Sentences with phrase «artist feels when»

Its a sensation of all creative artist feels when they give birth to their masterpiece!

To be a talented expressionist is to paint so that everyone can feel what the artist felt when painting.

Not exact matches

Mihaly Csikszentmihalyi championed this notion when he realized that this experience was felt and described in a similar manner no matter the person — religious mystics, scientists, artists, and ordinary working people describing their most rewarding work experiences.

Artist and barista Jeoffrey Valiente channeled the feel of his Long Beach, Calif., neighborhood when he created a mural for the new store, which is partnering with a non-profit to help young people gain job skills.

We felt it was important to honor the artist and his legacy, and sometimes when you're selling an album after someone's passing it can feel a little questionable or exploitative, George Flanagan, the co-store manager of Rough Trade's Brooklyn storefront, told Huffington Post.

Artist and marine conservationist Katie commented, «You can feel the hostility and tension when you're with [them] and what a burden we are.

-LSB-...] and l felt like a legit food artist when making the marble swirls in the bread (find the recipe here).

I might already be falling victim to the feeling of nervousness that invades every artist when it comes to displaying one's creations.

Among my New England tribe of farmers, activists, yogis, artists, and poets I felt a communal appreciation for the sense of abundance we felt in one another's presence, the sense of adventure and connection and always - enough when we gathered together to sing songs around campfires, share potluck meals, and open up our homes and hearts to each other.

Personally, I felt nervous about using my normal concealing routine, but celebrity and editorial makeup artist Katie Jane Hughes told me that when concealing in tandem with powder foundation, concealers with a mousse texture will still work, but liquid might not lay well over powder.

Many people may resonate with this, but to be honest, you don't have to be artistic and you don't have to give a hoot about philosophy to practice Yoga, although you may just feel like a performing artist when you're fluidly floating through space and holding power poses.

Will and the Mecca artists did a great job, I am at times a little apprehensive when handing over my face to be made up in case I leave feeling over done, but they completely understood my desire for a glowing, fresh face that is still natural.

At that time I felt like there weren't a lot of makeup options for darker skin tones available, and the makeup artists at the department store counters seemed to think that loading up the darkest shades of shadow, blush, and lipstick was the only way to go --(this is before YouTube changed the world of makeup for women of color)-- that's when I decided to take matters in to my own hands and I became sort of obsessed with playing with makeup.

Actors, writers and artists talk about feeling the «creative spark,» but when it comes to dating or finding a life partner, is there such thing as a «spark» that makes two people feel connected?

I feel even more so when it's labeled» Christian» People are more inclined to take advantage of people's faith and more con artists, scammers or now known as «Cat Fishing» goes on.

Even in a time when black pop artists have grown especially political, the work feels critical.

Celebrating «The Artist» for its originality may seem a tad contradictory — after all, silent movies have been around longer than any other form of cinema — but when compared to today's crop of films, it certainly feels fitting.

And yet, as any filmmaker — or any other artist — will attest, there's no warmer feeling than being around when an audience connects with what you're trying to tell them.

He feels that art - related terms such as alliteration and hyperbole become more relevant when rooted in discussions about artists and styles that the kids like.

I now feel confident that I can train our teaching artists in how to write curriculum that complies with state standards and how to do so myself when offering programs to schools.»

Compared with the Alfa's tiny, fat two - spoker, the Cayman's steering wheel is so huge you feel like Leonardo da Vinci's Vitruvian Man when you reach out to grasp it at nine and three (the artist also suggests ten and two as an alternative, but we disagree).

«The addition of Image Comics is an ideal fit for our platform and I feel both companies share similar values when it comes to supporting artists and storytellers.

Flashpoint # 4 Writer: Geoff Johns Artists: Andy Kubert and Sandra Hope Cover Artists: Andy Kubert, Ivan Reis, and George Perez Publisher: DC With one issue left to go, I'm back to feeling the same as I felt when this even...

That was the emotion I felt when reading World Hum's tribute to six travel writers (one of which was an artist) who «never made it home.»

I wasn't aware of this when I booked a midsummer three - week trip to Bali, but we felt the reality of those numbers immediately in Ubud, the once sleepy artist's village where Ms. Gilbert (played by Ms. Roberts in the film) found love.

