Sentences with phrase «artist by contributors»
The publication will contain rare archival documentation and new scholarship on the artist by contributors that include Tiffany Bell and will be available in spring 2010.
https://www.davidzwirner.com/ Not exact matches
That shold be good enough news for fans of giant french fries monsters, but the even better news is that it's being done by fan artist extraordinaire (and former Kotaku contributor) Zac Gorman.
Our team — comprised of associates, contributors, editors, graphic artists, web techs, and interns — collaborate on daily content aimed at bringing attention to films made by women — including small «indies» and foreign language films — and thereby celebrating their accomplishments in the entertainment industry.
Disaster Artist: The Gradebook is the ratings of newly released films by the contributors and fans of We Live Entertainment.
Everything in the $ 500 PATRON tier, plus: a Kickstarter exclusive dakimakura featuring full color front and back illustrations of the heroine of KAMUI, Panaffil De Alice, created by the artist / designer Senami - san, and a «Champion» contributor credit in the end roll of ALLTYNEX Second.
Original artwork for the game is created by artist and Marvel contributor Dave Wilkins, enhancing the impeccable comic book credentials of the game's offal - soaked universe.
In a way, this can be beneficial: It encourages contributors to get more involved with promoting the campaign, it eliminates a certain amount of risk, and it keeps artists from feeling pressure to get by on less than they actually need.
The 10th Berlin Biennale for Contemporary Art titled We don't need another hero is a conversation with artists and contributors who think and act beyond art as they confront the incessant anxieties perpetuated by a willful disregard for complex subjectivities.
The exhibition invites artists and contributors «to confront the incessant anxieties perpetuated by a willful disregard for complex subjectivities.»
By Tina Kukielski (Editor), Susan King (Artist), Alex Gartenfeld (Foreward), Gary Panter (Contributor), Amy Sillman (Contributor), Chris Byrne (Contributor).
A catalogue accompanies this show with condensed critiques by eight contributors — artists, curators and writers — who offer very personal and inspired reactions to the painter's lively compositions.
The winners were selected by a jury that included RHMF cofounder Susan Hort, writer and Artforum contributor Travis Diehl, artist and curator Max Presneill, artist Keith Mayerson, and LAXART deputy director and curator Catherine Taft.
But to celebrate our birthday, we've printed gifts for you and for ourselves: a Purple Book of original collages by Richard Prince, one of our favorite artists and a long - time contributor to the magazine, and a paperback reprint of his book Bettie Kline.
Wide - ranging and in - depth essays by over 30 contributors, including many of South Africa's leading art historians, cultural commentators and artists, make it an indispensable resource for curators, historians, students and artists.
She is a regular contributor to online art journals and co-directs SPUR, a commissioning organisation which produces new works by contemporary artists nationally and internationally including digital, video and writing.
One of the early contributors to the Arte Povera movement living in Genoa in the 1960s, Prini became involved in shows such as «Arte povera — Im spazio» and «Collage 1» curated by Germano Celant, art critic credited with grouping the artists together.
By Jeffrey Uslip (Author), John Yau (Author), Monica Rumsey (Editor), Joyce Pensato (Artist), Elsa Longhauser (Foreword), Ali Subotnick (Contributor)
Laich has been a key contributor to the production of many iconic works by a range of artists including Ed Ruscha, Paul McCarthy, Barbara Kruger, Allen Ruppersberg, and Jenny Holzer, among many others.
A catalogue accompanies this show with condensed critiques by eight contributors — artists, curators and writers — who offer very personal and -LSB-...]
Downstairs was a group show, including Susan Silton and Andrea Bowers, called «Mis (Missing) Information» co-curated by Artillery contributor and artist Jody Zellen and Brian C. Moss.
A joint project between Marianne Boesky Gallery and Marlborough Chelsea, Another Look at Detroit presents works and objects by over fifty artists, designers, and cultural contributors.
The artists featured were identified and selected by Schoonmaker and their placement at NOMA was determined in collaboration with NOMA's curatorial team, taking into consideration how the museum could best compliment the distinctive style of each individual contributor.
A fully illustrated catalogue, published by DelMonico Prestel books and Prospect New Orleans, will feature documentation on participating artists and include essays by the Artistic Director Trevor Schoonmaker, with contributions by William Cordova, Miranda Lash, Omar López - Chahoud, Wangechi Mutu, Filipa Oliveira, Ebony G. Patterson, Ylva Rouse, Ned Sublette and Zoé Whitley along with more than 20 other contributors including Russell Lord, NOMA's Freeman Family Curator of Photographs and Katie Pfohl, NOMA's Curator of Modern and Contemporary Art.
Seated at long tables hosted by each of the Zurich galleries were collectors, museum curators, and directors, artists, dealers — anyone who wasn't attending the Barbara Gladstone / Jean Bernier / Marina Eliades / Christopher Müller / Daniel Buchholz dinner at Kronenhalle for Cameron Jamie, another contributor to the public art program and the subject of a retrospective opening at Kunsthalle Zürich the next day.
