Sentences with phrase «artist first studied»

Born on April 20, 1893 in Barcelona, Spain, the artist first studied commerce before defying his parents and enrolling at the art academy in his hometown.

Works on view are «Numbers and Trees», a project started in 1985, and the «Walnut Tree Orchard» series (1975 - 2014) where the artist first studied the tree as a subject.

Not exact matches

The first is Kit August, a Breast Cancer survivor — state winning artist, holder of several technology patents, actress, musician and currently studying toward her Phd.

Today, as explained on the site, ArtThink provides «in - depth investigation of twentieth - and twenty - first - century art and artists by using SFMOMA's award - winning interactive programs, Making Sense of Modern Art and Voices and Images of California Art, as the basis for study.

For example, a young artist planning a piece on AIDS might first study the biochemistry of the disease, or one illustrating the experience of Chinese Americans might first learn the history of Chinese immigration to the United States.

One could not begin to understand the artist without first studying the brush strokes... the use of color, line, symmetry, light, dark.»

«No sketches first, no studies, that's long past: I do what many dream of, all their lives... Well, less is more... «Robert Browning (1812 — 1889) from his poem (1855) «speaking» as artist Andrea del Sarto to his wife Lucrezia Less is More I needed to tidy my studio, but where to start?

Lead concept artist Michael Pedro will talk about multiplayer visual development process, while presenting multiple first - person - shooter case studies, including the award - winning series «Halo.»

A veteran game developer, Hennig studied literature at UC Berkeley and later film at San Francisco State University, the latter leading to her first game industry gig as an artist for Atari in the 1980s.

It is somewhat pathetic that this highly successful artist, unsparing of herself in the painstaking study of animal anatomy, diligently pursuing her bovine or equine subjects in the most unpleasant surroundings, industriously producing popular canvases throughout the course of a lengthy career, firm, assured and incontrovertably masculine in her style, winner of a first medal in the Paris Salon, Officer of the Legion of Honor, Commander of the Order of Isabella the Catholic and the Order of Leopold of Belgium, friend of Queen Victoria — that this world - renowned artist should feel compelled late in life to justify and qualify her perfectly reasonable assumption of masculine ways, for any reason whatsoever, and to feel compelled to attack her less modest trouser - wearing sisters at the same time, in order to satisfy the demands of her own conscience.

It is somewhat pathetic that this highly successful artist, unsparing of herself in the painstaking study of animal anatomy, diligently pursuing her bovine or equine subjects in the most unpleasant surroundings, industriously producing popular canvases throughout the course of a lengthy career, firm, assured and incontrovertibly masculine in her style, winner of a first medal in the Paris Salon, Officer of the Legion of Honor, Commander of the Order of Isabella the Catholic and the Order of Leopold of Belgium, friend of Queen Victoria — that this world - renowned artist should feel compelled late in life to justify and qualify her perfectly reasonable assumption of masculine ways, for any reason whatsoever, and to feel compelled to attack her less modest trouser - wearing sisters at the same time, in order to satisfy the demands of her own conscience.

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Curated by 8 first - year graduate students at the Center for Curatorial Studies, In a Room Anything Can Happen presents work by more than 30 artists in the Marieluise Hessel Collection.

Tillmans, who studied at Bournemouth and Poole College of Art and Design in England and lived in London from 1992 to 1994, and again from 1996 to 2007, was also the first foreign artist to win the Turner Prize; the award is given to «a British artist,» which includes non-nationals working in the United Kingdom and British artists working abroad.

BOOKSHELF Check out these recent studies of the aforementioned artists and their practices: Part of the Wexner Center for the Arts series, Mark Bradford is the first major book on the artist and features images and essays examining the social and aesthetic significance of his work.

Her dissertation, «Roles Recast: Eleanor Antin and the 1970s,» is the first monographic study of the artist.

Following this he studied under the artist David Bomberg, during which period he developed a friendship with fellow student Leon Kossoff, before going to St Martin's School of Art from 1948 - 52, and the Royal College of Art from 1952 - 55, where he was awarded a Silver Medal and First Class Honours.

Fangor is the creator of the world's first environment art, titled A Study of Space, arranged by the artist together with his friend, architect Stanislaw Zamecznik, in 1958 at the New Culture Salon in Warsaw.

At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.

The first exhibition of her work in a US museum, this show focuses on the 1920s, when the young Brazilian artist returned to São Paulo after studying in Europe and being exposed to art movements like Cubism, Futurism, and Expressionism.

Tim Rollins came to New York in 1975 high on the writings of Joseph Kosuth — first studying with and then assisting the conceptual artist at the School of Visual Arts.

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

An insight into Eddie Chambers's «Black Artists in British Art: A History from 1950 to the Present», the first comprehensive study on the topic.

Maya Lin's use of technological methods to study topographical and geographic phenomena presents viewers with the opportunity to experience the natural world through a twenty - first century lens, and demonstrates the artist's ability to translate the enormity of our world, in this case the Arctic, to a scale that is more relatable.