When I play the new Kirby game, I'm transported to a familiar place that feels like home - but that home has received an extreme aesthetic makeover, and I'm eager to tour every room and experience what these clever artists have done to the place.

When they upload all of their work to an Art Mall site, it makes many artists feel like they are finally getting their -LSB-...]

for your business, instead of feeling overwhelmed when you get publicity or public praise from another artist.

When they upload all of their work to an Art Mall site, it makes many artists feel like they are finally getting their work online.

When the presentation was over, I felt like the artist was a brand representative who had just delivered a meticulously rehearsed sales pitch.

I think what's interesting is that the headline (of an email i didn't actually receive, but i did receive the follow - up) echoes how artists themselves feel... argg it's so scary when you put yourself out there and in the beginning get little response and the tendency is to take it personally...

And since I'd been «trying» to be a writer 15 years ago when I accidentally ended up as an artist (see part 1), I felt like I'd come full circle.

But the minimalist aesthetic indicated by the title shouldn't suggest that the works are dry or ascetic: to the contrary, the nine artists included here — Lula Blocton, Regina Bogat, Samia Halaby, Hermine Ford, June Leaf, Lizbeth Marano, Kazuko Miyamoto, Lynn Umlauf, and Merrill Wagner — infuse their efforts with an unexpected warmth, humanity, and quirkiness that feel all the more invigorating when compared with the cerebral objectification prized by their male Minimalist counterparts.

The destabilisation of the world has arisen as a recurring concern for the artist since 2003, an important year when he felt the world changed with the invasion of Iraq and anti-war demonstrations.

Pollock saw Sobel when the anxious artist felt himself starting over.

When the BBC came to interview me for News at Ten one of the questions they asked me was, «How does it feel that you've only been asked to be in the Turner Prize now that you're 44 and have been an artist for over a decade?»

As a white artist who has worked with and featured people of color in my work, when I look in to my thoughts and feelings about the discussions surrounding Dana Schutz's painting of Emmitt Till I find myself uneasy, still working out my thoughts.

For example, when I chose to work photographically I felt that I was siding with the many women artists I was interested in who had also chosen to work photographically, such as Barbara Kruger, Louise Lawler, Barbara Bloom, Sherrie Levine, and Sarah Charlesworth.

Now that much has changed for women artists, it is perhaps important to review a moment when women felt the need to confront particularly iconic male artists — «feminina a mano,» that is to say, combat with a woman's touch.

When artists feel excluded and boast of the handmade, they think they are special as well.

, serves as the artist's personal reflection on the news of Sandra Bland's death, which she said made her feel saddened in a way she didn't fully understand, prompting her to think about how best to represent the «unlocatable» sense of loss you feel when struck by the death of someone you didn't know intimately.

In July 2015, when I encountered the installation by the New York — based artist Saya Woolfalk in the Disguise: Masks and Global African Art exhibition at the Seattle Art Museum, I felt like...

The artist takes that response and its feelings and shapes it on canvas with paint so that when finished it contains the experience.»

One such floral work, Say Her Name, serves as the artist's personal reflection on the news of Sandra Bland's death, which she said made her feel saddened in a way she didn't fully understand, prompting her to think about how best to represent the «unlocatable» sense of loss you feel when struck by the death of someone you didn't know intimately.

Well, when you look at the early manifestos of abstraction, simply being non-figurative was among the highest values — if something was still at all discernibly based in visual reality, the feeling was that the artist wasn't pure enough.

The sculpture probably would have suited the artist, better known for his paintings («Coups de Pinceau» means «brushstrokes»)-- but it was the foundation's language - defying designation of this piece as a «posthumous artist's proof» that suggests someone felt a bit awkward when describing it.

When the visit is over, we are left with the overwhelming feeling of having read through a long list of famous artist names.

The artist uses the language of stark Minimalism to affect a result akin to the human fragility felt when viewing the horrors of a Bacon painting.

And indeed, zoning in on the spontaneous irregularities that arise when the rubber meets the road, one gets a tactile feel for both the pavement in situ and the artist's fascination with it.

When the Iranian American artists Amir H. Fallah first came to Dubai, he had an extraordinary feeling; for the fi rst time ever, he felt invisible.