Not exact matches
Angela is also the Senior Manager of
Artist Development at Film Independent where she oversees the filmmaker
labs program including Screenwriting, Directing, Producing, Episodic, Documentary Labs and the Fast Track Finance Mar
labs program including Screenwriting, Directing, Producing, Episodic, Documentary
Labs and the Fast Track Finance Mar
Labs and the Fast Track Finance Market.
Every year, Sundance Institute provides more than $ 400,000 in financial support to Feature Film Program alumni through a robust (program of fellowships and direct
artist granting designed to give
lab - supported projects momentum at critical junctures in their
development, pre-production, post-production, and distribution / marketing stages.
Los Angeles, CA — Two emerging Native storytellers, Erin Lau (Native Hawaiian) and Shaandiin Tome (Diné) will participate in the 2017 Sundance Institute Native Filmmakers
Lab, continuing the Institute's year - round work in the discovery and
development of
artists from diverse backgrounds.
The
Lab was quite incredible and one of the most important experiences I have had in my
development as an
artist.
That's where Sundance Institute's first Filmmakers
Lab was born, and over the last thirty years has grown into year - round
artist development programs that have expanded from feature filmmaking to documentary, film music, and theatre.
The confluence of these three
artist development programs will provide Fellows the unprecedented opportunity to experience portions of the other
Labs and will support a cross-pollination of creativity and personal expression across different storytelling forms.
Moon Studios is an independent video game
development studio, founded in 2010 by Thomas Mahler (former Cinematic
Artist at Blizzard Entertainment) and Gennadiy Korol (former Senior Graphics Engineer at Animation
Lab).
Drawing upon his recent explorations in narrative structure which combine documentary footage, personal account and fictional story construction, Jugdeo will use the
Artist Lab Residency as a starting point towards the
development of a scripted web series, made in collaboration with local performers.
Becca Pelly - Fry, Griffin Gallery Director and curator, comments «this award is a fantastic opportunity for a talented
artist to work next to and alongside our innovation and
development lab, create work in a supportive environment and engage with a network of
artists, curators and arts professionals.
Perpetual Peace is part of 18th Street Arts Center's
Artist Labs, a process - based exhibition and residency program inviting
artists to use the center's main gallery as an ongoing open studio for the
development of new work.
Moderator: Heidi Neilson,
artist and founder of SP Weather Station Panelists: Liz Barry, urban designer, Co-Founder & Co-Director of TreeKIT, and Co-Founder and Director of Community
Development at Public Laboratory for Open Technology and Science Ingrid Burrington,
artist - in - residence at Data and Society Research Institute and fellow at Autodesk / Pier 9's Experimental Research
Lab Eric W. Sanderson, director of the Mannahatta Project, author, and Senior Conservation Ecologist, Wildlife Conservation Society Natalie Campbell, independent curator and co-founder of SP Weather Station
MFA Fine Arts and SVA Career
Development present Paul Amenta (MFA 2000 Fine Arts), co-founder of SiTE:
LAB, and installation
artist Julie Schenkelberg (MFA 2011 Fine Arts) discussing methods for a sustainable art practice.
Studio
Lab Artist Residency is a program that provides
artists and collectives, working in a diverse array of media and across genres, with research and
development space and resources.
Call for California
Artists: Little Tokyo Service Center +
LAB Artist Residency (CA), with stipend, travel, and project budget Deadline: January 15th, 2018 Little Tokyo Service Center, a Community
Development Corporation in Los Angeles, California, presents the +
LAB Artist Residency Program,... Continue reading →
In addition to computer software
development, starting in the early 1970s, Spiegel supported herself by both teaching and by soundtrack composition, having had steady work throughout the 1970s at Spectra Films, Valkhn Films, the Experimental TV
Lab at WNET (PBS), and subsequently for various individual video
artists, animators, and filmmakers.
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