Sentences with phrase «artist culls»

Conceptually, the artist culls the images of broken screens from a library she has amassed from Craigslist and other sites.

The artist culls images referring to both art history and popular culture from photographic publications and meticulously arranges the disparate cut - outs before photographing them.

The Warehouse exhibitions feature 20 and 21st century sculpture, photography, video, painting and large scale installations by international artists culled from the collection of Martin Z. Margulies.

Singing a cappella as they moved to ten marble platforms placed around the gallery's four rooms and functioning as choral risers, two boy sopranos let loose with insults that the artists culled from literary and political sources and that composer Guarionex Morales - Matos set to music.

Dérives includes more than two thousand excerpts of water scenes that the artists culled from the history of cinema.

Like a sculptural hybrid of Gerard Richter's 4900 Colors and the Vietnam Veterans Memorial, the piece is a massive color block of tiles engraved with the names of 392,486 artists culled from the past two centuries — those included range from the obvious to the obscure.

Not exact matches

Since inception, more than 350 sud labels have been carefully culled from thousands of submissions; featured artists have included Canadian band The Strumbellas, Spanish illustrator Eduardo Bertone and U.S. painter Lola Gil.

Culled from published autobiographies of well - known authors, artists, athletes, scientists, filmmakers, and others, all of the excerpts in Heading Out: The Start of Some Splendid Careers explain how the writers chose their respective vocations.

Art rental companies — like Los Angeles» Film Art LA (www.filmartla.com) or the New York - based Art for Film (www.artforfilmnyc.com)-- assist set decorators in their hunts for high - quality art by assembling a curated selection of work culled from artist submissions.

This exhibition features films and videos by the Argentina - born conceptual artist David Lamelas, culled from his ground - breaking and ongoing series Time as Activity, 1969 — 2017.

Presented this month at Matthew Marks, the artist's last body of work does not disappoint, and the series of pieces, culled from past sketches and concepts or completely new ideas, feels like a fitting look at the furthest points of the artist's exploration before he laid down his brush for the last time.

The seven paintings in the exhibition, which feature imagery culled solely from the painter's personal environment, represent somewhat of a new direction in the artist's work — one where looking and self - reflection come to the fore.

«Functioning as a survey of recent developments in abstract painting, the show spans a diverse range of work culled from 25 New York - based artists.

The premise of the exhibition, which also includes Amy Sillman, Charline von Heyl, Joe Bradley and Rashid Johnson, is that contemporary artists continue to cull techniques from various 20th - century traditions, breathing new life into an old medium that appears more relevant than ever.

The exhibition includes images and objects culled from the Curious Matter archives, and features works from artist Joey Parlett's Space Drawing series.

The Archive is a growing collection of books, prints, photographs, recorded lectures, documents, transcripts, interviews and original works of art culled from exchanges with over 90 contemporary artists, curators and thinkers.

An installation culled from the collection of objects assembled by artist Martin Wong (1946 - 1999) was presented in a side gallery at the Guggenheim by artist Danh Vo.

Organizer Erich Bollman culls together the «disparate strategies» of artists Deanna Erdmann, Esmeralda Montes, Orlando Tirado, and Paul Waddell to create a landscape of shapes and images related to this idea.

In the works on view here — including wall pieces, artist's hooks, and one video — Bunn perused the subject headings to cull successions of titles into texts that range from melancholic odes to deadpan truisms.

The mostly small - scale work, including many early black - and - white, hand - colored, and sepia - toned photographs, is culled primarily from the artist's family members» collections and her own, and includes the pieces that laid the groundwork for her first major success, the acclaimed Film Stills series.

Artists run the gamut from the painfully subtle, like the stoic head portraits of German photographer Thomas Ruff, to the playful and polymorphously perverse, such as the drawings of L.A. ex-punker (and now Bucksbaum - winner) Raymond Pettibon, who culls from sources as wide - ranging as pulp fiction and Gumby.

«Twist and Crawl,» the first of a three - part exhibition curated by artist Timothy Buckwalter, blends more than 30 works culled from artists and galleries across the country with those by artists from the National Institute of Art and Disabilities studio program.

Clyfford Still and the San Francisco Scene, 1946 — 1950 also includes materials culled from the Clyfford Still Museum Archives, such as Still's teaching materials, photographs, and correspondence related to these and other artists active in San Francisco at this time.

Culled from the artist's archive of hundreds of color slides originally shot using Ektachrome film (which Kodak discontinued in 2013), Harris initially presented selections from his archive publicly as digital projections at Yale University, as well as in conjunction with the exhibition Radical Presence: Black Performance in Contemporary Art at New York University's Grey Art Gallery and the Studio Museum in Harlem in 2013 - 14.

Her paintings and drawings, often devoted to depictions of the human form, are typically culled from a vast archive of images collected by the artist, including art historical materials, mass media sources, and personal snapshots of friends and family.