As a contributor to the exhibition catalogue Watlington will provide a closer look at the works by the twelve artists on view, framed through her writing on the twelve affects comprising intimacy: absence, closeness, desire, empathy, jealousy, loss, love, reciprocity, seduction, shame, trust, and vulnerability.
Their booth's most striking artworks are by Margaret Lee, one of this contributor's favorite emerging artists.
From 1949 until 1969, the contributors were selected by artists and art specialists, but then in 1969 and 1970 students controlled selection themselves.
Curated by former Art Africa Miami assistant producer Mikhaile Solomon, Rosie Gordon - Wallace and independent curator / frequent Art in America contributor A.M. Weaver, this seems like an obvious destination for all those institutional curators looking to know the next black artists they should be acquiring.
With only the vague criteria to choose artists who are under known, it is inspiring to see the diversity of artists and type of work selected by contributors and myself.
The London based artist strive to involve the contributors, viewers and the artist together by obtaining his art material from these individuals.
International artists such as Urs Fischer, Carston Höller, Olafur Eliasson, and experimental filmmaker Kenneth Anger contributed mobile art yurts or films; musicians like Cat Power, Beck, Giorgio Moroder, Patti Smith, Charlotte Gainsbourg, Twin Shadow, and Thurston Moore provided live music, a food «happening» by Rirkrit Tiravanija, and marching bands Kansas City, are amouhg the few contributors.
The Perpetual Dialogue December 12, 2009 — January 23, 2010 David Adamo, David Bradshaw, Wolfgang Breuer, André Cadere, Spartacus Chetwynd, Sen Chung, Kier Cooke Sandvik, Simon Denny, Michele di Menna, Thea Djordjadze, Eirene Efstathiou, Llyn Foulkes, Robert Heinecken, Marek Konieczny, Elad Lassry, Michael Lazarus, Uwe Lausen, Daniel Lefcourt, Monica Majoli, Aubrey Mayer, Adam Marnie, Daniel McDonald, Kazuo Shiraga, Christiana Soulou, Jeni Spota, Michael St. John, Charwei Tsai, Marianne Vitale, Herbert Volkmann, Danh Vo, Erik Wysocan Andrea Rosen Gallery is pleased to present «The Perpetual Dialogue» an exhibition featuring work by 31 artists selected by 14 curatorial contributors including Sadie Coles, Clarissa Dalrymple, James Fuentes, Alison Gingeras, Nicole Hackert, Matthew Higgs, Dakis Joannou, Ivan Moskowitz, Cory Nomura, Andrea Rosen, Josh Smith, Wolfgang Tillmans, Dean Valentine and Robert Vifian.
Exhibition Catalogue The exhibition is accompanied by a 200 - page, fully illustrated publication bringing together a range of scholarly contributors including curator Siri Engberg; Michael Lobel, associate professor of art history at the State University of New York at Purchase; Rochelle Steiner, dean of the Roski School of Art at the University of Southern California; and artist Josiah McElheny.
Throughout this eclectic monograph, the artist's own commentary is interwoven with text from additional contributors, including essays by fellow artist Jake Chapman, novelist Nick McDonell, art historian Abigail Solomon - Godeau, curator Dominic Molon, and the artist's father, the noted linguist - anthropologist Derek Bickerton.
Among an ever expanding (and as Karen Barad might say, «entangled») list, I am inspired by the complex and contradictory city I live in (the city of Chicago) and the incredible community of hard working, sincere, talented artists who I am surround by and have the privilege of working alongside and in collaboration with every day (too many and to diverse to name individually here) / / by mentors A. Laurie Palmer and Claire Pentecost and Anne Wilson and Ben Nicholson / / by Simon Starling and Andrea Zittel and Mark Dion and Sarah Sze and Phoebe Wasburn and Mierele Laderman Ukeles and Joseph Beuys and Eva Hesse and Hans Haacke and Robert Smithson / / by writers and philosophers Karen Barad and Jane Bennett and Rebecca Solnit and Italo Calvino and Steward Brand and the contributors to The Whole Earth Catalog (of which my father gave me his copies) and Ken Issacs and Carl Sagan and Neil deGrasse Tyson and William Cronon and Bruno Latour and Deluze and Guttari and Jack Burnham / / by ideas of radical intimacy and transformation and ephemerality and experimentation and growth and agency and mobility and nomadicism and balance and maintenance and survival and change and subjectivity and hylozoism and living structures / / by mycelium and soil and terracotta and honey and mead and wild yeast and beeswax and fat and felt and salt and sulfur and bismuth and meteorites and microbes and algae and oil and carbon and tar and water and lightening and electricity and oak and maple / / by exploration and navigation and «the Age of Wonder» and the Mir Space Station and the Deep Tunnel Project / / by Lake Michigan and the Chicago River and waterways and canals and oceans and puddles... to name a few.
