Sentences with phrase «artist films her work on»

The artist films her work on a green screen, carefully directing her cast of characters to make movements, perform dances, or spell out her «video alphabet.»

Not exact matches

While Waits remains somewhat of an anomaly in the music industry — he also acts, scores films and plays and was a regular guest on Bob Dylan's Theme Time Radio Hour show — he serves as an example of a truly multimedia artist, able to promote his work in one medium through the use of others.
CDS announced on April 10, 2014 it will produce a prank film with the working title Natural Born Pranksters, starring Zdorovetskiy, Atwood, and a third prominent YouTube prank artist, Dennis Roady.
Mark Bridges, the BAFTA - winning costume designer for «The Artist,» was the first designer Rogien worked for, on the 2006 film «Fur: An Imaginary Portrait of Diane Arbus,» starring Nicole Kidman.
MAC Rick Baker Halloween Makeup Collection 2013 Rick Baker created a new exciting MAC cosmetics Holiday makeup collection for Halloween 2013 the legendary Hollywood special effects makeup artist, who's worked on films like Planet of the Apes, Tropic Thunder and...
I love listening to soundtracks and films scores, but Sia is one of my favourite artists at the moment, so I always have her songs on repeat at work.
There are no permanent exhibitions, but artists from around the world descend on the gallery to show works, which range from film, photography and paintings to sculpture and sound installations.
There's little doubt, ultimately, that the character works best in extremely small doses and yet much of the narrative is focused entirely on his somewhat obnoxious (and completely unsympathetic) exploits, which ensures that large swaths of The Disaster Artist completely fail to completely capture and sustain one's interest - although it's hard to deny the effectiveness of certain making - a-picture sequences in the film's midsection (eg the shooting of the infamous «oh, hi Mark» scene).
I don't know whether it's the technology that's changed, or that the artists, most of whom worked on the first, have grown, but there is a striking new level of emotion in the characters themselves, particularly their eyes, that does much to, well, animate the film.
New York's Museum of Modern Art has created a YouTube series, «How To See,» that features museum curators and sometimes the artists themselves delving into the work, Monitor movie critic Peter Rainer's pick for best film of the year, «The Florida Project,» is available on DVD and Blu - ray, and more top picks.
They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.
One of the most prolific film artists in Hollywood history, the German - born art director Hans Dreier worked on more than five hundred films from 1919 to 1951, amassing twenty - three Academy Award nominations and three Oscars.
The principal artists in the film had not worked on any production of this scale before.
The Disaster Artist is the first time James has worked with his brother, Dave, on a film, after the younger Franco intentionally took roles in other projects in an effort to make a name for himself.
The licensed 2005 featurette «Defining a Style» (12:34) lets animators and background artists reflect on their work on the film, their memories of production, and the film's significance decades later.
EXCLUSIVE: Entertainment PR bigwig 42West is expanding its below - the - line publicity group, setting Rachel Aberly to spearhead the now bi-coastal division that will focus on strategies showcasing the work of film and TV crafts artists for both awards - season and overall release campaigns.
Within a very few years, artists like John Carpenter, John Landis, Steven Spielberg, Joe Dante, Rob Bottin, Rick Baker, Sam Raimi, Brian DePalma, Bob Clark, Dan O'Bannon, Sean S. Cunningham, Wes Craven, Tobe Hooper, Stan Winston, Larry Cohen, and on and on and so on, were working in and reinvigorating the horror genre — many under the tutelage of Roger Corman, still others the initial products of formal film school training, almost all the consequence of a particular movie geekism that would lead inevitably to the first rumblings of jokiness and self - referentiality - as - homage that reached its simultaneous pinnacle and nadir with Craven's Scream.
During her tenure at the Institute, she has represented Sundance internationally by serving on juries, speaking on panels, and working to cultivate relationships with film commissions, industry, and artists around the world.
Why every film fan should know and remember Vilmos Zsigmond, one of cinema's greatest artists... This is a found - footage documentary exploring the work of cinematographer Vilmos Zsigmond who died on the 1st January this year.
Here's an interesting portrait of Howard Berger, a special makeup effects artist who's worked on films like The Chronicles of Narnia and Inglorious Basterds, and the work he does to transform actors into, well, monsters.
Of the six features on this set, all but Playtime make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.
To hit that elevated goal post, Spielberg worked in concert with New Zealand - based Weta Digital, known for its boundary - expanding work on the «Lord of the Rings» and «Hobbit» trilogies, «Avatar,» the rebooted «Planet of the Apes» films and Spielberg's own «Tintin,» with a team headed up by Oscar - winning senior visual effects artist Joe Letteri.
But while Wiseau's ineptitude and tyranny behind the scenes of his mystifying magnum opus make for a few funny scenes, there is no point at which The Disaster Artist attempts to work on its own as a film — not even as a poor man's Ed Wood.
In the conclusion of his interview with fellow director Mick Garris, Friedkin discusses his collaboration with make - up artist Dick Smith on The Exorcist, and the sensation that film caused on its release; he also discuss recent movies and moviemakers he admires, his own work on television, and his passion to create.
A prolific artist whose career spans nearly 20 years and 11 albums, his work has been featured on the soundtracks for «Whiskey Tango Foxtrot» (2016), «Demolition» (2015) and the Oscar - winning film «Little Miss Sunshine» (2006), among others.
Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters
While I'm a great admirer of Barker as an artist and a person and Atkins is apparently a lifelong friend of his, Atkins seems something of a prat — constantly fishing for compliments for his largely incoherent work here, and pontificating on the extent to which the film was misunderstood.
