Sentences with phrase «artist development lab»

Not exact matches

Angela is also the Senior Manager of Artist Development at Film Independent where she oversees the filmmaker labs program including Screenwriting, Directing, Producing, Episodic, Documentary Labs and the Fast Track Finance Marlabs program including Screenwriting, Directing, Producing, Episodic, Documentary Labs and the Fast Track Finance MarLabs and the Fast Track Finance Market.
Every year, Sundance Institute provides more than $ 400,000 in financial support to Feature Film Program alumni through a robust (program of fellowships and direct artist granting designed to give lab - supported projects momentum at critical junctures in their development, pre-production, post-production, and distribution / marketing stages.
Los Angeles, CA — Two emerging Native storytellers, Erin Lau (Native Hawaiian) and Shaandiin Tome (Diné) will participate in the 2017 Sundance Institute Native Filmmakers Lab, continuing the Institute's year - round work in the discovery and development of artists from diverse backgrounds.
The Lab was quite incredible and one of the most important experiences I have had in my development as an artist.
That's where Sundance Institute's first Filmmakers Lab was born, and over the last thirty years has grown into year - round artist development programs that have expanded from feature filmmaking to documentary, film music, and theatre.
The confluence of these three artist development programs will provide Fellows the unprecedented opportunity to experience portions of the other Labs and will support a cross-pollination of creativity and personal expression across different storytelling forms.
Moon Studios is an independent video game development studio, founded in 2010 by Thomas Mahler (former Cinematic Artist at Blizzard Entertainment) and Gennadiy Korol (former Senior Graphics Engineer at Animation Lab).
Drawing upon his recent explorations in narrative structure which combine documentary footage, personal account and fictional story construction, Jugdeo will use the Artist Lab Residency as a starting point towards the development of a scripted web series, made in collaboration with local performers.
Becca Pelly - Fry, Griffin Gallery Director and curator, comments «this award is a fantastic opportunity for a talented artist to work next to and alongside our innovation and development lab, create work in a supportive environment and engage with a network of artists, curators and arts professionals.
Perpetual Peace is part of 18th Street Arts Center's Artist Labs, a process - based exhibition and residency program inviting artists to use the center's main gallery as an ongoing open studio for the development of new work.
Moderator: Heidi Neilson, artist and founder of SP Weather Station Panelists: Liz Barry, urban designer, Co-Founder & Co-Director of TreeKIT, and Co-Founder and Director of Community Development at Public Laboratory for Open Technology and Science Ingrid Burrington, artist - in - residence at Data and Society Research Institute and fellow at Autodesk / Pier 9's Experimental Research Lab Eric W. Sanderson, director of the Mannahatta Project, author, and Senior Conservation Ecologist, Wildlife Conservation Society Natalie Campbell, independent curator and co-founder of SP Weather Station
MFA Fine Arts and SVA Career Development present Paul Amenta (MFA 2000 Fine Arts), co-founder of SiTE: LAB, and installation artist Julie Schenkelberg (MFA 2011 Fine Arts) discussing methods for a sustainable art practice.
Studio Lab Artist Residency is a program that provides artists and collectives, working in a diverse array of media and across genres, with research and development space and resources.
Call for California Artists: Little Tokyo Service Center + LAB Artist Residency (CA), with stipend, travel, and project budget Deadline: January 15th, 2018 Little Tokyo Service Center, a Community Development Corporation in Los Angeles, California, presents the + LAB Artist Residency Program,... Continue reading →
In addition to computer software development, starting in the early 1970s, Spiegel supported herself by both teaching and by soundtrack composition, having had steady work throughout the 1970s at Spectra Films, Valkhn Films, the Experimental TV Lab at WNET (PBS), and subsequently for various individual video artists, animators, and filmmakers.
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