Innerst broke onto the New York art scene in the early 1980s with exquisitely executed small - scale paintings with hand - made frames, and his works were considered part of the Pictures Generation of artists who employed widely varied images as source material culled from the expanding media of the pre-digital age.

Jizi was by and large self - taught, synthesizing the techniques and philosophy of traditional Chinese ink painting with individualistic expression culled from early modernist artists in the West.

Julia Whitney Barnes Julia Whitney Barnes, a New York based artist known for her vivid, luminous paintings which cull naturalistic imagery from an abstracted ground as well as her nature infused ceramic works, presents a series of painted porcelain vignettes.

[4] During the 1920s, American artists Patrick Henry Bruce, Gerald Murphy, Charles Demuth and Stuart Davis created paintings that contained pop culture imagery (mundane objects culled from American commercial products and advertising design), almost «prefiguring» the pop art movement.

Culling inspiration from advertisement, film and television, and creating visual spaces for social criticism, the Pictures Generation artists were deeply influenced by the pedagogy of writers such as Michel Foucault, Roland Barthes, and Julia Kristeva.

In order to address the historic proliferation of the «Pseudo Georgian» aesthetic, two eighteenth century pattern books borrowed from the British Architectural Library are also displayed alongside objects from the artist's own collection — as well as a selection of critical articles culled from archival copies of Building magazine, one of the oldest publications to address the entire culture of Britain's construction industry.

I would like to see the Bronx cull their permanent collection and make relevant acquisitions, and I'd also like to see it to exhibit more emerging and mid-career artists that reside in the New York area.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

The more than 50 artists included in the exhibition have culled from the canon of art history, mined mass media, and scoured streets and screens to appropriate images and practices from commerce, science, politics, sports, religion, and technology, to illuminate recent shifts in how culture is being created and consumed.

This exhibition will feature photographs from his recent Pictures of Magazines 2 series, in which the artist has carefully culled and torn pieces of paper from art, fashion and news magazines; amalgamated them into re-creations of iconic and historically significant paintings; and then photographed and magnified the images, resulting in evocative, exquisitely - detailed and entirely unique works of art.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

In her essay for the catalogue curator Kate Fowle describes the artist's use of this technique and its significance, «Culled from magazines, postcards, and photos, the imagery in all the recent series is reminiscent of a bygone time, perhaps because of the palette that Kabakov adopts.

As an artist, feminist and lifelong activist, Nancy Spero researched the obscured histories of women to create a figurative cast of characters, a kind of repertory company, culled from many eras and cultures.

On view at the Met from October 19 to February 20, 2017, «Max Beckmann in New York,» focuses on 14 paintings the German artist created during the last two years of his life, when he had been living in New York; also included are earlier works culled from New York collections — some 40 pieces in all.

From Artsy, we culled pageviews, follows, and inquiries for over 50,000 artists.

Starting in 2017, the artist and Yale University Press released an ambitious six - book suite collectively titled The Human Clay — a sweeping collection street and environmental portraits culled and edited by Friedlander from his extensive archive, many not previously published.

The artists featured in Sextant are (almost entirely) culled from NURTUREart's Online Registry of Artists and Curators, a free place to share, see and taartists featured in Sextant are (almost entirely) culled from NURTUREart's Online Registry of Artists and Curators, a free place to share, see and taArtists and Curators, a free place to share, see and talk art.

Commissioned by Chisenhale Gallery, London the piece taps in to seamless image streams proliferated by the mass media, as well as the recital of the poem Plainsong: from an older woman to a younger woman by the poet Judith Grahn, and material culled from the artist's own archive of home movies, and examines the role of intimacy in relation to desire and physical proximity.

Outspoken and erudite New York - based, internationally - known artist Sean Scully will display works on paper culled from the artist's own collection.

Fernando Bryce is a New York - and Lima - based artist, renowned in his home country of Peru and recognized internationally for his «mimetic analysis,» in which he culls archives for print materials such as advertisements, newspaper articles, and propaganda pamphlets in order to faithfully reproduce a carefully chosen selection for his own ink - on - paper «reconstructions.»

Culled from private collections as well as from the artist's studio, these fourteen portraits — some commissioned, some personal — span more than forty years.

These works, culled from the Kemper Museum's permanent collection, serve as examples of the influence that graffiti has had on artists showing in museum contexts.

Soft spectrums of color ranging from blues to pinks to yellows are the artist's interpretations of daylight, the darkest of which is culled from his childhood memories.

His performance will incorporate a collection of processed field recordings culled from a variety of sources including Hollywood Blvd., Joshua Tree National Park, and a recent performance by artist Julie Tolentino.

Michael Lazarus» mixed media panels made of paint, wood, glass, adhesive lettering, and, in some cases, plastic reflectors and other found materials, share a vocabulary of pared down imagery, color, and response to materials culled from the artist's everyday surroundings.