On March 2nd, me and Hrag Vartanian proudly introduced The Artist as Culture Producer, which included shout outs, readings by artist - contributors Morehshin Allahyari, Steve Lambert and Shinique Smith, and a book signing to follow with other contributors who were also in attenedance including Deana Haggag, Cara Ober, Jayme McLellan, Brett Wallace, Caitlin Masley, Michael Scoggins, Austin Thomas, Sharon Butler, Kat Kiernan, Matthew Deleget, Jean Shin, Mark Tribe andArtist as Culture Producer, which included shout outs, readings by artist - contributors Morehshin Allahyari, Steve Lambert and Shinique Smith, and a book signing to follow with other contributors who were also in attenedance including Deana Haggag, Cara Ober, Jayme McLellan, Brett Wallace, Caitlin Masley, Michael Scoggins, Austin Thomas, Sharon Butler, Kat Kiernan, Matthew Deleget, Jean Shin, Mark Tribe andartist - contributors Morehshin Allahyari, Steve Lambert and Shinique Smith, and a book signing to follow with other contributors who were also in attenedance including Deana Haggag, Cara Ober, Jayme McLellan, Brett Wallace, Caitlin Masley, Michael Scoggins, Austin Thomas, Sharon Butler, Kat Kiernan, Matthew Deleget, Jean Shin, Mark Tribe and more.
Noon Panel: Critical Discourse and Arts Writing Moderated by: Taylor Renee and Jessica Lynne, Founders and Editors, ARTS.BLACK Panel: Felice Grodin *, Artist, Olivia Ramos, Founder, Work Untitled, Anne Tschida, Visual Arts Writer and Contributor, The Miami Herald, Elisa Turner, Art Critic, Art Circuits and Former Art Critic, The Miami Herald, Monica Uszerowicz, Writer and Contributor, The Miami Rail Littlest Sister Platform, Spinello Projects, 7221 NE 2 Avenue, Little Haiti, Miami
The catalogue includes images carefully selected by the artist — photographs, vinyl LP covers, fliers, images of Hayes's own work — and a short text response by each of the contributors.
From time to time, an artist who was as adept with words as with visual mediums recorded the progress of a fellow artist: Elaine de Kooning, a frequent contributor, wrote about Hans Hofmann, David Smith, Hyman Bloom, and others; Fairfield Porter, another of the magazine's regulars, followed Jane Freilicher's day - by - day work on a portrait; in addition to chronicling Pollock, Goodnough described sculptors David Hare and Saul Baizerman in the studio.
Also: Three MP3 recordings of panel discussions or talks given by artist contributor (s) during the book tour.
The nearly 400 - page anthology unites an unprecedented community of art historians, curators, and artists, with essays by the show's two curators, as well as texts by contributors such as Connie Butler, chief curator at the Hammer Museum, Carmen María Jaramillo, Karen Cordero Reiman, Miguel Loópez, Mónica Mayer, and Carla Stellweg.
4.50 pm, Roundtable discussion with all of the contributors, chaired by Jamie Sutcliffe, writer, artist and publisher with Strange Attractor Press.
Speakers: Alexander Tovborg, Artist; Chris Fite - Wassilak, Writer & Critic, Contributor to Art Monthly, Art Papers, ArtReview, & frieze; & Stefanie Hessler, Curator & Co-Founder, Andquestionmark, Stockholm Moderated by Oliver Basciano, Editor (International), ArtReview
It was founded by artists Ruth Catlow and Marc Garrett in 1996 and is a dynamic, creative and social nerve centre where upwards of 26,000 contributors worldwide have built a visionary culture around co-creation — swapping and sharing code, music, images, video and ideas.
We're launching a series of articles on the subject, written by our abstract artists and other qualified contributors.
It is a compilation of specially commissioned performance scripts by the artists participating in the exhibition and other invited contributors.
The events program is organised by the artist and the current members of the Transmission's committee: Andrew Black, Alex Sarkisian, Joe Sloan, Winnie Herbstein Adam Lewis - Jacob and Sophie Pitt in dialogue with contributors.
Curated by Hi - Fructose contributor Stephanie Chefas, the large - scale show presents multiple works from each artist, including some rarely seen pen drawings by Christian Rex van Minnen.
Among the rewards given, for a campaign contribution of HKD2, 400 or more, is a newly launched series of limited edition cookware designed by book contributors Fotan - based Taiwanese artist Cheng Ting Ting, Sigapore - based Malaysian artist, curator and writer Heman Chong, local Hong Kong conceptual artist Lam Hoi Sin, Vienna - based Japanese artist Michikazu Matsune and writer, editor, founder and co-editor of e-flux Brian Kuan Wood.
Edited by occasional Chronicle contributor Matt Haber and Kathleen Henderson, its 150 - plus, full - color pages include interviews and features on individual artists, an illustrated food section (I like «John Martin's Down Home Recipe for Shark») and witty «advertisements» — altered ads touting the likes of Rolex, Van Cleef & Arpels and Gagosian Gallery.