Sentences with phrase «artist during exhibition»

I grew more as an artist during that exhibition than I ever had before.»

The main exhibition space is accompanied by a project space which shows work by another artist during exhibition periods.

Not exact matches

◆ Jane Harris's tale of art and deception, Gillespie and I (2011) is set in nineteenth - century Scotland, and explores the friendship between the narrator Harriet and an artist she meets in Glasgow during the International Exhibition.

Visit Museum of Brisbane during Mao's Last Dancer the exhibition and design your own kite or be inspired by the koinobori fish template created by Brisbane artist Elysha Rei.

This spring, the Philadelphia Museum of Art will present an exhibition exploring the creative responses of American artists following the rapid pace of change that occurred in the US during the early decades of the twentieth century.

During this time, it will also support major exhibitions at both MoMA and MoMA PS1, including the latter's forthcoming local artist... Read More

Opening: «The Chicago Show» at the Chicago Show House Curated by Madeleine Mermall, this group exhibition pairs up - and - coming artists based in the Windy City with works by the Chicago Imagists, a group active during the late 1960s that was inspired by both Surrealist art and pop culture.

The gallery should commit to some standard for promoting the sale of the artwork and hosting one or more exhibitions for the artist during the consignment term.

The exhibition which opens during Bushwick Open Studios weekend features a work by 19 international artists who have each selected an artist from Brooklyn to participate in the show.

Andrew Graham - Dixon talks to Howard Hodgkin at Modern art Oxford in 2010 during the artist's exhibition «Howard Hodgkin: Time and Place».

During this unique five - year project IMMA will present a series of different and exclusive Lucian Freud related exhibitions, with a new programme of events and openings each year, including works and new commissions by other modern and contemporary artists in response to Freud, and will reveal exciting new perspectives on this major artist today.

Mark Dagley is equally renowned for being a publisher and for playing guitar in the seminal punk bands the Girls and Hi Sheriffs of Blue during the 1970s and»80s, but given the strength of his current exhibition, he should be best known for being a reductive abstractionist — that is, an abstract artist who approaches painting through its most basic means and language.

► ART BASEL MIAMI: Artwork (originally created for the Charles H. Wright Museum «VISIONS» exhibition) will be showcased along with 43 other renowned and acclaimed Artists of Color commissioned for the laudable exhibition during an upcoming exhibition at the Black Archives Historic Lyric Theater Cultural Arts Complex with «VISIONS OF OUR 44TH PRESIDENT.»

PRIZES > SPSCC purchase award (up to $ 1500) > Merit Awards ($ 100 / each and inclusion in the Merit Award Group Show during the upcoming exhibition season) > Viewer's Choice (winning artwork will be used for publicity the following season) > All submitting artists will receive an exhibition catalogue.

In the most comprehensive survey of the artist's work to date, the exhibition will include approximately 60 paintings dating from Laura Owens's emergence in the Los Angeles art scene during the mid-1990s to her work of today.

Welcome to Art Provocateurs Week, in collaboration with Art Alliance, where we interview artists who are a part of the Shepard Fairey - curated «The Provocateurs» exhibition during Lollapalooza.

I especially can't wait to see Objection, a collaborative exhibition uniting two emerging women artists, Michal Cole Israel / UK and Ekin Onat Turkey / Germany, at the Pavilion of Humanity during the 57th Venice Biennale.

He was also Artist in Residence at Tate St Ives for a year during 2008 followed by a solo exhibition in the gallery in early 2009.

Through the friendship and careers of the trio of artists — all who live and work in The Hamptons — the exhibition explored paintings made and the intersections and divergences of each of their art practices during this time period.

ACAC commissioned the artists to develop their first exhibition addressing a Southern context and during the past several months they have visited Atlanta three times; Burns and Young engaged the Antioch Baptist Church North, New Horizon Baptist Church, Atlanta History Center, Hammonds House Museum, Margaret Mitchell House and Museum, Souls Grown Deep Foundation, The Wren's Nest, WonderRoot, and numerous antique stores, farmer's markets, and private homes.

Student artists used found images from newspapers and magazines to add drawings to the walls during museum hours throughout the run of the exhibition.

During the exhibition preview, much was made of the artist's fully contemporary approach to painting, and it's hard to argue this point.

This unique exhibition and panel discussion examines the visual impact of the radical disruption that transpired during the tumult of the Communist Revolution, and how this informs the perspectives of Chinese artists Kuo Ming Chiao, Chuang Che, and Fu Shen.

