Sentences with phrase «artist creates»

The series of prints Tales of Genji I — VI (1998) was created in the nineteenth - century tradition of Japanese ukiyo - e (scenes of the floating world), in which the artist creates the initial painting, and woodcarvers and printers make the final print.

In the film the artist creates an ephemeral silhouette figure in snow, a type of work that he refers to as «shadows» and can be seen before in his photographic works.

Our eyes are closed; we can not know what it looks like, yet here the artist creates the experience visually.

The artist creates labor - intensive biomorphic sculptural forms dominated by spiral forms, alluding to naturally occurring spirals from DNA to galaxies.

At Schiefe Zähne, Berlin, the artist creates an inventory of values we privately sustain but rarely admit

Working with the diverse immigrant community in his home city of Los Angeles, the artist creates portraits that -LSB-...]

In it, the artist creates spheres to represent some of his favorite spots (bars, bookstores, restaurants) in New York since visiting for the first time in the 1990s.

The artist creates painstaking modifications of humble objects like beds, chairs, doors and tables, some of which were collected from victims and families the artist encountered during her research.

By bringing the outside inside the artist creates an uncanny space of uneasiness and comfort.

Saya Woolfalk is a New York based artist who uses a variety of media as tools which are used to produce and narrate the imagined worlds and societies which the artist creates.

Working often in large - scale, energetic multi-media abstractions, the artist creates erotic depictions of feral pubescent figures whose convulsive energy feminine iconography.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

His love for music and films is often reflected in his photographs, in which the artist creates isolated scenarios with the intention to evoke diverse sensations, or simply for the spectator to enjoy them.

The Venezuelan artist creates deep and soulful paintings that explore human inner space.

Working with the diverse immigrant community in his home city of Los Angeles, the artist creates portraits that investigate feelings of being an outsider in the very place you call home.

Using recordings, predominantly of her own voice, the artist creates immersive environments of architecture and song that heighten the visitor's engagement with their surroundings while inspiring thoughtful introspection.

Firmly working with the urban landscape, the artist creates new and unusual experiences.

Using bandages, fabrics and light industrial materials, the artist creates soft sculptures that allude to vampires or mummies.

Through this rhythmic chiaroscuro, the artist creates a remarkable colouristic impression, as in Komposition I (1957), where a jagged passage of black is offset a wash of grey.

When an artist creates this many good works, it becomes really hard to point out the most significant ones.

In some of the paintings, the artist creates an ornamental lacing of form and light that is not unlike the canvases of Richard Pousette - Dart.

The artist creates sculptures, videos, prints, and installations with the physical manifestation of digital processes...

This week on Curated, a local artist creates a sculpture out of found materials with a rich history.

Pretty much every artist creates work to be seen, excluding some conceptual art here and there — and even that makes a public statement.

Through the form of a mystical quest the artist creates a relationship between consciousness and all that exists outside of it.

James Siena's incredibly intricate and complex designs are in full display in this work, which features colorful patterns that the artist creates through self - imposed restrictions, or «visual algorithms,» reflecting Siena's preoccupation with process.

Born hard - of - hearing and diagnosed early with autism, the Belgian artist creates work from strange juxtapositions of everyday objects, revealing new facets of their daily existences.

Using photographic techniques, painting, drawing, collage, and screen - printing, the artist creates manifold compositions that allude to embryonic modernisms (the Orphism of František Kupka, the Metaphysical painting of Giorgio DeChirico, Futurism, Constructivism and Suprematism), science fiction, philosophy and architecture, particularly Viennese Gothic architecture like Stephansdom (St. Stephens Cathedral).

For Alicja Kwade's (b. 1979, Katowice, Poland) first project for a major UK gallery, unveiled on Wednesday 28 September, the Berlin - based artist creates a captivating installation of astronomical data and our position in the universe.

The artist creates a dreamy, domestic space in which ideas of intimacy and concealment are explored at Oakville Galleries, Ontario

Incorporating the iconography from these games, the artist creates hypnotic patterns of hyper - detailed structures, enticing viewers into a visual trance, much like the addictive games themselves.

For Baldock's first solo exhibition in a public institution in London, the artist creates a symphony of surreal sculptures at CGP London.

The artist creates projects that negotiate between formal, historical and critical modes of operation.

In Lee Ufan's painting, the artist creates rows of consecutive blue brushstrokes that become lines of movement and emphasize the physical encounter between brush and paper, the tone becoming lighter as the paint in the brush is used up.

In combination with short diagonal elements or swooping shapes the artist creates patterns, legible not only as a forest but also as an individual tree.

Drawing connections between art and music, the Brooklyn - based artist creates visual and sound abstractions that explore intersections between cultural and social histories.

In the grand frescoed room, the artist creates a gallery of portraits flooded with works and colors, wherein each canvas radiates with an aura of presence.

Alexandros Vasmoulakis is a Greek contemporary artist creates large - scale murals, installations, and sculptures made out from found objects.

It offers prospects for transformation as each artist creates something temporal and unique to the space.

The relative ease with which the gallery has greenlit this «futile gesture» and the tone deafness with which the artist creates his poor facsimile belie a deep ignorance of what's at stake in immigrant communities of color and our efforts to cement humane, sustainable living conditions.

Referencing 17th century Dutch still life painting and Asian animation genres, the artist creates video images that are caught between action and non-action, where narrative is both imminent and suspended.

Reeds breaks the boundaries of panel painting with his famous settings based on Alfred Hitchcock's film classic «Vertigo», in which the artist creates bedroom situations in the exhibition space including his own pictures.

Where the German artist creates outsize heroes, Turner subordinates his cast of characters to the painter's eye.

This style is focused on the simplicity of beauty in the moment; the artist creates a dynamic and colorful pallet evoking a result which is fresh and modern.

The Swiss artist creates...

Using colored paper and a meticulous cutting and pasting process, the self - taught French artist creates mesmerizing re-interpretations of...

The images mostly shift from subtle to bold, in colors which the artist creates through endless experimentation.

The artist creates a gradually unfolding narrative in the form of a floral still life gesticulating in slow motion.

Instead the artist creates a labyrinth of information, in which the production of meaning jumps back and forth from the literal to the abstract, creating a multitude of associations along the way.

However, instead of simply appropriating found material, the artist creates his own unique content, which frequently revolves around a series of invented, animated characters.