This is the first in - depth study to address the role of the city in the work of French artist Jean Dubuffet (1901 — 84).

The first book - length study of her career as an artist and teacher, Edna Andrade examines the aesthetic influences, creative development, and enduring legacy of this dynamic twentieth - century artist.

Whitten moved to New York in 1960 and remained there following graduation from Cooper Union in 1964, studying the collection of African art owned by his first art dealer, Allan Stone, and embedding himself both in the downtown NYC painting scene, and in the uptown circles of Black artists like Romare Bearden.

Created in close collaboration with the artist, the publication's beautifully produced color plates offer a selection of the iconic works, including Riley's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette, and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

Along with Alighiero Boetti and Jan Fabre, he was one of the first artists to dedicate years of his life to the intense study of ballpoint as an art - making device...» — Trent Morse, Ballpoint Art, Laurence King Publishing, London, 2016.

The first comprehensive museum exhibition in the United States about the experimental liberal arts college where influential artists such as Robert Rauschenberg, John Cage, Josef and Anni Albers, and Merce Cunningham studied and taught.

They represent the first full - length studies by Ingres to enter the Morgan's collection, joining three portraits and four additional sheets from the Thaw collection and nine other drawings by the artist.

Named for the renowned African - American artist and art scholar, the Driskell Prize was founded in 2005 as the first national award to celebrate an early - or mid-career scholar or artist whose work makes an original and important contribution to the field of African - American art or art history and related Diaspora studies.

In the 1970s, Williams studied at the California Institute of the Arts under the first wave of West Coast conceptual artists, including John Baldessari and Douglas Huebler, only to become one of his generation's leading conceptualists.

When Motley turned it down in order to study at the Art Institute of Chicago, Gunsaulas, impressed with the young artist's talent and ambition, offered to pay his first year's tuition.

A classically trained artist who studied at age eleven in the Leonardo da Vinci Art School, the same atelier that Isamu Noguchi attended, which was created for New York's working poor in Alphabet City, Carone went on to become a member of the first generation of Abstract Expressionists.

These include the artist's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette — a «narrow chromatic range that recalled natural phenomena» — and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

Shepard Fairey is a Los Angeles based contemporary artist, graphic designer, and illustrator, who first became known for his «OBEY GIANT» stickers which he created while studying at the Rhode Island School of Design.

She studied under artist Arshile Gorky from 1934 − 1936, and wrote the first biography of Gorky.

As a mere bud of an artist, I was unprepared for the depth and length of concentration that the workshop demanded: For the first half of June, it lasted two weeks at 12 hours per day of drawing and critique, with studies of master paintings during the weekend in between.

VanDerBeek first worked on Poemfield at Bell Laboratories in Murray Hill, New Jersey and then as an artist - in - residence at MIT's Center for Advanced Visual Studies in Cambridge, Massachusetts.

He is currently finishing his dissertation «From Minimalism to Performance Art: Chris Burden, 1967 — 1971,» which is the first in - depth study of the influential American artist's early career sculpture and performance art.

February brought us Leap Before You Look: Black Mountain College 1933 - 1957, the first comprehensive museum exhibition in the United States about the experimental liberal arts college where influential artists such as Robert Rauschenberg, John Cage, Josef and Anni Albers, and Merce Cunningham studied and taught.

This, the first of Turner's paintings of the castle, was created during the artist's studies for his diploma at the Royal Academy, and is currently on show as part of the Welsh Landscapes exhibition at the National Library of Wales in Aberystwyth.

He showed an early talent for painting, studying at Black Mountain College in North Carolina — one of the first American colleges to hire major modern artists as faculty members.

Daan van Golden, Study H.M., 2004 March 20 — April 19, 2008 Greene Naftali presents the first US exhibition of legendary Dutch artist Daan van Golden, organized for the gallery by Anne Pontegnie.

When Swiss artist Heidi Bucher (1926 - 93) was studying fashion at the Kunstgewerbeeschule in Zürich in the 1940s, one of her first acts was to dip her clothes and underwear in latex.

David Buckman first published the celebrated From Bow to Biennale: Artists of the East London Group in 2012, the first study of this important Group of artists based on correspondence and interviews with the last, now - deceased Group members plus primary and secondary archival research over manyArtists of the East London Group in 2012, the first study of this important Group of artists based on correspondence and interviews with the last, now - deceased Group members plus primary and secondary archival research over manyartists based on correspondence and interviews with the last, now - deceased Group members plus primary and secondary archival research over many years.

The first works by the late African American artist Jack Whitten to enter the museum's collection are the painting on paper Form (3rd Set) 2 (1965) and the drawing Study for Greek Alphabet Series # 2 (1978).

Her works are primarily voiced in the first person, often blurring the distinction between the artist and object of study.

«Figure Study II is one of the greatest acquisitions the Contemporary Art Society has ever made and the first painting by Francis Bacon to enter a public collection in this country... Its display with Figure Study I offers a rare opportunity to understand the artist's thinking across two works from a critical moment of Bacon's career».