«I am an artist of America,» declared Lonnie Holley during a talk for the opening of his exhibition at the Halsey Institute of Contemporary Art in Charleston, South Carolina.

In conjunction with our current exhibition, «A (Mis) Perceived Physique: Bodyscapes of Three Women Artists» the Target Gallery will be partnering with the Domestic Violence Program of Alexandria and The Clothesline Project to raise awareness during Domestic Violence Awareness month.

Hanna Schouwink and John McCracken standing on West 19th Street during the installation of John McCracken, the artist's third gallery solo show and the inaugural exhibition at David Zwirner's new space at 533 West 19th Street, New York, September 2006

With roughly 100 artworks by 62 artists, the exhibition embraces the irrationality among American, Latin American and European artists during the three decades from 1950 to 1980.

During the artist's lifetime, he presented several solo exhibitions at David Zwirner, in 1993, 1994, 1996, 1998 (with Heimo Zobernig), and 1999.

The exhibition comprises large scaled paintings Sall produced during his recent residency at the Roswell Artist - in - Residence Program in New Mexico.

This exhibition of rarely - seen paintings by Konrad Lueg (1939 — 1996), also known as Düsseldorf - based gallerist Konrad Fischer, includes 18 paintings produced from 1963 to 1968, the five - year period during which the gallerist also worked as an artist.

In the most comprehensive survey of the artist's work to date, the exhibition includes approximately 60 paintings dating from the emergence of Laura Owens in the Los Angeles art scene during the mid-1990s to her work of today.

Additionally, during the Prospect.3 biennial, the work of the participants was seen in the exhibition «Convergence: JMC @ Prospect.3», at the Center's Rampart Street studios, curated by artist, scholar and MacArthur Fellow Deborah Willis (Ph.D., New York University).

This groundbreaking exhibition examines the artistic dialogue that took place between American painter Joan Mitchell and Canadian artist Jean - Paul Riopelle during their 24 - year romantic relationship.

This summer, during group shows and ahead of fall exhibition openings, we're visiting New York - based artists in their studios.

During the 1990s she managed Laurie Anderson's studio, wrote reviews for Art in America, worked as an educator at MoMA, curated exhibitions at pop - up sites, conducted salons for artists and writers, taught art history, while completing her master's and doctorate in art history, from the Institute of Fine Arts, New York University, under the mentorship of Linda Nochlin.

The gallery will advertise and promote the selected artists for the exhibitions and host a formal Opening Reception for the exhibition, including an Artist Talk during the opening reception.

The conception of each artist's work is in direct response to the others» during the planning stages of the project, and the resulting exhibition is a lively thoughtful interplay unfolding in the galleries in real time.

The artist winning Best in Show will be awarded a solo exhibition during the Callanwolde Gallery's 2018 season.

This captivating exhibition focuses on the remarkable paintings and drawings created by the American artist Charles Seliger during the first decade of his career.

The exhibition presents approximately 140 works by thirty - two artists active during this historical period, exploring the rising strength of the black community in Los Angeles as well as the increasing political, social, and economic power of African Americans across the nation.

As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.

During the same year, the artist also had a solo exhibition at Gallery Kaune, Posnik, Spohr in Cologne, Germany titled, Gentle Creatures.

Created in close collaboration with the artist, this fully illustrated publication includes texts by Christopher Bedford, who curated the exhibition during his directorship at The Rose Art Museum, Suzanne Hudson, Catherine Lord, and Siddhartha Mukherjee, and features an interview with the artist by Katy Siegel.

Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their works to curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and outside the Deep South.

The exhibition presented works made by 15 artists during the last decade which had recently entered the museum's collection.

«CHERRY Makita - Honest Engine Work» is the latest project in an ongoing group of exhibitions which the artist has been working on during the past three years.

During the 1970's and 80's, Marlborough continued to stage major exhibitions of its stable of artists alongside important retrospectives of Modern Masters: Jacques Lipchitz and René Magritte in 1973; Max Beckmann and Max Bill in 1974; Henri Matisse in 1971 and in 1978 and the revisionist Kurt Schwitters in Exile: The Late Work 1937 - 1948 in 1981 which led to a new appreciation for the late work of this artist.

During his lifetime, the artist's work was included in group exhibitions including the Venice Biennale as well as several Whitney Annuals and Biennials.

Some artists will be present during the exhibition, while others will be working through proxies - L.A. - based artists who have agreed to act on their behalf.

During the Gallery Weekend Berlin, the gallery Kewenig opened its first solo exhibition with the French artist Bertrand Lavier in...