back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,
Filmmaker Jennifer Kent was honored with the Breakthrough Artist award for her work on the horror film «The Babadook,» which also won four awards at Austin's Fantastic Fest earlier this year.
While many people have criticized them in the past for bestowing the moniker «Oscar nominee» on many mediocre (or worse) films, the makeup artists clearly seem to take the work into account regardless of perceived film -LSB-...]
Here, Hoffman discusses her transition to Tarantino's official costume designer, her love of the western genre, her collaboration with the hair and makeup artists on set, and her upcoming work on films by Matt Ross and Edgar Wright.
In our latest Crew Call podcast, Gassner describes the «brutality» philosophy of the future that both he and director Denis Villeneuve painted, how famed concept artist Syd Mead who worked on the original film was involved in the sequel, and how most of 2049 was shot with actual sets (despite that gorgeous birdeye's shot of the cliff - tall Atari sign).
Since his triumph last May at the 2011 Cannes Film Festival, Dujardin has been on a prize - winning roll for his work in «The Artist,» most recently picking up trophies at the Golden Globes and this weekend's Spirit Awards for independent film.
In fact, Wong's idea to make a biopic for the legendary martial artist was conceived more than a decade ago, when he was working on his 1997 film, «Happy Together».
Claude Lelouch)-- World Premiere A successful film composer (Academy Award winner Jean Dujardin, The Artist) falls in love when he travels to India to work on a Bollywood retelling of Romeo and Juliet, in this glorious romantic drama from the great French director Claude Lelouch (A Man and a Woman).
Hollywood, CA (October 19, 2017)-- dick clark productions announced today that Andrew A. Kosove, Broderick Johnson and Cynthia Sikes Yorkin will receive the «Hollywood Producer Award» for their stunning film Blade Runner 2049, directed by Denis Villeneuve and starring Ryan Gosling and Harrison Ford and Scott Neustadter and Michael H. Weber will receive the «Hollywood Screenwriter Award» for their work on the film The Disaster Artist, based on the real - life story of filmmaker Tommy Wiseau, at the 21st Annual «Hollywood Film Awards.»
Scott Neustadter and Michael H. Weber will receive the «Hollywood Screenwriter Award» for their work on the film The Disaster Artist, based on the real - life story of filmmaker Tommy Wiseau, at the 21st Annual «Hollywood Film Awards.»
One filmmaker I was very excited to meet was Ray Harryhausen, the great stop - motion animation artist whose many film works brought realistic dinosaurs and a variety of other gigantic, threatening creatures to the big screen, many of them wreaking havoc on American shores, during the 1950s,»60s and»70s, as well as one last extravaganza in the early 1980s.
Paintings and prints frequently carry particular meaning within Petzold's films, as examples of the ancient tradition of ekphrasis, probably none more so than in Phoenix's immediate predecessor Barbara (2012) with its conspicuous Rembrandt print, but likewise in much earlier works like Die Beischlafdiebin (The Sex Thief, 1998) with a Gerard Richter on the wall — another artist conspicuously engaged with multiple forms of peculiarly German afterness.4
Because the film features con artists at work it is easy to anticipate the lies on top of lies procedure, therefore, the love triangle that forms between the three leads becomes the real emphasis of the story.
I doubled back to his earlier films; I loved both Boogie Nights and Magnolia, but they felt like the work of a different artist entirely, one less sure on his feet and more indebted to his influences than the one who'd produced these singular masterpieces in the past decade.
Yea, I've read a lot of philosophy from Nietzsche (whom I enjoyed and learned a lot from; actually Francis Coppola suggested I read him when I worked on a film with him) to Kierkegaard and Otto Rank's wonderful Art and the Artist.
The statue was built by Masayuki Ohashi, a Japanese artist, and designed by Weta Workshop, the special effects company which was behind the «Lord of the Rings» trilogy and has worked on the «Hobbit» films as well.
The director, one of China's most respected visual artists after his stunning work on crossover hit wu xia films like House of Flying Daggers and Hero, is no stranger to over-the-top stylization.
Isle of Dogs Behind the Scenes (in Virtual Reality) / (Lead Artists: A collaboration between Felix Lajeunesse & Paul Raphael and the Isle of Dogs production team)-- This virtual reality experience places the viewer inside the miniature world of Wes Anderson's upcoming stop - motion animated film, face to face with the cast of dogs as they are interviewed on set, while the crew of the film works around you to create the animation you are seeing.
First is Sting's dramatic Oscar - nominated end credits anthem «My Funny Friend and Me» (2:54), presented as a hybrid of a music video and the artist's reflections about working on the film (a sterilized abbreviation of production, to be sure).
In the Society's most prestigious category, the Buried Treasure, the nominees are: DAVE MADE A MAZE, a unique adventure film about a frustrated artist and his creation; the compelling documentary THE DEATH AND LIFE OF MARSHA P. JOHNSON, about an icon of the queer and trans movements; Dee Rees» MUDBOUND, a story of 2 families working the same land in 40s Mississippi; PATTI CAKE$, whose eponymous white lead dreams of being a rapper; the latest from the Dardennes brothers, psychological drama THE UNKNOWN GIRL; and WINDOW HORSES, an animiated film based on a graphic novel written by its Asian - Canadian director.
The scheme offers film artists a unique opportunity to make artistic film works on arts subjects.
It was while working on The Soft Skin that Truffaut really began to obsess over Hitchcock's films, and, as Jones explains, the French filmmaker would soon after be instrumental in Hitchcock's starting to be taken seriously as an artist in America.
Penned by Eric Singer, the film will tell the true story of a famed financial con artist (Bale) and his mistress / partner in crime (Adams) who were forced to work with an out of control federal agent (Cooper) to turn the tables on other con artists, mobsters and politicians.
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