemporary Art (better known as MASS MoCA) in a converted
complex of old industrial
buildings, this small town has gradually reinvented itself as a Berkshires - Based cultural hub that is home to a smart set of galleries, bookshops, cafes, and live - workspaces for
artists.
Artists Studio Job have created a series of ornamental concrete reliefs for a new
building complex in Amsterdam.